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Editor : D.C. Rose |
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Associate Editors
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WINTER 2009/2010 |
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For
the VISIONS
homepage, click |
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JOURNALS |
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Originally our survey of art
journals was incorporated within our general journals survey THE RACK & THE PRESS,
now edited by B.J. Robinson. The establishment of VISIONS made it desirable to incorporate the
list within its pages. We plan to
expand our coverage with each issue. |
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SIX German journals
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Isa Bickmann writes ‘There are no magazines in Germany whose
special interest is 19th century art. From time to time Kunstchronik,
Zeitschrift für Kunstgeschichte, Journal für Kunstgeschichte, Kunstform and Sehepunkte publish
reviews on our topics. But these reviews are once in a blue moon
...’ To these can now be add faust, a magazine on literature, arts,
music etc. |
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The Art Book
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The Table of Contents of Volume 16 Issue 3 (August
2009), published on behalf of the Association of Art
Historians and edited by Sue Ward &
Marion Arnold, is now available. |
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· [We have been unable to update the above for the current issue of VISIONS as the site was not functioning properly when we tried it.] |
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Art History
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Published on behalf of the Association of Art
Historians and edited by David Peters Corbett and Christine Riding, Art History
(ISSN 0141-6790) is a refereed journal that publishes essays and reviews on
all aspects, areas and periods of the history of art, from a diversity of
perspectives, 5 issues per year. Founded in 1978, it has established an
international reputation for publishing innovative essays at the cutting edge
of contemporary scholarship. At the forefront of scholarly enquiry,
contributors to Art History are opening up the discipline to new developments
and to the interdisciplinary and cross-cultural approaches that are
increasingly important in this globalised world. 'Art History' publishes a
thematic ‘special issue’ each year. |
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Art History
offers a diverse reviews section for those involved in the history of art and
related fields. You can get online information about the journal directly
from Blackwell’s website. This includes a listing of contents, the aims and
scope of the journal, notes for contributors, subscription information for
non-members. |
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The latest issues are those of June 2009
(Vol. 32/3) and September
2009 (Vol. 32/4). An article that
falls within our interests, ‘The Condition Of Music, Wagnerism
And Printmaking In France And Britain’ (pp. 545-577) by Rachel Sloan, is in the first of these. |
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· [We have been unable to update the above for the current issue of VISIONS as the site was not functioning properly when we tried it.] |
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Artefact
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Artefact is a new peer reviewed journal published by the Irish Association of Art Historians in consultation with academics from universities across Ireland, north and south. Artefact welcomes submissions on all periods and aspects of art history and visual culture, and aim to provide an outlet for publication of new and emerging scholarship in Ireland. The inaugural issue of Artefact was launched in autumn 2007. The second issue of Artefact was launched at the Lewis Glucksman Gallery, University College Cork, Friday 27th February, 2009 3.00 pm. |
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The Editorial Committee has
invited articles for Issue 3 of Artefact.
The deadline for receipt of full-length submissions was Friday, 1st May
2009, but no new issue is mentioned on their website. Contact http://artefactjournal.com/. |
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Arts & Crafts Newsletter now called ART CHRONICLE
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The latest issue on line of Mark Golding’s Arts and Crafts Newsletter, no 76, June 2008, can
be found by clicking its banner.
Notice of each issue of this very useful and informative journal is
available by e-mail from mark@achome.co.uk.
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British Art Journal
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The British Art Journal (‘The research
journal of British Arts Studies’, founded in 1999), maintains a website at www.britishartjournal.co.uk.
It is not easy to tell from this what was its most recent issue, but it seems
it have been December 2009. The Editor
is Robin Simon. Two articles fall
within our interests: Alice Eden on Robert Anning Bell and Mary Cowley on
William Bell Scott. |
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The burlington magazine |
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Describing itself as ‘the
world's leading art periodical, founded in 1903 by a group of eminent art
critics and historians, The Burlington
Magazine soon established itself as the world's leading monthly art
periodical. Covering all aspects of the fine and decorative arts from ancient
times to the present day, the Magazine remains the most authoritative source
of information on the visual arts available.’
The latest issue is January 2010 • Number 1282
• Volume CLII. No
articles fall within our interests but the following reviews do: |
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Thomas
Eakins and the Cultures of Modernity,
A.C. Braddock |
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To find out more about the Magazine, click the banner. |
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JOURNAL OF ART HISTORIOGRAPHY
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This journal published its first issue on 31st December 2009 (a thematic issue devoted in part to Viennese and German art historiography) and will appear every six months thereafter. It intends to offer a focus for the study of art historiography. Its mission statement reads: ‘This journal exists to support and promote the study of the history of art historical writing.’ Its website can be found by clicking here. |
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Journal of Design History
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‘Journal of Design History is a leading journal in its field. It
plays an active role in the development of design history (including the
history of the crafts and applied arts), as well as contributing to the
broader field of studies of visual and material culture. The journal includes
a regular book reviews section and lists books received, and from time to
time publishes special issues.’ The
latest issue of which there are details on line is Volume Number
4, December 2009, and the Table of Contents can be reached by clicking the
illustration. Of direct fin-de-siècle interest is a review by
Joseph McBrinn of ‘Art and Labour's
Cause Is One’: Walter Crane and Manchester, 1880–1915 • From Toy Books to
Bloody Sunday: Tales from The Walter Crane Archive. |
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Journal of modern craft |
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Edited by Glenn Adamson, Victoria & Albert Museum;
Edward S. Cooke, Jr., Yale University;
Tanya Harrod, Royal College of Art. |
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Print ISSN: 1749-6772; Online
ISSN: 1749-6780 .Frequency: 3 times per year starting in March
2008 |
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The Journal of Modern Craft is the first peer-reviewed academic
journal to provide an interdisciplinary and international forum in its
subject area. It addresses all forms of making that self-consciously set
themselves apart from mass production—whether in the making of designed objects,
artworks, buildings, or other artefacts. |
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The journal covers craft in
all its historical and contemporary manifestations. It starts in the
mid-nineteenth-century, when handwork was first consciously framed in
opposition to industrialization, through to the present time, when ideas once
confined to the ‘applied arts’ have come to seem vital across a huge range of
cultural activities. Special emphasis is placed on studio practice, and on
the transformations of indigenous forms of craft activity throughout the
world. The journal also reviews and analyses the relevance of craft within
new media, folk art, architecture, design, contemporary art, and other
fields. |
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The Journal of Modern Craft is the main scholarly voice on the
subject of craft, conceived both as an idea and as a field of practice in its
own right. The latest issue is Volume
2, Number 2, July 2009 with one review, by Baird Jarman, of interest: ‘Design
in the Age of Darwin: From William Morris to Frank Lloyd Wright’. |
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Ma’arav |
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Ma’arav (ambush) is an Online Israeli art and culture magazine. Ma’arav is one of the leading publications on art and culture in Israel and is the leading online art & culture magazine in Israel. Ma’arav was established in the beginning of 2004 and provides tools to those interested in art and culture – from theoretical discussions and debates to information on artists, exhibits, events, and technology. |
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NAVSA Newsletter
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The North American Victorian Studies Association
has published its latest on-line newsletter, no 12 (click the banner). Among other things, the newsletter includes
news of interest to Victorianists (prizes, conferences, etc.). The summer
newsletter features the mammoth list of new and forthcoming book publications
by NAVSA members. This year is no exception, with dozens of books on all
manner of literary, historical, artistic, and interdisciplinary projects. |
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Nineteenth Century Art Worldwide
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Nineteenth-Century Art Worldwide is the world’s
first scholarly, refereed e-journal devoted to the study of
nineteenth-century painting, sculpture, graphic arts, photography,
architecture, and decorative arts across the globe, and functions as the
journal of Association of Historians of Nineteenth Century Art. Open to
various historical and theoretical approaches the editors welcome
contributions that reach across national boundaries and illuminate
intercultural contact zones. The chronological scope of the journal is the
‘long’ nineteenth century, stretching from the American and French
Revolutions, at one end, to the outbreak of World War I, at the other. |
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Volume 8, Issue 2 | Autumn 2009 is now published.
The leading articles for late nineteenth century scholars are listed below
(hyperlinked): |
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ARTICLES |
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Gustave Moreau's ‘Archaeological Allegory’ by
Scott Allan |
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·
This paper
considers, from both historical and theoretical perspectives, Gustave
Moreau's key concept of ‘archeological allegory,’ which he articulated in
order to justify a highly capricious and anachronistic use of accessory
details in his history paintings, and to thereby oppose prevalent modes of
historical genre painting that pretended to an archeological restitution of
the past. |
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A Missing Question Mark: The Unknown Henry Ossawa Tanner by Will South |
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·
This article
examines Henry Ossawa Tanner's complex sense of his own racial identity.
Tanner's conflict was born of the fact that in his personal adult life he
walked a fragile line between his whiteness and his blackness; in France, he
systematically worked to remove race from the equation of his life. The
author also identifies for the first time the source of his best-known
painting, The Banjo Lesson. |
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Environment of Memory: Paris and Post-Commune Angst by Andrew Eschelbacher |
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In the decades
following the Paris Commune of 1871, the Third Republic undertook an
intensive program of monument building that would celebrate and legitimate
the new government, while also erasing the scars of the recent Commune past.
However, beneath the official Republican rhetoric, vestiges of the 1871 civic
revolt manifested themselves in the city's memorial spaces and trapped the
fin-de-siècle Republican audience in an angst-ridden stasis. |
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Fantin-Latour in Australia by Ann Elias |
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Was Henri
Fantin-Latour aware of the migration of his work to the Antipodes? This
article investigates the circumstances surrounding the popularity of the
French artist's flower paintings in Australia. |
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Natural History, Cultural History, and the Art History of Elie
Faure by Serena Keshavjee |
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The author explores how art historian and scientist Elie Faure assimilated neo-Lamarckian evolutionary theory into his global art series the History of art (five volumes published between 1909 and 1927). Faure's main thesis is that art, from different periods and different times, was created by an evolutionary driving force, and thus global art was a reflection of a global culture and a unitary cosmos. Faure's relationship with the anarchist Elisée Reclus and Symbolist artist Eugène Carrière are also explored. |
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REVIEWS |
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REBUS
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re·bus is the online
postgraduate journal of the Department of Art History and Theory at the
University of Essex. Its aim is to further critical debate in this and
related fields through the publication of the work of students of the
department, and the proceedings of postgraduate conferences. The range of
approaches and subject matters reflects the rich diversity of a department
renowned for the scholarship of its staff and students alike. The latest Issue is no. 4 (Autumn/Winter·2009), edited by Matthew Bowman and Stephen Moonie, and
contains nothing concerning our period. |
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The Review of the Pre-Raphaelite Society
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First issued in the Spring of 1993, The Review has appeared three times a
year (except in 1998, 2000 and 2003), when special issues on Burne-Jones,
Ruskin and Millais each represented two numbers. The latest issue whose details are given on
line is Vol. XVII, No.3, Autumn 2009. Click the image for the Table of
Contents. The following articles are
published: |
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‘Works and Days’ by Jorge L. Contreras – an
occasional survey of Pre‑Raphaelite and Victorian works recently
bought, sold and displayed. |
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‘Friend or Foe? George du Maurier and the
Pre-Raphaelites’ by Stell-Louise Halliwell |
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‘Book Review Desperate Romantics by
Franny Moyle ‘ by Amelia Yeates |
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‘Pre-Raphaelite tendencies in the painting of
The Hon. John Collier’ by Katja Robinson |
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‘Exhibition Review Endless Forms: Charles
Darwin, Natural Science and the Visual Arts ‘ by Nic Peeters |
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Visual Culture in Britain |
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The website of Visual
Culture in Britain is not very forthcoming about the journal, but its
Tables of Contents can be reached easily. The latest issue mentioned is Volume
9, Number 2, Winter 2008. We give
the titles of articles that come under our interest. |
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The Artist in the House of His Patron:
Images-within-Images in John Everett Millais’s Portraits of the Wyatt Family |
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High Society and Low Life: Celebrities and
Social Types in the Portrait Photography of E.O. Hoppé |
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WORD & IMAGE
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‘Word & Image
concerns itself with the study of the encounters, dialogues and mutual
collaboration (or hostility) between verbal and visual languages, one of the
prime new areas of humanistic criticism. Word
& Image provides a forum for articles that focus exclusively on this
special study of the relations between words and images. Themed issues,
guest-edited by internationally acknowledged scholars, are a regular feature
of the journal.’ 4 issues per year, costing for private individuals £235.00 or $392.00 or €313.00. It is not easy to find its Table of Contents
on-line, as seemingly the latest, flagged as such, is still Volume 22 no 4
for October-December 2006, whereas the current issue is no 26 (undated). We gave up. |
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