TABLE OF CONTENTS |
Click the boxes in the Table of Contents for
access to each article |
Boxes that contain the symbol link to our sister-publication rue des beaux-arts. |
DE PROFUNDIS |
Pascale Amiot |
Oscar Wilde De Profundis. |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Arnold Bennett |
Suppressions in De Profundis. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
D. C. Rose |
Robert Ross's edition of De Profundis. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
DORIAN GRAY |
Felicia Bonaparte |
The (Fai)Lure of the Aesthetic Ideal and
the (Re)Formation of Art: The Medieval Paradigm that Frames The Picture of
Dorian Gray |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Donald R. Dickson |
‘In a mirror that Mirrors the Soul’ : Masks
and Mirrors in Dorian Gray. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Rita Felski |
The Counterdiscourse of the Feminine in
Three Texts by Wilde, Huysmans, and Sacher-Masoch.
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Isabel Fraile Murlanch |
Taking risks: A reading of Oscar Wilde’s
The Picture of Dorian Gray |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Michael Patrick Gillespie |
'What's in a Name?': Representing The
Picture of Dorian Gray.
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Michael Patrick Gillespie |
Ethics and Aesthetics in The Picture of
Dorian Gray.
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Michael Patrick Gillespie |
Picturing Dorian Gray: Resistant Readings
in Wilde's Novel
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Elana Gomel |
Oscar Wilde, The Picture of Dorian Gray,
and the (Un)Death of the Author
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Judith Halberstam |
Gothic Surface, Gothic Depth: The Subject
of Secrecy in Stevenson and Wilde
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Michael Molino |
Narrator/Voice in The Picture of Dorian
Gray: A Question of Consistency, Control and Perspective |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Isobel Murray |
The Picture of Dorian Gray. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Charles C. Nickerson |
Vivian Grey and Dorian Gray. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Annie Ramel |
The Picture of Dorian Gray : la passion du réel/la passion du semblant
|
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Nancy Jane Tyson |
Caliban in a Glass: Autoscopic Vision in
the Picture of Dorian Gray.
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Shelton Waldrep |
The Aesthetic Realism of Oscar Wilde's
Dorian Gray
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Kenneth Womack |
‘Withered, Wrinkled, and Loathsome of
Visage’: Reading the Ethics of the Soul and the Late-Victorian Gothic in
Wilde’s The Picture of Dorian Gray |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
THE HAPPY PRINCE and other stories |
Deborah Bridle |
Reconnaissance et rejet : jeux de miroir dans ‘The Birthday of the
Infanta’, d’Oscar Wilde |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Naomi Wood |
Paterian aesthetics, pederasty, and Oscar
Wilde's fairy tales.
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Marie-Noëlle Zeender |
« Le pêcheur et son âme »: conte emblématique d'Oscar Wilde |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
AN IDEAL HUSBAND |
Eibhear Walshe |
An Ideal Husband |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
THE IMPORTANCE OF BEING EARNEST |
Jeremy Barris |
The Formal Structure of Metaphysics and The
Importance of Being Earnest |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Patricia F Behrendt |
Oscar Wilde: Savage Paradox |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Michael Patrick Gillespie |
From Beau Brummell to Lady Bracknell,
Reviewing the Dandy in The Importance of being Earnest
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Michael Patrick Gillespie |
Oscar Wilde and the Fabrication of an Irish
Identity
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Joseph Loewenstein |
Oscar Wilde and the Evasion of Principle |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Cary M. Mazer |
Wilde, Society, and Society Drama |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Adrian Pablé |
The importance of re-naming Ernest?
Italian Translations of Oscar Wilde (Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Alexis Tadié |
‘An age of surfaces’ : le langage de la
comédie dans The Importance of Being Earnest d'Oscar Wilde. |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
INTENTIONS |
Megan Becker-Leckrone |
Wilde's Appreciations: Plagiarism,
Citation, and Aesthetic Communities. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Cristina Pascual Aransáez |
A Comparative Study of Two Extreme Versions
of Subjectivist Criticism: Oscar Wilde’s Intentions and Anatole France’s La
Vie Littéraire. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
LA SAINTE COURTISANE |
Rita Severi |
La Sainte Courtisane by Oscar Wilde.
Dramatic Oxymoron and Saintly Pursuits. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
LADY WINDERMERE'S FAN |
Charles Musser |
The Hidden and the Unspeakable: On
Theatrical Culture, Oscar Wilde and Ernst Lubitsch’s Lady Windermere’s Fan
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Lord arthur savile’s crime |
Albert Savine
|
Lord Arthur Savile’s Crime [in French] |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Albert Savine
![](../../new.gif) |
Lord Arthur Savile’s Crime [in English] |
|
POEMS |
Anja Müller |
White Symphonies with Red Spots: Colour and
the Representation of Women in Four Poems by Oscar Wilde. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Robert Ross |
Wilde's Selected Poems |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
SALOME |
Pascale Amiot |
Salomé sur le Pont des Arts (1ere partie). |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Pascale Amiot |
Salomé sur le Pont des Arts (2e partie). |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Megan Becker-Leckrone |
Salome: The Fetishization of a Textual
Corpus |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Annie Bisang |
Staging Salomé |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Peter Cogman |
Wilde’s Salomé: Tenses, Tension and
Progression in Salomé’s Final Monologue |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Katherina Filips-Juswigg |
Mikhail Bulgakov's The Master and Margarita
and Oscar Wilde's Salomé: Motif-Patterns and Allusions |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Atsuko Ogane |
Du mythe solaire au mythe lunaire: d’Hérodias de Flaubert à Salomé
d’Oscar Wilde. |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
John Paul Riquelme |
Shalom / Solomon / Salome: Modernism &
Wilde’s Æsthetic Politics.
(Please note: this is a large .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Helen Tookey |
'The Fiend That Smites with a Look': the
Monstrous/Menstruous Woman and the Danger of the Gaze in Oscar Wilde's
Salomé. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Linda Pui-ling Wong |
The Initial Reception of Oscar Wilde in
Modern China: With Special Reference to Salome. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Linda Zatlin |
Wilde, Beardsley, and the Making of Salome |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
THE SOUL OF MAN |
Alwyn Edgar |
The Soul of Man under Socialism |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
J.C. Powys |
The Soul of Man under Socialism |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Robert Ross |
A Superfluous Note of Explanation |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE'S CHARACTER |
Ruth Robbins |
'Judas always writes the biography’: The
Many Lives of Oscar Wilde |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE and HIS CONTEMPORARIES |
John A. Bertolini |
Wilde and Shakespeare in Shaw's You Never
Can Tell. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Elisa Bizzotto |
I discepoli pateriani: Vernon Lee e Oscar
Wilde. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Elisa Bizzotto |
The Legend of the Returning Gods in Pater
and Wilde |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Seweryn Chomet / Joe Duncan |
Count de Mauny |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Lord Alfred Douglas |
Une Introduction à mes poèmes, avec quelques considérations sur
l'affaire Oscar Wilde |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Robert Fraser |
The Lamp of Artifice: Proust, Darwin and
Wilde |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Ernest La Jeunesse |
Oscar Wilde |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Hugues Lebailly |
Mirages d'Eldorado : Les illusions perdues de Woolner, Whistler et
Wilde |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Julian Maclaren-Ross |
John Ross and Oscar Wilde |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Regina Bollhalder Mayer |
L’amour des esthètes: Rachilde, Wilde et Gide |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Kevin O'Brien |
Robert Harborough Sherard. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Ernest Raynaud |
Wilde dans la mêlée symboliste |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
D.C. Rose |
B. de Sales La Terrière: Magdalen College
and Oscar Wilde. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Robert Ross |
In Memoriam Oscar Wilde. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Richard Ruppel |
Joseph Conrad and the Ghost of Oscar Wilde. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Rita Severi |
Ouida: Wilde’s lionne and ‘The Woman’s World’ |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Laurent Tailhade |
Wilde chez Mallarmé |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Rhys W. Williams |
'Ich rechne vor allen anderen von jetzt ab vor
allem auf Sie': the unpublished correspondence between Carl Sternheim and his
English translator B. J. Morse |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE and THE DANDY |
Pascal Aquien |
Le dandy et
le langage |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Anna Gruskova |
Leichtsinniger Melancholiker, Ein Beitrag zur
Typologie des mitteleuropäischen Dandys. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE’S
IDEAS and PHILOSOPHY |
Jeremy Barris |
Oscar Wilde's Artificiality and the Logic
of Genuine Pluralism. (Please note: this is a pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Megan Becker-Leckrone |
Oscar Wilde (1854-1900): Aesthetics and
Criticism |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
J. Charbonnier |
L'intellectualisme d'Oscar Wilde |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Richard Dellamora |
Bataille/ Wilde: An Economic and Aesthetic
Genealogy of the Gift |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Christian Jambet |
Pour un Portrait de Sebastian Melmoth, Part I. |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
James Swafford |
When Art and Morality Collide: From Rossetti
to Wilde. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Florina Tufescu |
Is Oscar Wilde a Plagiarist? Four Answers
and a Biased Opinion |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
A.B. Walkley |
Sincerity and Style |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Joachim Zelter |
Critical Fallibilism in Oscar Wilde: Karl
Popper anticipated? |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE in the IMAGINATION of OUR TIMES |
Gyles Brandreth |
Oscar Wilde and The Ring of Death |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
C. Robert Holloway |
The Unauthorized Letters of Oscar Wilde
|
|
Nevin Yildirim Koyuncu |
Re-writing and Mystifying Wilde’s ‘Art for
Art’s Sake:’ Tom Stoppard’s Travesties. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Edward Lam |
The Happy Prince (a play script). |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Christopher S. Nassaar |
Earnest Revisited (extracts). (Please note:
this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Mary Ann Shaffer & Annie Barrows |
The Guernsey Literary and Potato Peel Pie Society
|
|
Marita Vermeulen |
Living with Uncertainty, an Interview with Floortje Zwigtman.
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE’S INFLUENCE and LEGACY |
Megan Becker-Leckrone |
Misremembering Wilde: Oscar Wilde, His
Critical Legacy, and His Critics |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Sven-Johan Spånberg |
Representations of Oscar Wilde in Recent
Drama |
|
WILDE and the LAW |
Greg Robinson |
L’expression de l’indicible, les procès d’Oscar Wilde dans la presse
New-Yorkaise et Montréalaise |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
WILDE and the MEDICAL QUESTION |
Ashley Robins |
Oscar Wilde's Terminal Illness:
Re-appraisal after a Century
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE and MUSIC |
Erica Scettro |
Oscar Wilde's Musical References
(Please note: this is a .pdf file) |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
WILDE and THE SEXUAL QUESTION |
Emily Eells |
Oscar Wilde et le Genre Interartistique du Troisième Sexe. |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Marc-André Raffalovich |
L'affaire Oscar Wilde. |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
Éibhear Walshe |
The First Gay Irishman? Ireland and
the Wilde Trials. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
OSCAR TRAVELS |
Patricia Belier |
Oscar Wilde in Fredericton. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Samuel Lyndon Gladden |
‘Sebastian Melmoth’: Wilde's Parisian Exile
as the Spectacle of Sexual, Textual Revolution. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Patrick Sammon |
Oscar Wilde and Greece |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
THE OTHER WILDES |
Marjorie Howes |
Tears and Blood: Lady Wilde and the
Emergence of Irish Cultural Nationalism. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Christine Kinealy |
‘The Stranger's Scoffing’. Speranza, the
Hope of the Irish Nation. |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
NOT CLASSIFIED |
Emmanuel Vernadakis |
'Les Noms comptent plus que tout !': Secret, provocation et
constructions identitaires dans l’œuvre d'Oscar Wilde |
![http://www.oscholars.com/TO/Images/rbago.gif](http://www.oscholars.com/TO/Images/rbago.gif) |
In Other Bookcases |
|
In Other Bookcases
II |
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
Essays, articles
and abstracts first published in THE OSCHOLARS as 'May I Say Nothing?'
|
![http://www.oscholars.com/TO/Appendix/go2.gif](http://www.oscholars.com/TO/Appendix/go2.gif) |
|
Return to top | Return to hub page |
Return to THE OSCHOLARS home page ![http://www.oscholars.com/TO/Appendix/Library/image002.JPG](library_files/image006.jpg) |
|