Issue no 50 : May / June 2009

 

MAY I SAY NOTHING?

<< ‘And I, my Lord? May I say nothing?’ >>

 

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ESSAYS; RESPONSES TO REVIEWS; ABSTRACTS OF PAPERS

 

We renamed this section, in September 2008, streamlining it from its previous version And I? May I Say Nothing?  Work published here is original work submitted to us.  We also offer this section as an open platform for early publication of articles from MA or doctoral candidates that reflect their work, and if these reach a certain level of competence, they will not be peer-reviewed unless at the author’s request.  In time to come we will publish, in different sections, (a) submissions that have passed double blind peer review; (b) undergraduate writing.

 

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TABLE OF CONTENTS

Alan Hart : A Wilde Goose Chase: The Strange Affair of Oscar Wade Wilde

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A Wilde Goose Chase: The Strange Affair of Oscar Wade Wilde The Importance of Being a Hellenist.

Alan Hart

 

The Reverend Oscar Wade Wilde, vicar of All Saints, St Ives in Cambridgeshire from 1899 until 1931, claimed to be a distant cousin of Oscar Wilde the writer. His name and his claimed relationship to his contemporary, Oscar Wills Wilde, became part of the persona which this Anglo-Catholic priest invented for himself, in addition to a definite and impressive ecclesiastical ‘lineage’ amongst some of the more flamboyant characters of the late 19th century Anglo-Catholic Ritualist movement. The curiosity of Oscar Wade Wilde is the number of parallels and coincidences which allowed him to pull off what was essentially an intellectual fraud, whilst sailing very close indeed not only to his namesake’s circle but also in the face of hostile public opinion following Oscar Wilde’s conviction in 1895. It is also a fascinating example of both emulation, and of ‘social mobility, which placed him on a par with the fictional Jack Worthing in assuming different personas in different places.

 

The family of Oscar Wade Wilde

 

The family of Oscar Wade Wilde can be traced back with certainty to late 18th century Hertfordshire and the parish of Rickmansworth. Census records, wills in the collections of the National Archives, and at least one birth certificate demonstrate consistently that the only two members of the family to spell their names as Wilde were Oscar Wade himself and his younger brother Leonard, from the late 19th century onwards. The common spelling was Wild, with occasional blunders by census collectors resulting in Wyld or Walde.

The National Archives on-line collections contain a number of wills which relate to the family beginning with an abstract of the will of Thomas Wild the elder of Rickmansworth dated November 21st, 1808. (1)  Presumably this was the patriarch of the extensive family, and the father of Oscar Wade Wilde’s own grandfather, also Thomas Wild. Records dating from the 1841 census mention for the parish of Rickmansworth, “All that  part of the Parish of Rickmansworth  known as Chorley Wood Common, and such part as extends from thence in a North Easterly direction to the Boundary near Sarratt Mill from which boundary including all such part of the Parish as extends 200 yards, on the North East side of the Chesham Stream, as far as the Old Pest House upon Loud Water Farm and from thence crossing the Stream and extending in a South Westerly direction to the Upper Corner of Common Field in the occupation of Thomas Wild”.(2) The census returns reveal that Thomas Wild of Mill End, Rickmansworth, was an entrepreneurial farmer of 250 acres, born in Hertfordshire in about 1796, with a wife of the same age and an extensive family who appear in two separate census entries in 1841, in two separate counties, and branched out into tanning and brewing (3). In total there appear to have been nine children who follow in rapid succession between about 1820 and 1835, including a younger son named Wade Wilde born in about 1833. Curiously, another Wade Wilde was born in Cheshire in 1861 to a Yorkshire family of wool weavers, but a family connection is not obvious.

The second entry for Thomas Wild’s family in the 1841 census concerns one son and three daughters who had already moved away from the farm, and settled in Eton High Street. The head of the household was the twenty year old Alfred Wild, a “currier” (4). Amongst the sisters who lived with Alfred was Mary Wild, whose marriage was announced in ‘The Gentleman’s Magazine’ in 1853 (5), to John Leonard of Kingston upon Thames (who owned Hoggs Mill and employed nine men at the time of the 1861 census). The family would therefore seem to have had a certain social standing, or at least aspired to one, by the mid-19th century.

By the time of the 1851 census, the bachelor Alfred and one of his sisters were still living together at 71 Peascod Street in New Windsor with Dedworth. Alfred’s affairs were flourishing, and the thirty year old currier had expanded his professional activities, and is recorded in the census as “Tanner, currier, and shoemaker employing 51 men”. Shortly afterwards, he married a local Eton girl by the name of Mary Anne Wigginton. Alfred, Mary and their family moved to Upton by 1861, before moving again Osborne Villas in Clewer, New Windsor, by 1871, where the household included not only two domestic servants but also a governess.

Alfred and Mary Wild had six children: Alfred Ernest Wild born c.1855, Oscar Wade Wilde born c.1859, Edward Harry Wild born c.1862, Mary Maud Wild born c.1864, and Leonard born in 1865. By chance, the second son happened to be named Oscar, which together with his year of birth, was the first basis for claiming a family proximity which did not exist.

By 1881, Alfred Wild and his family had come full circle, and returned to Mill End in Rickmansworth, presumably returning to one of several Wild family farms. Mary Anne Wilde was recorded in the census as “wife of Tanner and contractor”, and her son Alfred was rather grandly recorded as “Manager Partner of Business”, whilst Oscar Wade Wilde was “Undergraduate Oxford”. The younger children had to make do with being recorded rather less graciously as “tanner’s son” or daughter! Alfred Wild himself was recorded as a “farmer”, but boarding in Hammersmith when the census was taken. (His landlady gave her profession as a “curative mesmerist”!).

Alfred Wild’s professional affairs had flourished, and the enterprise at the basis of the family fortune was recorded in trade directories for Windsor from 1868 until at least 1885 (6). The eldest son, Alfred (the “partner of business”), followed his father into the business as an “army and general boot and shoe manufacturer”, (rather more socially acceptable than the humble term of tanner), but his final years were spent in sad but splendid circumstances. Amongst the family wills available in the National Archives on-line collections are three for Alfred Ernest Wilde, dating from 1881 and 1888, one of which refers to the younger Alfred as a contractor, and the others referring to shoe manufacturing.(7). Unfortunately what these wills also reveal is that the younger Alfred became one of the earliest inmates of the grandiose Holloway Sanatorium for the Insane at Virginia Water, built in palatial style as the pair to the Royal Holloway & Bedford College building, and run on the lines of an English country house in order to try and calm the nerves of the inmates. (8)

By 1891, both Alfred senior and junior had died. Edward and Maud Wild are difficult to trace in the same census, and Mary Ann Wild appears with Oscar Wade under the name of Walde, living in Ebury Street, Pimlico, with the young Leonard Wild, by now a doctor trained at St Thomas’ Hospital, living only a few streets away also in Pimlico. However, by 1891, Leonard had switched to spelling his name as Wilde, although this was probably as a result, and in support of, his brother’s invented persona and their purported relationship with the talk of the town. Later in life, Leonard (who became a surgeon and pathologist), like Oscar Wade, maintained the Wilde spelling of their family name.

 

The career of Oscar Wade Wilde

Alfred Wilde came from what appears to have been a ‘good’ farming background, and like so many of his contemporaries, by his family’s collective industrious entrepreneurship, he rose in fortune and social standing through “the purple of commerce”. However when inventing his own persona, Oscar Wade Wilde may well have considered that the humble origins of his parents as a social hindrance to the self-conscious Oxford undergraduate. The 1851 census records for his mother’s family, the Wiggintons of Eton, show that the family included boot makers (no doubt the origin of the Alfred and Mary’s romance), but also watermen and bricklayers. On the Wild side, his grandfather and his uncles and cousins were reasonably prosperous farmer, brewers and tanners, but nothing more. Faced with a university full of old Etonians who may well have bought their shoes from his father’s Eton or Windsor stores, or whose own fathers may have had their boots mended by his maternal Wigginton grandfather, it is would be easy to understand that Oscar Wade Wilde may have felt insecure, and even unacceptable.

Oscar Wade Wilde was a member of St John’s College, Oxford, matriculated in October 1879, and was awarded his BA in 1882. After graduation there is a gap of three years of which nothing is known at present, except the final outcome. Presumably the period was spent at one of the new theological colleges (many of which were founded as a result of Anglo-Catholic initiatives) in preparation for his ordination in 1885, to serve as the curate of the controversial Ritualist stronghold of St Barnabas’, Pimlico.  Oscar Wade Wilde’s conversion to Anglican Catholicism possibly began when the family lived in Clewer in or about the early 1870s. Clewer was a bastion of Anglo-Catholicism under the vicar, Canon Carter, one of the early leaders of the original Oxford or Tractarian Movement. It was also the site of one of earliest expressions of Anglo-Catholic monasticism, with the convent of the Sisters of Mercy, to which belonged, coincidentally, two of Oscar Wilde’s Maturin cousins. Letters of introduction from Canon Carter would certainly have ensured that some of the best ecclesiastical doors were opened wide for Oscar Wade, and not simply in Oxford.

Oscar Wade’s first parish in London had been notorious from its first inception. It was the first church built to embody the principles and practices of the Oxford Movement, and had seen of riots in the 1840s, and been the subject of court cases ever since. Oscar Wade’s vicar was the Reverend Alfred Gurney, a scion of a distinguished clerical family linked to the Oxford Movement since the very earliest days (one of Gurney’s brothers, born in 1833, the year when the Oxford Movement began, was even named John Henry, possibly in honour of Newman). Prior to taking up the living in Pimlico, Gurney had served as curate of St Paul’s, Brighton, one  of the many grandiose ‘High Temples of High Churchery’ constructed by the immensely wealthy, eccentric and fanatical Father Wagner as the pillars of what is often now dismissed as “South Coast religion”. Appropriately enough Gurney himself was also known as an authority on (appropriately, but coincidentally) Wagnerian opera, as well as being a poet, religious author, and friend and correspondent of the Rossettis amongst others.

Amongst Alfred Gurney’s protégés in Brighton were the Beardsley family, including Aubrey Beardsley, who became a regular member of the congregation of St Barnabas’, Pimlico, when he moved to London. Oscar Wade had by now fully adopted the Wilde spelling of his name, which must have left Beardsley somewhat perplexed at the idea of Oscar Wilde celebrating Sunday mass! Moreover, Beardsley may have informed the Irish Oscar of his clerical namesake. Another similarity between the two Oscars, therefore, may also have been a certain taste for provocation.

Having reinvented his name, and after making a place for himself in society, Oscar Wade Wilde, the Oxford-educated clerically-well-connected-curate and apparent-cousin of the famous playwright, had also become an ideal husband in the eyes of certain sections of Victorian society. Mrs Augusta Hamilton-Bell, the widow of an army officer, certainly appears to have approved. Interestingly but perhaps just coincidentally once again, Mrs Bell was born in Windsor in about 1836, although she later moved to Kent where her principal family associations and homes were in the garrison port of Dover. However at the time of the 1891 census, Mrs Bell was living in Eccleston Square close to St Barnabas’ Church, where the marriage took place in the same year (duly conducted by Alfred Gurney and witnessed by Leonard Wilde) between Oscar Wade Wilde and Mrs Bell’s daughter, Cecilia.

Oscar Wade Wilde was curate of St Barnabas’, Pimlico from 1885 until 1892. For Anglican clergy, several long curacies were far from uncommon well into the early 20th century, with a plentiful supply of clergy waiting for a good living to full vacant. Curiously the two Oscar Wildes thus trod the streets of Pimlico simultaneously, but for very different purposes. From 1893 until 1894, Oscar Wade left Pimlico to serve as the curate to the Reverend Frederick Ponsonby, the aristocratic and wealthy vicar of another great Anglo-Catholic slum parish, St Mary Magdalene’s, Munster Square, close to Euston Station. Ponsonby was descended from the Earls of Bessborough and related to Queen Victoria’s private secretary, Henry Ponsonby. He poured his wealth into beautifying an already architecturally exquisite church, which like St Barnabas’, Pimlico, had always been in the forefront of the Anglo-Catholic Ritualist movement and controversy. Following Ponsonby’s retirement in 1894, Oscar Wade returned to Pimlico, as the curate of another Anglo-Catholic church (there are four adjoining Anglo-Catholic parishes in total), St Saviour’s, Pimlico, where he served as curate from 1895 until 1899. One of his successors there, from 1912, was the father of Laurence Olivier. Finally in 1899, Oscar Wade Wilde accepted the living of All Saints, St Ives, a rural Anglo-Catholic stronghold beautifully remodelled by Sir Ninian Comper, and to which he personally contributed several important additions during his long incumbency.

At St Ives, Oscar, his wife and his mother-in-law maintained a refined lifestyle, and a lengthy memoir of one of his former servants at the vicarage before World War One recalls Mrs Wilde and Mrs Hamilton-Bell as “real gentry”, changing into full evening dress every evening for dinner.(9)

 

Riding out the storm

 

It is difficult to imagine what must have been the personal impact upon Oscar Wade Wilde, his genteel wife and mother-in-law, his clerical colleagues, and his Pimlico parishioners when the storm broke in 1895 as the Wilde trials followed inexorably one upon another. The name that he had adopted changed overnight from a byword for genius to the worst incarnation of a pariah preying on society, as the star to which Oscar Wade had linked his own social ascent plunged into the deepest obscurity. Oscar Wilde and Pimlico became bywords for practices which society could neither tolerate nor mention. And yet, somehow, Oscar Wade Wilde did manage to ride out the storm, as a clerical Dr Jekyll to his ‘cousin’s’ Mr Hyde.

Even if he did revert to the original spelling of his surname during the worst of the controversy, the taint attached to Oscar Wilde lingered for many years. The first revival of ‘The Importance of being Earnest’ did not take place in London until 1913, and was considered risqué even then. Wilde’s friends fled for cover during the trials, and even Oscar Wade’s former clerical neighbour when he was at Munster Square, the radical Anglo-Catholic priest, Charles Latimer Marson, broke with his close friend of Stewart Headlam when he publicly supported Oscar Wilde, declaring, “I am all for building the new Jerusalem, but not for wading through Sodom and Gomorrah first.” In Oxford, the council of the Apollo Lodge solemnly erased Oscar Wilde’s name from their records (10), and more generally Oscar Wilde was erased by society as a whole from ‘the Book of Life’, and sentenced, at least in the short-term, to oblivion.

But whilst every effort was carefully made to erase the very name of the miscreant, the compilers of the Clergy List for Kelly’s Directories were confronted with a rather surprising conundrum in 1906, the entry for Oscar Wade Wilde, who clung steadfastly to his adopted name.

 

What’s in a Wilde?

 

Why go to so much bother to conceal and transform your identity? Why bother to make outlandish claims? And faced with other possibilities for inventing renowned contemporary relations, why choose Oscar Wills Wilde?

In a sense, the answer to the first question almost confirms the appropriateness of Oscar Wade Wilde’s invention. The practice of identity deception and the concealment of lowly family origins are Wildean literary motifs. The Wilds of Rickmansworth were a successful and respected family from a rural back-water, but there was nothing of which Oscar Wade need have been ashamed, with the possible exception of his elder brother’s rather sad demise. Even that was ‘in the best possible taste’ in the majestic surroundings of Virginia Water. Moreover, his brother’s illness appears to have begun after Oscar Wade’s Oxford days.

The answer to the second question is probably linked to the insecurity which Oscar Wade felt, faced by the massed ranks of the Public Schools at Oxford. The 1891 directory of Oxford graduates was compiled from the matriculation registers of the university, and the entry for Oscar Wade Wilde, the curate of Pimlico, (11) follows on directly from the entry for Oscar Wills Wilde, “professor of aesthetics and art critic”. If Oscar Wilde did consult that directory, he would thus definitely have been aware of the existence of Oscar Wade Wilde, but not necessarily of his claims to kinship. When Oscar Wade Wilde matriculated in 1879, using the revised spelling of his surname, the real Oscar Wilde was in the first flourish of his success, the winner of the Newdigate Prize and an ideal hero for an innocent Fresher who would only have known of the success, and not of the gossip, which was attached to Wilde’s name when he left Oxford.

Did Oscar Wade and his younger brother choose the Wilde family professions of medicine and the church simply to cover their tracks? Certainly not. Did Oscar Wade plan to serve in Pimlico, in the shadow of Oscar Wilde, and including one of Wilde’s own friends as one of his parishioners? Most probably not. It was simply one of those amazing coincidences which allowed Oscar Wade to further develop his own personal myth (one can almost hear Oscar Wade regaling his guests over sherry in later life: “I remember Beardsley saying me to one Sunday after Mass …”). The mental illness of Oscar Wade’s brother does beg the question of a streak of family mental instability of one form or another; but on the other hand, the determined and systematic nature of the deception over so many years, in the face of serious controversy and social adversity, and with the collusion of his own family, suggests that Oscar Wade remained largely the master of his own game. Moreover, Oscar Wade’s assertions place him firmly within the tradition of the glorious eccentrics who populated the Anglo-Catholic Ritualist world, but also helped him to stand out from this same crowd. A cousin of Oscar Wilde had rather more cachet than a country boy who became a country vicar.

The third question, ‘Why choose Oscar Wilde?’, may have a number of answers, ranging from the awe and insecurity of a new undergraduate at Oxford, a love of literature and particularly poetry which Oscar Wilde was producing during Oscar Wade’s Oxford years, or the paradoxical desire ‘to fit in by standing out from the crowd’. However in his search for an invented family relationship, Oscar Wade’s religious beliefs may have ruled out an ‘aspiration’ to the other prominent Wilde family.

Whilst the Wildes of Dublin, and of Pimlico, made the professions of the Established Church and Medicine their preferred family careers, another family of Wildes was already distinguished in the profession of the Law, and were centre-stage in the latter half of the 19th century in the British political and religious controversies. Thomas Wilde (1782-1858), later the 1st Lord Truro, made his name early in the 19th century by defending Queen Caroline, the unfortunate and undesired wife of George IV. After entering Parliament, he became Attorney-General, then Solicitor-General, and finally Lord Chancellor from 1850 until 1852 in the Russell ministry. Wilde’s family included several lawyers, including his brother, the father of Lord Truro’s nephew, James Wilde (1816-1899). James presided over the Divorce and Probate court until his retirement in 1872, and his ennoblement as the 1st Lord Penzance. However he came out of retirement in 1875 to preside over the Church of England’s Supreme Court, as the Dean of Arches, and coincidentally the legal hammerer of the Anglo-Catholic Ritualists.(12) It was Penzance who presided over the trials of the five Ritualist priests such as Father Tooth between 1876 and 1882, and who condemned the heinous miscreants to prison sentences for the unspeakable crimes against British Protestantism of using lighted candles and incense, wearing vestments, mixing water with wine, and even placing large brass crosses upon their altars. The timing of these prosecutions coincides almost exactly with Oscar Wade’s arrival at Oxford, probably already set upon a path as an Anglo-Catholic Ritualist priest, and under the influence of the Ritualist vicar of Clewer, Canon Carter. Enticing at it might have seemed to the upwardly mobile Oscar Wade to adopt a distinguished and noble judicial family as his would-be cousins, the systematic persecution by Penzance of Oscar Wade’s Ritualist heroes and brethren would have ruled it out of the question. By the happy coincidence of a first name, perhaps for the love of poetry, or by detestation of everything the ‘other’ Wilde family represented, in his search for a persona, Oscar Wills Wilde became for Oscar Wade Wilde, l’inévitable.

What precisely Oscar Wills Wilde would have, or even did, make of Oscar Wade Wilde, is a matter of pure speculation. In one important sense, Oscar Wills was hardly in a position to criticize or complain. As the son of a noted family fantasist, a scion of the ‘Speranza’ dynasty which apparently had sprung from Dante, prone to ‘adapting’ incidental personal details such as one’s date of birth, his reactions might have been measured on a scale which ran from mild amusement to admiration for a consummate performer. Despite the random appearance of another Wade Wilde in a family of Yorkshire wool weavers exiled in Lancashire in the mid-19th century, there is nothing to support the idea that a member of the Wills Wilde branch of the family wandered south from County Durham, lost an ‘e’ on the end of his surname en route, and left the building trade to successfully enter the worlds of farming, tanning and brewing in Rickmansworth at the end of the 18th century, whilst continuing to pass on a tradition of family history which allowed Oscar Wade Wilde to identify a genealogical link to the Irish Wildes. Ultimately, however, Oscar Wills Wilde would probably have been delighted by the emulation and deceit practised by his clerical namesake: after all, if nothing else, it proved conclusively, ‘the vital importance of being Oscar.’

 

Note 1: See link

Abstract of Will of Thomas Wild the elder of Rickmansworth, Hertfordshire November 21 1808 IR 26/382

Note 2:  See http://myweb.tiscali.co.uk/cendexes/0438EDs.html from the 1841 census

ED 7   Folios 16-27  Pages 1-23  560 persons  Parish of Rickmansworth (part of) PDF page 206 of 361

Note 3: The Wilds were noted brewers, and owned or ran up to ten pubs in and around Rickmansworth until 1900 when they sold their brewing business. The brewery tap was at Mill End, the hamlet where Thomas Wild, and later his son Alfred Wild and his family, lived. See Brewers in Hertfordshire‎ - Page 176. Allan Whitaker - 2006 - 304 pages

Note 4: Source, wikipedia: “A currier is a specialist in the leather processing industry. After the tanning process, the currier applies techniques of dressing, finishing and colouring to the tanned hide to make it strong, flexible and waterproof. The leather is stretched and burnished to produce a uniform thickness and suppleness, and dyeing and other chemical finishes give the leather its desired colour.  After currying, the leather is then ready to pass to the fashioning trades such as saddlery, bridlery, shoemaking and glovemaking.”

Note 5:  See The Gentleman's magazine‎ - Page 647 1853

At Rickmansworth, Herts, John, youngest son of Thomas Leonard, esq. of Kingston-mi -Thames, to Mary, third dau. of Thomas Wild, esq. of Rickmansworth

Note 6: See the following,

Edward Cassey & Co.'s History, Gazetteer and Directory of Berkshire and ...‎ - Page 233

Edward Cassey & Co, Cassey Edward and co, Edward Cassey (Firm) - 1868 - 278 pages

Kelly's Directory of the Leather Trades‎ - Page 123 1880

Kelly's Directory of the Leather Trades‎ 1885

Note 7: See http://www.nationalarchives.gov.uk/A2A/records.aspx?cat=005-desb&cid=-1&Gsm=2008-06-18#-1

Wills of Alfred Ernest Wild of Rickmansworth, Herts, army and general boot and shoe manufacturer (1881), and residing at Holloway's Sanatorium, Virginia Water, Surrey, 1888.  D/ESB B175/1-2  1881, 1888 1 bdl, and  Will of Alfred Ernest Wild of Watford, Herts, contractor.  D/ESB B176  1888 1 doc

Note 8: For details of the Holloway Sanatorium, see http://en.wikipedia.org/wiki/Holloway_Sanatorium

Note 9: See http://homepage.ntlworld.com/philipg/saintives/memories.html

Note 10: See http://www.freemasons-freemasonry.com/beresiner8.html

Note 11: See Alumni Oxonienses: the members of the University of Oxford, 1715-1886 ... - Page 1553. University of Oxford, Joseph Foster - 1891

Wilde, Rev. Oscar Wade, 23. Alfred, of Windsor, gent. NoN-C'OLL., matric. n Oct. 1879, aged 21 ; a commoner ST. JOHN'S COLL. 1880, BA 1882.

Note 12: For details of Lord Truro and Lord Penzance, see http://en.wikipedia.org/wiki/Thomas_Wilde,_1st_Baron_Truro and  http://en.wikipedia.org/wiki/James_Wilde,_1st_Baron_Penzance

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