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Table of Theatre, Film & Opera Reviews
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Here we index all the reviews published in the various journals that make up www.oscholars.com. Many reviews from our early days are not yet posted on our current site but remain on our former one, to which there are now no reliable links. The links indicated here will become live as transfers are effected. The page will be updated regularly. |
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Details of place and date are given with the reviews. |
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The first table is
in alphabetical order of author of the play reviewed; this is followed by a second
table in alphabetical order
of reviewer. Names in bold are those of our subscribers, to
whom we will pass on any inquiries. |
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Updated
January 2011 |
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Author |
Title |
Reviewer |
Issue (linked) |
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Bellens, Tim |
Love That Dare Not Speak Its
Name |
Eva Thienpont |
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Clack, Leslie |
More Lives than One: Oscar Wilde and the Black
Douglas |
Aoife Leahy |
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Clack, Leslie |
More Lives than One |
Emily Eells |
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Clack, Leslie |
More Lives than One |
Maria Kasia
Greenwood |
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Decroix, Charles |
Une Fable Sans
Importance |
Lou Ferreira |
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Doust, Paul |
Lady Bracknell’s Confinement |
Simon Dentith |
THE OSCHOLARS 24 |
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Eagleton, Terry |
Saint Oscar |
D.C. Rose |
THE OSCHOLARS 27 |
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Gilbert, W.S. & Sullivan,
Arthur |
Patience |
Regenia Gagnier |
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Hare, David |
The Judas Kiss |
Cristina Pascual
Aransáez |
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Hill, Robert |
Dorian |
Bruce Bashford |
THE OSCHOLARS 30 |
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Ibsen, Henrik |
Hedda Gabler |
Mary King |
THE OSCHOLARS 27 |
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Kaufman, Moises |
Gross Indecency: The Three
Trials of Oscar Wilde |
Penny Gay |
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Kaufman, Moises |
Gross Indecency: The Three
Trials of Oscar Wilde |
Katherine Maynard |
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Kilroy, Thomas |
The Secret Fall of Constance
Wilde |
Ann M. Bogle |
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Lewton, Martin |
Lord Arthur’s Bed |
Aoife Leahy |
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Mallarmé, Stéphane |
Hérodiade |
Peter Dunwoodie |
THE OSCHOLARS 14 |
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Olyslaegers, Jeroen |
Mood on the Go |
Eva Thienpont |
THE OSCHOLARS 31 |
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Shaw, G.B. |
Androcles & the Lion |
Bettina Boecker |
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Shaw, G.B. |
Caesar and Cleopatra |
Julie A. Sparks |
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Shaw, G.B. |
Candida |
Elisa E. Beshero-Bondar |
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Shaw, G.B. |
The Devil’s Disciple |
Felicia Bonaparte |
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Shaw, G.B. |
Misalliance |
Tiffany Perala |
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Shaw, G.B. |
Mrs Warren’s Profession |
Joseph W. Donohue |
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Shaw, G.B. |
Saint Joan |
Jeff S. Dailey |
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Shaw, G.B. |
Saint Joan |
Lou Ferreira |
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Stoppard, Tom |
Travesties |
Tiffany Perala |
THE OSCHOLARS 13 |
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Wilde, Oscar |
Salomé |
Jane Desmarais |
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Wilde, Oscar |
The Importance of being Earnest |
Koenraad Claes |
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Wilde, Oscar |
The Happy Prince |
Aoife Leahy |
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Wilde, Oscar |
The Picture (of Dorian Gray) |
Aoife Leahy |
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Wilde, Oscar |
The Importance of being Earnest |
Anna Orhanen |
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Wilde, Oscar |
The Duchess of Padua |
Leonée Ormond |
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Wilde, Oscar |
La Ballade de la Geôle de Reading |
Lou Ferreira |
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Wilde, Oscar |
De ideale
Ernst, of Het belang van een echtgenoot |
Eva Thienpont |
THE OSCHOLARS 13 |
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Wilde, Oscar |
An Ideal Husband |
Eibhear Walshe |
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Wilde, Oscar |
An Ideal Husband |
Aoife Leahy |
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Wilde, Oscar |
An Ideal Husband |
Gwen Orel |
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Wilde, Oscar |
Un mari idéal |
Danielle Guérin |
THE OSCHOLARS 13 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Susan Johnston |
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Wilde, Oscar |
The Importance of Being
Earnest |
Penny Gay |
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Wilde, Oscar |
The Importance of Being
Earnest |
John Duncan |
THE OSCHOLARS 12 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Philip E. Smith |
THE OSCHOLARS 15 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Tiffany Perala |
THE OSCHOLARS 22 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Heather White |
THE OSCHOLARS 22 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Regenia Gagnier |
THE OSCHOLARS 23 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Roger Moss |
THE OSCHOLARS 14 |
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Wilde, Oscar |
The Importance of being
Earnest |
Eva Thienpont |
THE OSCHOLARS 14 |
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Wilde, Oscar |
The Importance of being
Earnest |
Mark Llewellyn |
THE OSCHOLARS 28 |
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Wilde, Oscar |
The Importance of being
Earnest |
Joseph Donohue |
THE OSCHOLARS 32 |
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Wilde, Oscar |
The Importance of being
Earnest |
Lesley Jenike |
THE OSCHOLARS 32 |
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Wilde, Oscar |
The Importance of Being
Earnest |
Melissa Jackson |
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Wilde, Oscar |
The Importance of Being
Earnest |
Mark Tattenbaum |
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Wilde, Oscar |
Bunbury oder Ernst sein ist wichtig: Eine
triviale Komödie für ernsthafte Leute. |
Elżbieta
Baraniecka |
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Wilde, Oscar |
The Importance of Being
Earnest |
Gwen Orel |
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Wilde, Oscar |
The Importance of being Earnest |
Julia Steck and Andrea Uebelhard |
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Wilde, Oscar |
Lady Windermere’s Fan |
D.C. Rose |
THE OSCHOLARS 13 |
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Wilde, Oscar |
Lady Windermere’s Fan |
D.C. Rose |
THE OSCHOLARS 13 |
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Wilde, Oscar |
Lady Windermere’s Fan |
Danielle Guérin |
THE OSCHOLARS 23 |
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Wilde, Oscar |
Lady Windermere’s Fan |
Maureen O’Connor |
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Wilde, Oscar |
L’Eventail de Lady Windermere |
Danielle Guérin |
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Wilde, Oscar |
Lord Arthur Savile’s Crime |
Sujit K. Dutta |
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Wilde, Oscar |
Le mariage est aussi
nocif que les cigarettes et tellement plus cher, adapted from Wilde by
Nicolas Morvan. Théâtre Darius Milhaud, Paris |
Lou Ferreira |
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Wilde, Oscar |
The Picture of Dorian Gray,
adapted by Patrick Kagan-Moore |
Richard Freed |
THE OSCHOLARS 15 |
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Wilde, Oscar |
Le Portrait de Dorian Gray, adapted by Diane
Delmont |
Danielle Guérin |
THE OSCHOLARS 19 |
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Wilde, Oscar |
Le Portrait de Dorian Gray, adapted by Bernard
Novet, Café-théâtre Barnabé de
Servion, Chaisaux |
Valerie Fehlbaum |
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Wilde, Oscar |
The Picture of Dorian Gray,
adapted by Peter Harness |
Bernard O`Donoghue |
THE OSCHOLARS 21 |
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Wilde, Oscar |
The Picture of Dorian Gray,
adapted by Darren Tunstall and Emily Jones |
Mathilde Mazau |
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Wilde, Oscar |
Salomé, adapted by Gil
Renders |
Eva Thienpont |
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Wilde, Oscar |
Salomé, adapted by Cloud
Downey as Femme Fatale, The Fable of Salomé |
D.C. Rose |
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Wilde, Oscar |
Salome |
Keith Connolly |
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Wilde, Oscar |
Salomé |
Danielle Guérin & Emmanuel Vernadakis |
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Wilde, Oscar |
Salomé |
Valérie Fehlbaum |
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Wilde, Oscar |
The Selfish Giant, adapted by
Annie Wood |
Julia Wood |
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Wilde, Oscar |
The Selfish Giant, adapted by
Brenda Bell |
Gwen Orel |
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Wilde, Oscar |
The Selfish Giant adapted and
performed by PuppetCraft, Jackson’s Lane Theatre, London. |
Leonée Ormond |
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Wilde, Oscar |
The Star Child and Other
Stories, adapted by Mary Elizabeth Burke-Kennedy |
Michael O’Rourke |
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Wilde, Oscar / Couette-Jourdain, Grégoire |
De Profundis |
Lou Ferreira |
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Wilde, Oscar / Harris, Martin |
Lord Arthur
Savile’s Crimes (sic) |
Aoife Leahy |
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Wilde, Oscar / Janin,
Stephanie |
Salomé |
Danielle Guérin |
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Wilde, Oscar / Laurca, Hélène
/ Themans, Laurent |
Le mariage est
aussi nocif que les cigarettes et tellement plus cher |
Lou
Ferreira |
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Wilde, Oscar / Lawlor, Kimie
Imura |
Salomé: Iconographic Changes
of Images in East and West: Exhibition, Lecture & Performances |
Donald Mead; Joan Navarre |
THE OSCHOLARS 12 |
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Wilde, Oscar / Mariotte,
Antoine |
Salomé |
Tine Englebert |
THE OSCHOLARS 12 |
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Wilde, Oscar / Redgrave, Corin |
De Profundis |
Saralinda Abitbol |
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Wilde, Oscar / Redgrave, Corin |
De Profundis |
Danielle Guérin |
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Wilde, Oscar / Strauss,
Richard |
Salomé |
Philip E. Smith |
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Wilde, Oscar / Strauss,
Richard |
Salomé |
Peter Hyldekjær |
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Wilde, Oscar / Strauss,
Richard |
Salomé |
Patricia Gillespie and Sam
Polson |
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Wilde, Oscar / Strauss,
Richard |
Salomé |
Tamaki Horie |
THE OSCHOLARS 13 |
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Wilde, Oscar / Strauss,
Richard |
Salomé |
Julie-Ann Robson |
THE OSCHOLARS 17 |
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Wilde, Oscar / Strauss,
Richard |
Salomé Metropolitan Opera, New York |
B.J. Robinson |
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Wilde, Oscar / Strauss,
Richard |
Salomé |
Tine Englebert |
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Wilde, Oscar / Truchi,
Christophe |
De
Profundis |
D.C. Rose |
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Wilde, Oscar / Zemlinsky, Alexander von |
Der Zwerg (The Dwarf) |
Horst Schroeder |
THE OSCHOLARS 12 |
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Wilde, Oscar / Zemlinsky, Alexander von |
Eine florentinische Tragödie / Der Zwerg |
Tine Englebert |
THE OSCHOLARS 22 |
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Wilde, Oscar / Zemlinsky, Alexander von |
Eine florentinische Tragödie |
Danielle Guérin |
THE OSCHOLARS 17 |
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Wilde, Oscar / Zemlinsky, Alexander von |
Eine florentinische Tragödie / Der Zwerg |
Bruce Bashford |
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Wilde, Oscar /Strauss,
Richard |
Salomé |
Roselinde Supheert |
THE OSCHOLARS 19 |
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Wilde, Oscar; Redgrave, Corin
and Holland, Merlin |
De Profundis |
Sondeep Kandola |
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Williamson, Martin |
Oh What a Wilde Wardrobe! |
Aoife Leahy |
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Wynne, Anthony |
Bernard and Bosie, A Most
Unlikely Friendship |
Signy
Henderson |
THE OSCHOLARS 18 |
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Title |
Author |
Issue (linked) |
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Abitbol,
Saralinda |
De Profundis |
Oscar Wilde /
Corin Redgrave |
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Baraniecka, Elżbieta |
Bunbury oder
Ernst sein ist wichtig: Eine triviale Komödie für ernsthafte Leute. |
Oscar Wilde |
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Bashford, Bruce |
Dorian |
Robert Hill |
THE OSCHOLARS 30 |
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Bashford, Bruce |
Eine
florentinische Tragödie / Der Zwerg |
Oscar Wilde /
Alexander von Zemlinsky |
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Beshero-Bondar, Elisa
E. |
Candida Niagara-on-the-Lake |
G.B. Shaw |
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Boecker, Bettina |
Androcles & the Lion |
G.B. Shaw |
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Bogle, Ann M. |
The Secret Fall of Constance Wilde |
Thomas Kilroy |
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Bonaparte, Felicia |
The Devil’s Disciple |
G.B. Shaw |
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Claes, Koenraad |
The Importance of
being Earnest |
Oscar Wilde |
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Connolly, Keith |
Salomé |
Oscar Wilde |
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Dailey, Jeff S. |
Saint Joan |
G.B Shaw |
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Dentith, Simon |
Lady Bracknell’s Confinement |
Paul Doust |
THE OSCHOLARS 24 |
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Desmarais, Jane |
Salomé |
Oscar Wilde |
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Donohue, Joseph W. |
The Importance of being Earnest |
Oscar Wilde |
THE OSCHOLARS 32 |
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Donohue, Joseph W. |
Mrs Warren’s Profession |
G.B. Shaw |
THE OSCHOLARS 22 |
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Duncan, John |
The Importance of Being Earnest |
Oscar Wilde |
THE OSCHOLARS 12 |
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Dunwoodie, Peter |
Hérodiade |
Stéphane Mallarmé |
THE OSCHOLARS 14 |
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Dutta, Sujit K. |
Lord Arthur Savile’s Crime |
Oscar Wilde |
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Eells, Emily |
More Lives than One |
Leslie
Clack |
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Englebert, Tine |
Salomé |
Oscar Wilde / Antoine Mariotte |
THE OSCHOLARS 12 |
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Englebert, Tine |
Salomé |
Oscar Wilde / Richard Strauss |
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Englebert, Tine |
Eine
florentinische Tragödie / Der Zwerg |
Oscar Wilde /
Alexander von Zemlinsky |
THE OSCHOLARS 22 |
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Fehlbaum, Valerie |
Le Portrait de
Dorian Gray, adapted by Bernard Novet, Café-théâtre Barnabé de Servion, Chaisaux |
Oscar
Wilde |
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Fehlbaum, Valérie |
Salomé |
Oscar
Wilde |
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Ferreira,
Lou |
Le mariage est
aussi nocif que les cigarettes et tellement plus cher |
Oscar Wilde / Laurca Hélène /
Laurent Themans |
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Ferreira, Lou |
Saint Joan |
G.B. Shaw |
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Ferreira, Lou |
La
Ballade de la Geôle de Reading |
Oscar
Wilde |
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Ferreira, Lou |
De Profundis |
Oscar Wilde /
Grégoire Couette-Jourdain |
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Ferreira, Lou |
Le mariage est aussi nocif que les cigarettes et tellement plus cher |
Oscar
Wilde / Nicolas Morvan |
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Ferreira, Lou |
Une Fable Sans Importance Théâtre du Funambule, Paris |
Charles Decroix |
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Freed, Richard |
The Picture of Dorian Gray, adapted by Patrick Kagan-Moore |
Oscar Wilde |
THE OSCHOLARS 15 |
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Gagnier, Regenia |
Patience |
W.S. Gilbert & Arthur Sullivan |
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Gay, Penny |
Gross Indecency: The Three Trials of Oscar Wilde |
Moises Kaufman |
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Gay, Penny |
The Importance of Being Earnest |
Oscar Wilde |
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Gillespie, Patricia & Polson, Sam |
Salomé |
Oscar Wilde / Richard Strauss |
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Greenwood, Maria Kasia |
More Lives than One |
Leslie Clack |
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Guérin, Danielle |
Salomé |
Oscar Wilde / Stephanie Janin
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Guérin,
Danielle |
De Profundis |
Oscar Wilde /
Corin Redgrave |
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Guérin, Danielle |
L’eventail de
Lady Windermere |
Oscar Wilde |
THE OSCHOLARS 23 |
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Guérin, Danielle |
L’Eventail de Lady
Windermere |
Oscar
Wilde |
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Guérin, Danielle |
Un mari idéal |
Oscar Wilde |
THE OSCHOLARS 13 |
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Guérin, Danielle |
Le Portrait de
Dorian Gray, adapted by Diane Delmont |
Oscar Wilde |
THE OSCHOLARS 19 |
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Guérin, Danielle |
Eine
florentinische Tragödie |
Oscar Wilde /
Alexander von Zemlinsky |
THE OSCHOLARS
17 |
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Guérin, Danielle &
Vernadakis, Emmanuel |
Salome |
Oscar Wilde |
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Henderson, Signy |
Bernard and Bosie, A Most Unlikely Friendship |
Anthony Wynne |
THE OSCHOLARS 18 |
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Horie, Tamaki |
Salomé |
Oscar Wilde / Richard Strauss |
THE OSCHOLARS 13 |
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Hyldekjær, Peter |
Salomé |
Oscar Wilde / Richard Strauss |
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Jackson, Melissa |
The Importance of Being Earnest |
Oscar Wilde |
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Jenike, Lesley |
The Importance of being Earnest |
Oscar Wilde |
THE OSCHOLARS 32 |
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Johnston, Susan |
The Importance of Being Earnest |
Oscar Wilde |
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Kandola, Sondeep |
De Profundis |
Oscar Wilde and Merlin Holland |
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King, Mary |
Hedda Gabler |
Henrik Ibsen |
THE OSCHOLARS 27 |
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Leahy, Aoife |
More Lives than
One: Oscar Wilde and the Black Douglas |
Leslie Clack |
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Leahy, Aoife |
Lord Arthur’s Bed |
Martin Lewton |
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Leahy, Aoife |
The Happy Prince |
Oscar Wilde |
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Leahy, Aoife |
The Picture (of
Dorian Gray) |
Oscar Wilde |
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Leahy, Aoife |
Lord Arthur Savile’s Crimes (sic) |
Oscar Wilde / Martin Harris |
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Leahy, Aoife |
Oh What a Wilde
Wardrobe! |
Martin Williamson |
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Leahy, Aoife |
An Ideal Husband |
Oscar Wilde |
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Llewellyn, Mark |
The Importance of being Earnest |
Oscar Wilde |
THE OSCHOLARS 28 |
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Maynard, Katherine |
Gross Indecency: The Three Trials of Oscar Wilde |
Moises Kaufman |
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Mazau, Mathilde |
The Picture of Dorian Gray, adapted by Darren Tunstall and Emily Jones |
Oscar Wilde |
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Mead, Donald |
Salomé: Iconographic Changes of Images in East and West:
Exhibition, Lecture & Performances |
Oscar Wilde / Kimie Imura Lawlor |
THE OSCHOLARS 12 |
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Moss, Roger |
The Importance of Being Earnest |
Oscar Wilde |
THE OSCHOLARS 14 |
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Navarre, Joan |
Salomé: Iconographic Changes of Images in East and West:
Exhibition, Lecture & Performances |
Oscar Wilde / Kimie Imura Lawlor |
THE OSCHOLARS 12 |
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O’Connor, Maureen |
Lady Windermere’s Fan |
Oscar Wilde |
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O’Donoghue, Bernard |
The Picture of Dorian Gray, adapted by Peter Harness |
Oscar Wilde |
THE OSCHOLARS 21 |
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O’Rourke, Michael |
The Star Child and Other Stories, adapted by Mary
Elizabeth Burke-Kennedy |
Oscar Wilde |
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Orel, Gwen |
An Ideal Husband |
Oscar Wilde |
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Orel, Gwen |
The Importance of Being Earnest |
Oscar Wilde |
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Orel, Gwen |
The Selfish Giant, adapted by Brenda Bell |
Oscar Wilde |
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Orhanen, Anna |
The Importance of being
Earnest |
Wilde Oscar |
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Ormond, Leonée |
The Duchess of Padua |
Oscar Wilde |
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Ormond, Leonée |
The Selfish Giant adapted
and performed by PuppetCraft,
Jackson’s Lane Theatre, London |
Oscar Wilde |
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Pascual Aransáez, Cristina |
The Judas Kiss |
David Hare |
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Perala, Tiffany |
Travesties |
Tom Stoppard |
THE OSCHOLARS 13 |
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Perala, Tiffany |
The Importance of Being Earnest |
Oscar Wilde |
THE OSCHOLARS 22 |
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Perala, Tiffany |
Misalliance |
G.B. Shaw |
|
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Robinson, B.J. |
Salomé Metropolitan Opera, New York |
Wilde, Oscar /Strauss, Richard |
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Robson, Julie-Ann |
Salomé |
Oscar Wilde / Richard Strauss |
THE OSCHOLARS 17 |
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Rose, D.C. |
De Profundis |
Oscar Wilde / Christophe
Truchi |
|
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Rose, D.C. |
Saint Oscar |
Terry Eagleton |
THE OSCHOLARS 27 |
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Rose, D.C. |
Lady Windermere’s Fan |
Oscar Wilde |
THE OSCHOLARS 13 |
|
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Rose, D.C. |
Lady Windermere’s Fan |
Oscar Wilde |
THE OSCHOLARS 13 |
|
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Rose, D.C. |
Salomé, adapted by Cloud Downey as Femme Fatale, The Fable
of Salomé |
Oscar Wilde |
|
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Schroeder, Horst |
Der Zwerg (The
Dwarf) |
Oscar Wilde /
Alexander von Zemlinsky |
THE OSCHOLARS 12 |
|
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Smith II, Philip E. |
The Importance of Being Earnest |
Oscar Wilde |
THE OSCHOLARS 15 |
|
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Smith II, Philip E. |
Salomé |
Oscar Wilde / Richard Strauss |
|
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Sparks, Julie A. |
Caesar and Cleopatra Niagara-on-the-Lake |
G.B. Shaw |
|
||
|
Steck, Julia and Uebelhard, Andrea |
The Importance of being Earnest |
Oscar Wilde |
|
||
|
Supheert, Roselinde |
Salomé |
Oscar Wilde / Richard Strauss |
THE OSCHOLARS 19 |
|
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|
Tattenbaum, Mark |
The Importance of Being Earnest |
Oscar Wilde |
|
||
|
Thienpont, Eva |
Love That Dare Not Speak Its Name |
Tim Bellens |
|
||
|
Thienpont, Eva |
Mood on the Go |
Jeroen Olyslaegers |
THE OSCHOLARS 31 |
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Thienpont, Eva |
De ideale
Ernst, of Het belang van een echtgenoot |
Oscar Wilde |
THE OSCHOLARS 13 |
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Thienpont, Eva |
The Importance of being Earnest |
Oscar Wilde |
THE OSCHOLARS 14 |
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Thienpont, Eva |
Salomé, adapted by Gil Renders |
Oscar Wilde |
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Walshe, Eibhear |
An Ideal Husband |
Oscar Wilde |
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White, Heather |
The Importance of Being Earnest |
Oscar Wilde |
THE OSCHOLARS 22 |
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Wood, Julia |
The Selfish Giant, adapted by Annie Wood |
Oscar Wilde |
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