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The Fine
Arts, Crafts and Design of the Fin-de-Sičcle |
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Associate
Editors: Anne Anderson, Isa Bickmann, Tricia Cusack, Nicola
Gauld, Sarah Turner.
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SPRING 2009 |
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For
the VISIONS homepage, click |
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RESEARCH STUDIES ON FIN DE SIČCLE ART HISTORY |
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Announcements
from the institutes of art history in Europe and USA |
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Selected by Isa Bickmann |
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Source: Kunstchronik, ed. Sept/Oct. 2008 |
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Vienna, Austria, Institut für Kunstgeschichte der Universität |
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Christina Tschida: Roger Fry. Ästhetische Theorie und künstlerische Praxis der Moderne im England des frühen 20. Jh.s. (Diplom) |
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Basel, Switzerland, Kunsthistorisches Seminar der Universität |
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Bettina Brandl-Risi: Die Szene der Narration. Tableaux vivants zwischen Bildender Kunst, Theater und Literatur im 19. Jh. (Dissertation) |
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Génčve, Switzerland, Unité d’historie de l’art, Faculté des lettres, Université |
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Magaly Holden: Totem, tabou et ornement, la figur du serpent dans l’univers symboliste (Lizentiatsarbeit) |
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Zürich, Switzerland, Kunsthistorisches Institut der Universität |
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Alice Thaler: Der Einfluss der fotografischen Perspektive, das unerwartete Resultat einer Strukturanalyse. Zu Edouard Vuillards „Grand intérieur aux six personnages“ (Lizentiatsarbeit) |
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London, England, The Courtauld Institute of Art, University of London |
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Harriet Griffiths: The Construction of French Identity in the Public Mural Works of Puvis de Chavannes 1861-1878 (M.A. Thesis) |
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Mary Orsini: Visual Literacy. Images of French Writers c. 1840-80 (M.A. Thesis) |
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Kraków, Poland, Instytut Historii Sztuki Uniwersytetu Jagiellońskiego |
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Dorata Leśniak-Rychlak:“Drzewo wplywu“. Zwiazki twórczości Charlesa Renniego Mackintosha z Europa Środkowa (The Tree of Influence. Artistic relationship between the work of Charles Rennie Mackintosh and Central Europe) (Dissertation) |
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Budapest, Hungary, Lehrstuhl für Kunstgeschichte der Eötvös-Lórand-Universität |
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Ágnes Tóth: Paul Gauguin recepciója (The reception of Paul Gauguin in Hungary) |
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USA (Dissertations) |
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Scott Christopher Allan: Gustave Moreau (1826-1898) and the afterlife of French history painting. Princeton University 2007 |
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Allison Morehead, Creative Pathologies: French Experimental Psychology and Symbolist Avant-Gardes 1889-1900. University of Chicago 2007 |
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Caroline J. Kappel: Labyrinthine depictions and tempting colors. The synaesthetic dances of Loďe Fuller as symbolist choreography, Ohio University 2007 |
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For the VISIONS homepage, click | To hub page |
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