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Table of Book Reviews |
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Here we index all the
reviews published in the various journals that make up www.oscholars.com. Reviewing began in THE OSCHOLARS 11, April
2002. Many reviews from our early days
are not yet posted on our current site but remain on our former one, to which
there are now no reliable links. The
links indicated here will become live as transfers are effected. Occasionally, we have reproduced the same
review in two of our journals; occasionally, we have commissioned more than
one review of the same book. |
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Publication details are
given with the reviews. |
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The first table is in
alphabetical order of author of the book reviewed; this is followed by a second table in alphabetical order of
reviewer. Names in bold are those of our subscribers, to
whom we will pass on any inquiries. |
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Updated September 2010 |
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Author |
Title |
Reviewer |
Issue
(linked) |
|
Alexander,
James |
Shaw’s
Controversial Socialism |
Elizabeth
Carolyn Miller |
|
|
Allison, Jonathan (ed.) |
Bound for the 1890s: Essays on Writing and Publishing in
Honor of James G. Nelson. |
R.K.R. Thornton |
|
|
Aquien, Pascal |
Oscar Wilde. Les mots et les
songes. Biographie |
Patrick Pollard |
THE
OSCHOLARS 30 |
|
Arscott,
Caroline |
William Morris
and Edward Burne-Jones: Interlacings. |
Antoine Capet |
|
|
Atkinson,
Damian (ed.) |
The Letters of William Ernest Henley to
Robert Louis Stevenson. |
Linda Dryden |
|
|
|
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|
Bach, Susanne |
Theatralitãt und Authentizitãt
zwischen Viktorianismus und Moderne: Romane von Henry James, Thomas Hardy,
Oscar Wilde und Wilkie Collins. |
Lucia Krämer |
|
|
Baldi, Roberta |
Kipling’s
‘Departmental Ditties’: A Closer Look. |
Bart Moore-Gilbert |
|
|
Bentley, Toni |
Sisters of Salome. |
Jacqueline Groth |
THE
OSCHOLARS 22 |
|
Bentley, Toni |
Sisters of Salome. |
Deirdre Mac Mahon |
|
|
Bickle, Sharon (ed.) |
The Fowl
and the Pussycat: Love Letters of Michael Field, 1876-1909. |
Donna S.
Parsons |
|
|
Bickmann, Isa |
Leonardismus und symbolistische
Ästhetik: Ein Beitrag zur Wirkungs geschichte Leonardo da Vincis in Paris und
Brüssel. |
Andreas Kramer |
THE
OSCHOLARS 21 |
|
Birnbaum, Martin |
Oscar Wilde (Fragments et souvenirs) |
Lou Ferreira |
|
|
Bizzotto, Elisa |
La mano e l’anima. Il ritratto immaginario fin de siècle. |
Liberato Santoro-Brienza |
|
|
Blake, David Haven |
Walt Whitman and the Culture of American Celebrity. |
Neil Sammells |
|
|
Bloch-Dano,
Evelyne |
Madame
Proust, A biography. |
Mireille Naturel |
|
|
Blyth,
Caroline (ed.) |
Decadent
Verse: An Anthology of Late-Victorian Poetry, 1872-1900. |
Paul
Fox |
|
|
Böker, Uwe; Corballis, Richard, and
Hibbard, Julie A. (eds) |
The Importance of Reinventing Oscar:
Versions of Wilde during the Last 100 Years. |
Frederick
S. Roden |
|
|
Borges, Jorge Luis |
Enquètes 1937-1952. |
Lou Ferreira |
|
|
Brandreth, Gyles |
Oscar Wilde and the Candlelight Murders. |
Mark Llewellyn |
|
|
Brandreth, Gyles |
Oscar Wilde et le jeu de la
Mort |
Lou Ferreira |
|
|
Brandreth, Gyles |
Oscar Wilde et le Cadavre Souriant. |
Sébastien Rutés |
|
|
Butler, L.E. |
Relief. |
Annabel Rutherford |
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|
Capiteyn,
André |
Maeterlinck.
Een Nobelprijs voor Gent. |
Eva Thienpont |
|
|
Casaliggi, Carmen &
March-Russell, Paul (eds) |
Ruskin in Perspective: Contemporary Essays. |
Anuradha Chatterjee |
|
|
Cenni, Serena e Bizzotto, Elisa (eds) |
Dalla stanza
accanto: Vernon Lee e Firenze settant’anni dopo. |
Julia Bolton Holloway |
|
|
Colby, Vineta |
Vernon Lee: A Literary Biography. |
Marion Thain |
THE
OSCHOLARS 30 |
|
Colby, Vineta |
Vernon Lee: A Literary Biography. |
Marion Thain |
|
|
Collet, Georges-Paul |
Jacques-Emile Blanche, Le peintre-écrivain |
Chantal Beauvalot (in French) |
|
|
Collet, Georges-Paul |
Jacques-Emile Blanche, Le peintre-écrivain |
Chantal Beauvalot (in English) |
|
|
|
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|
Daley, Kenneth |
The Rescue of Romanticism: Walter Pater and John Ruskin. |
Maureen F. Moran |
THE OSCHOLARS 29 |
|
de
Langlade, Jacques |
« La mésentente cordiale » Wilde
– Dreyfus. |
Lou
Ferreira |
|
|
de Saint-Pierre, Isaure |
Bosie and Wilde. |
Mathilde Mazau (in French) |
THE
OSCHOLARS 30 |
|
de Saint-Pierre, Isaure |
Bosie and Wilde. |
Mathilde Mazau (in English) |
|
|
de Saint-Pierre, Isaure |
Bosie and Wilde – La vie après
la mort d’Oscar Wilde. |
Danielle Guérin |
|
|
Dean, Joanna |
Religious Experience and
the New Woman: The Life of Lily Dougall. |
Theresa
Jamieson |
|
|
Díaz, Junot |
The Brief Wondrous Life of Oscar Wao. |
María DeGuzmán |
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Duncan, Derek |
Reading
and Writing Italian Homosexuality: A Case of Possible Difference. |
Vincenzo Bavaro |
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|
Edwards, Louis |
Oscar Wilde Discovers America. |
Walter Satterthwaite |
THE
OSCHOLARS 24 |
|
Eighteen-Bisang, Robert & Miller,
Elizabeth (eds): |
Bram Stoker’s Notes
for Dracula (A
Facsimile Edition) |
Martin Willis |
|
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|
Falzon,
Alex |
Le
nozze alchemiche di Salomé. Oscar Wilde e la tradizione ermetica. |
Elisa
Bizzotto |
|
|
Fauser,
Annegret and Everist, Mark (eds) |
Music,
Theater, and Cultural Transfer: Paris, 1830-1914. |
Arline Cravens |
|
|
Favardin,
Patrick et Boüexière, Laurent |
Le Dandysme. |
Lou Ferreira |
|
|
Ferney, Frédéric |
‘La vie comme une offense’: Oscar Wilde ou les cendres de la gloire |
Pascale Amiot |
|
|
Ferguson, Christine |
Language, Science and Popular Fiction in the Victorian
Fin-de-Siécle: The Brutal Tongue. |
Laurence Talairach-Vielmas |
|
|
Fisher, Trevor |
Oscar and Bosie: A Fatal Passion. |
Alan Sinfield |
THE
OSCHOLARS 13 |
|
Fleischer, Mary |
Embodied
Texts, Symbolist Playwright-Dancer Collaborations. |
Annabel Rutherford |
|
|
Fludernik, Monika & Huml,
Ariane (edd.) |
Fin de siècle. |
Isa Bickmann |
THE
OSCHOLARS 28 |
|
Franci, Giovanna & Mangaroni, Rosella |
Le mille e una maschera di
Oscar Wilde. |
Lucia Boldrini |
THE
OSCHOLARS 16 |
|
Fry,
Stephen |
Mensonges, mensonges [Titre original: The Liar, 1991;
tr. française: J.F Hel-Guedj]. |
Lou Ferreira |
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|
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Gandhi,
Leela |
Affective
Communities: Anti-Colonial Thought, Fin-de-Siècle Radicalism and the Politics
of Friendship. |
Ruth
Livesey |
|
|
Gardiner, John |
The Victorians, An Age In Retrospect. |
John Batchelor |
THE
OSCHOLARS 14 |
|
Garelick, Rhonda K. |
Electric Salome: Loïe Fuller’s Performance
of Modernism. |
Virginie Pouzet-Duzer |
|
|
Garelick, Rhonda K. |
Electric Salome: Loïe Fuller’s Performance
of Modernism. |
Annabel Rutherford |
|
|
Germain,
André |
Les fous de 1900,
ch. 1: Le prophète des lys et des tournesols: Oscar Wilde. |
Lou Ferreira |
|
|
Giovannelli, Laura |
Il
Principe e il Satiro. (Ri)leggere “Il ritratto di Dorian Gray” |
Luca
Caddia |
|
|
Girelli, Elisabetta |
Beauty
and the Beast: Italianness in British Cinema. |
Anna Viola Sborgi |
|
|
Glendening, John |
The Evolutionary Imagination in
Late-Victorian Novels: An Entangled Bank. |
Laurence Talairach-Vielmas |
|
|
Goodway, David |
Anarchist Seeds Beneath the Snow: Left
Libertarian Thought and British Writers from William Morris to Colin Ward. |
Ruth Kinna |
|
|
Greenwood, Christopher |
Adapting to the Stage: Theatre and the Work of Henry James. |
John Stokes |
THE
OSCHOLARS 24 |
|
Gunn, Simon |
The Public Culture of the Victorian Middle Class. Ritual
and authority and the English industrial city 1840-1914. |
Richard Olney |
THE
OSCHOLARS 15 |
|
Guy, Josephine & Small, Ian |
Studying Oscar Wilde: History, Criticism, Myth. |
John McRae |
|
|
|
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|
Halpern, Richard |
Shakespeare's Perfume: Sodomy and Sublimity in the Sonnets,
Wilde, Freud, and Lacan. |
Michael O'Rourke |
THE
OSCHOLARS 20 |
|
Harrison, Kimberly & Fantina, Richard (eds.) |
Victorian Sensations: Essays on
a Scandalous Genre. |
Laurence Talairach-Vielmas |
|
|
Hayden, Deborah |
POX Genius, Madness and the Mysteries of Syphilis. |
Stephen Benson |
THE
OSCHOLARS 23 |
|
Heilmann, Ann & Llewellyn, Mark (eds) |
The
Collected Short Stories of George Moore: Gender and Genre. |
Mary S. Pierse |
|
|
Heinrich,
Anselm; Newey, Katherine, and Richards, Jeffrey (eds) |
Ruskin,
the Theatre and Victorian Visual Culture |
Tracy C. Davis |
|
|
Helland, Janice |
British and Irish Home Arts and Industries
1880 – 1914: Marketing Craft, Making
Fashion. |
Nicola
Gordon Bowe |
|
|
Helsinger, Elizabeth |
Poetry
and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William Morris, by |
Marion
Thain |
|
|
Heurtel, Sébastien |
Oscar Wilde, ermite mondain. |
Maud de Belleroche |
THE
OSCHOLARS 27 |
|
Hirschfeld, Magnus |
Les Homosexuels de Berlin. |
John McRae |
|
|
Holland, Merlin |
Irish Peacock and Scarlet Marquess. |
Ivana Bacik |
THE
OSCHOLARS 14 |
|
Holland, Merlin |
Coffee with Oscar Wilde. |
Marie-Luise Kohlke |
|
|
Holmes, Diana |
Rachilde, Decadence, Gender and the Woman Writer. |
Jane Desmarais |
THE
OSCHOLARS 17 |
|
Hopkins, Lisa |
Bram Stoker: A Literary Life. |
Glennis
Byron |
|
|
Hughes, William |
Bram Stoker, Dracula |
Martin Willis |
|
|
|
|
|
|
|
Iskin, Ruth E. |
Modern
Women and Parisian Consumer Culture in Impressionist Painting. |
D.C. Rose |
|
|
Ivory, Yvonne |
The
Homosexual Revival of Renaissance Style, 1850-1930. |
Stefano
Evangelista |
|
|
Ivory, Yvonne |
The Homosexual Revival of Renaissance
Style, 1850-1930 |
John
McRae |
|
|
|
|
|
|
|
James, Kenneth |
Escoffier, The King of Chefs. |
Paul Levy |
THE
OSCHOLARS 13 |
|
Joannis, Claudette |
Sarah Bernhardt, Reine de
l'attitude. |
Sue Lloyd |
THE
OSCHOLARS 28 |
|
Johnson,
Graham |
Social
Democratic Politics in Britain 1881-1911 |
John
S. Partington |
|
|
|
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|
Karpeles,
Eric |
Paintings
in Proust: A Visual Companion to ‘In Search of Lost Time’ |
Barbara
Wright |
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|
Karpeles,
Eric |
Paintings in Proust: A Visual Companion to
‘In Search of Lost Time’. |
Barbara
Wright |
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|
Kaylor, Michael Matthew |
Secreted
Desires. The Major Uranians: Hopkins, Pater and Wilde. |
Elisa Bizzotto |
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|
Killeen, Jarlath |
The Fairy
Tales of Oscar Wilde. |
Maureen O’Connor |
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|
Kingston, Angela |
Oscar Wilde as a Character in Victorian Fiction. |
Lucia Krämer |
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|
Knight, Mark & Mason, Emma |
Nineteenth-Century Religion and Literature: An
Introduction. |
Frederick S. Roden |
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|
Klaus,
H. Gustav and Knight, Stephen (eds) |
To
Hell With Culture: Anarchism in Twentieth-Century British Literature. |
Ruth
Kinna |
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|
Knox, Melissa |
Oscar Wilde in the 1990s: The Critic as Creator. |
Adrian Frazier |
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|
Krämer, Lucia |
Oscar Wilde in Roman, Drama und Film. Eine
medienkomparatistische Analyse fiktionaler Biographien. |
Yvonne Ivory |
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|
Krysinska, Marie |
Rythmes Pittoresques édité par
Seth Whidden. |
Pascale Mc Garry |
THE
OSCHOLARS 24 |
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Kventsel, Anna |
Decadence in the Late Novels of Henry James. |
Andrew Eastham |
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Lancaster,
Rosemary |
Je Suis
Australienne: Remarkable Women in France, 1880-1945. |
Karen Offen |
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|
Lemonnier,
Léon |
La vie d’Oscar Wilde. |
Lou Ferreira |
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|
Levitas, Ben |
The Theatre of Nation |
Michael D. Higgins |
THE
OSCHOLARS 30 |
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|
Ligo,
Larry L. |
Manet,
Baudelaire, and Photography |
Morna O’Neill |
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|
Linehan, Katherine (ed.) |
Robert Louis Stevenson: Strange Case of Dr. Jekyll and Mr.
Hyde. |
Richard Dury |
THE
OSCHOLARS 28 |
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Livesey, Ruth |
Socialism,
Sex, and the Culture of Aestheticism in Britain, 1880-1914. |
John S. Partington |
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Lloyd, Rosemary |
Charles Baudelaire |
Paula Ruth Gilbert |
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|
Lloyd, Rosemary |
Charles Baudelaire |
Louise Lyle |
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|
Lloyd, Sue |
The Man Who Was Cyrano: A Life of Edmond Rostand. |
Derek Mahon |
THE
OSCHOLARS 14 |
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|
Lottman, Herbert |
Oscar Wilde à Paris. |
Marie-Noelle Zeender |
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Lottman, Herbert |
Oscar
Wilde à Paris. |
Lou Ferreira |
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|
Lottman, Herbert |
Oscar Wilde en Paris,
tr. Javier Albiñana |
Ignacio Ramos Gay |
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|
Lutz, Deborah |
The Dangerous Lover: Gothic Villains, Byronism, and the
Nineteenth-Century Seduction Narrative |
Linda Dryden |
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MacArthur, John |
The Picturesque: architecture, disgust, and other
irregularities. |
William Taylor |
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Macdonald, Kate |
John
Buchan. A Companion to the Mystery Fiction. |
Pilvi
Rajamäe |
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|
Macy, Jon |
Teleny and Camille – the graphic novel |
John
McRae |
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|
Maeterlinck, Maurice |
Dichters van nu 15, translated by Stefaan Vanden Bremt. |
Yves T'Sjoen (translated and adapted by Eva Thienpont) |
THE
OSCHOLARS 13 |
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Maltz, Diana |
British Æstheticism and the Urban Working Classes,
1870-1900: Beauty for the People. |
Ruth Livesey |
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Mancoff, Debra N. |
Flora Symbolica: Flowers in Pre-Raphaelite Art. |
Síghle Bhreathnach-Lynch |
THE
OSCHOLARS 27 |
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Mangham,
Andrew |
Violent Women and Sensation Fiction:
Crime, Medicine and Victorian Popular Culture. |
Laurence Talairach-Vielmas |
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Markowitz, Yvonne J. and Karlin, Elyse Zorn |
Imperishable
Beauty: Art Nouveau Jewelry |
Petra Dierkes-Thrun |
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Maxwell, Catherine |
Swinburne. |
Jarlath Killeen |
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|
Maxwell, Catherine |
Second
Sight: The Victorian Visionary Imagination |
Annabel
Rutherford |
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|
Maxwell, Catherine &
Pulham, Patricia (eds.) |
Vernon Lee: Hauntings and Other Fantastic Tales. |
Ana Alicia Garza |
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|
Maxwell, Catherine &
Pulham, Patricia (eds.) |
Vernon Lee, Decadence, Ethics, Aesthetics. |
Sophie Geoffroy |
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McKenna, Neil |
The Secret Life of Oscar Wilde. |
John McRae |
THE
OSCHOLARS 30 |
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Melochio, Antonio |
Servants
of the Supernatural |
Emily Alder |
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Melville,
Joy |
Ellen
Terry. |
Tina Gray |
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|
Mendelssohn,
Michèle |
Henry James, Oscar Wilde and Aesthetic
Culture. |
Gert Buelens |
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Miller, Elizabeth Carolyn |
Framed: the New Woman Criminal in
British Culture at the Fin de Siècle. |
Alder, Emily |
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Mina, Gianna A.; Duffy, Henry J.; & Dryfhout, John H. |
Augustus Saint-Gaudens (1949-1907) scultore americano
dell`Eta d`Oro. |
Paula Murphy |
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Mitchell, Leslie |
Bulwer Lytton: The Rise and Fall of a Victorian Man of
Letters. |
Anne Anderson |
THE
OSCHOLARS 27 |
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Morris, Brian |
The Anarchist Geographer: An Introduction to the life of
Peter Kropotkin. |
Ruth Kinna |
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Morse, Barry with Anthony
Wynn & Robert E. Wood |
Remember with Advantages: Chasing The Fugitive and Other
Stories from an Actor’s Life. |
Barbara Pfeiffer |
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|
Mutch,
Deborah |
English
Socialist Periodicals, 1880-1900: A Reference Source. |
John
S. Partington |
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Nassaar, Christopher S. |
The Importance of Being Earnest … Revisited. |
Emmanuel Vernadakis |
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Nelson, Walter W. |
The Creative 1890s: Essays on W.E. Henley, Arthur Symons,
Oscar Wilde, and William Butler Yeats. |
Jane Desmarais |
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Ní Chuilleanáin, Eiléan (ed.) |
The Wilde Legacy. |
Uwe Böker |
THE
OSCHOLARS 28 |
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Neiswander,
Judith A.: |
The Cosmopolitan Interior:
Liberalism and the British Interior 1870-1914. |
Anne Anderson |
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Nolan, Jerry (ed.) |
Edward Martyn's The Tulira Trilogy. |
Mary C. King |
THE
OSCHOLARS 17 |
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North,
Christine |
Mallarmé.
Eleven Translations with the originals facing. |
Mark Raftery-Skehan & David Scott |
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|
North,
Christine |
Laforgue |
Pascale Mc Garry |
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Novak, Daniel A. |
Realism,
Photography, and Nineteenth-Century Fiction. |
Luca
Caddia |
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|
|
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|
Oeser, Hans-Christian with the collaboration of
Jôrg W. Rademacher |
Oscar-Wilde-ABC. |
Lucia Krämer |
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|
O’Malley,
Patrick |
Catholicism,
Sexual Deviance, and Victorian Gothic Culture |
Andrew Tate |
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|
Orestano,
Francesca & Frigerio, Francesca (eds) |
Strange
Sisters. Literature and Aesthetics in
the Nineteenth Century.
|
Bénédicte
Coste |
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Partington,
John S. (ed.) |
H.G. Wells in Nature, 1893-1946: A
Reception Reader. |
Richard Toye |
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|
Peterson, Linda H. |
Becoming
a Woman of Letters: Myths of Authorship and Facts of the Victorian Market. |
Joellen
Masters |
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|
Pelliccioli, Marco |
Un
dandy a teatro, Oscar Wilde e Woody Allen |
Luca
Caddia |
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|
Pierse, Mary (ed.) |
George
Moore: Artistic Visions and Literary Worlds. |
Elizabeth Grubgeld |
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|
Pinkney, Tony |
William
Morris in Oxford, The Campaigning Years, 1879-1895. |
Phillippa Bennett |
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|
Pireddu, Nicoletta |
Antropologi alla corte della
bellezza. Decadenza ed economia simbolica nell' Europa fin de siècle. |
Chiara Briganti |
THE
OSCHOLARS 17 |
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Pierobon, Frank |
Salomé ou la Tragédie du regard. |
Virginie Pouzet-Duzer |
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Porché, François |
‘L'Amour qui n'ose pas dire son nom.’ |
Lou
Ferreira |
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Prideaux, Sue |
Edvard Munch Behind the Scream. |
Síghle Bhreathnach-Lynch |
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|
Pulham, Patricia |
Art and the Transitional Object in Vernon Lee’s
Supernatural Tales. |
Stefano Evangelista |
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|
Pustianaz,
Marco & Villa, Luisa (eds.) |
Maschilitá decadenti: la lunga
fin de siècle. |
Chiara Briganti |
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|
|
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Queffelec, Christine |
L’esthétique de
Gustave Flaubert et d’Oscar Wilde |
Brigitte Le Juez |
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|
|
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|
Rashkin, Esther |
Unspeakable
Secrets and the Psychoanalysis of Culture |
Melissa
Knox |
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|
Recchia, Stefano and Urbinati, Nadia |
A Cosmopolitanism
of Nations: Giuseppe Mazzini’s Writings on Democracy, Nation Building, and
International Relations. |
Gaspare Battistuzzo, |
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|
Reynolds,
G.W.M. |
Nineteenth-Century
Fiction, Politics and the Press.
Edited by Anne Humpherys and Louis James |
Anya
Clayworth |
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|
Robertson,
Michael |
Worshipping
Walt: The Whitman Disciples. |
Bruce
Bashford |
||||||
|
Roche, Anthony (ed.) |
The Irish University Review Spring/Summer 2002: Thomas
Kilroy special issue. |
D.C. Rose |
THE
OSCHOLARS 16 |
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|
Roden, Frederick S. |
Same-Sex Desire in Victorian Religious Culture. |
Eibhear Walshe |
THE
OSCHOLARS 14 |
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|
Roellig, Ruth Margarete |
Les lesbiennes de Berlin. |
John McRae |
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|
Rotily, Jocelyne |
‘Napoléon et moi!’ James McNeill Whistler en Corse 1901. |
Catherine Delyfer |
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|
Rowbotham,
Sheila |
Edward
Carpenter: A Life of Liberty and Love |
Regenia
Gagnier |
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|
Rutés, Sébastien |
Le Linceul du vieux monde. |
Jessica Wardhaugh (in English) |
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|
Rutés,
Sébastien |
Le Linceul du vieux monde. |
Lou Ferreira (in French) |
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|
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|
Schaffer, Talia |
Literature and Culture at the Fin de Siècle. |
Grace Brockington |
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|
Scheinberg, Cynthia |
Women’s Poetry and Religion in Victorian
England: Jewish Identity and Christian Culture |
Roden, Frederick S. |
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Schiffer, Daniel Salvatore |
Oscar Wilde |
Marie Noëlle Zeender |
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Schiffer, Daniel Salvatore |
Philosophie du dandysme. |
François
D’Arbonneau |
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Schoch, Richard W. (ed.) |
Victorian Theatrical Burlesque. |
D.C. Rose |
THE
OSCHOLARS 23 |
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Schwandt,
Waleska |
Bekenntnis, Pose, Parodie.
Oscar Wilde und das Ästheten-Stereotyp. |
Rainer Kohlmayer |
THE
OSCHOLARS 24 |
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Self, Will |
Dorian. |
Marie-Noelle Zeender |
THE
OSCHOLARS 14 |
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Shaw, Marion & Randolph, Lyssa |
New Women
Writers of the late nineteenth century. |
John McRae |
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Sloan, John |
Authors in Context: Oscar Wilde. |
Richard Pine |
THE OSCHOLARS 14 |
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Smith, Andrew |
Gothic Literature. |
Ruth Robbins |
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|
Smith II, Philip E. (ed.) |
Approaches to the Teaching of Oscar Wilde. |
Andrew
Eastham |
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Souday, Paul |
Les livres du temps. |
Lou Ferreira |
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|
Spooner, Catherine & McEvoy, Emma |
The Routledge Companion to the Gothic. |
Ruth Robbins |
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|
Stack, David |
The First Darwinian Left: Socialism and
Darwinism 1859-1914. |
Richard Nate |
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|
Stetz, Margaret D. & Wilson, Cheryl A. (eds.) |
Michael
Field and Their World. |
Christine Huguet |
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|
Stevens, Julie Ann |
The Irish Scene in Somerville and Ross. |
Maureen O’Connor |
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|
Stewart-Steinberg, Suzanne |
The Pinocchio
Effect: On Making Italians (1861-1920) |
Antonio Bibbò |
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|
Stiles, Ann (ed.) |
Neurology
and Literature, 1860–1920. |
Laurence Talairach-Vielmas |
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|
Stray, Christopher (ed.) |
Gilbert
Murray Reassessed: Hellenism, Theatre, and International Politics. |
Kathleen Riley |
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|
|
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Talairach-Vielmas,
Laurence |
Moulding the Female Body in Victorian
Fairy Tales and Sensation Novels. |
Susan Cahill |
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|
Térence, Mathieu |
Journal d'un cœur sec. |
Marie-Noelle Zeender |
THE
OSCHOLARS 14 |
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|
Thomas, Louis |
L’esprit
d’Oscar Wilde |
Lou Ferreira |
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|
Thornton, R.K.R. |
The Search for Wratislaw, with some Unpublished Letters. |
Jad Adams |
THE
OSCHOLARS 27 |
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|
Tibbe, Lieske; Gerlagh, Wim & Hubregtse, Sjaak (eds.) |
William Morris in Nederland.
Een bibliografie. Geschriften van en over William Morris verschenen in het
Nederlands taalgebied, 1874-2000. |
Eva Thienpont |
THE
OSCHOLARS 30 |
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|
Tipper, Karen Sasha Anthony |
A Critical Biography of Lady Jane Wilde, 1821?-1896, Irish
Revolutionist, Humanist, Scholar and Poet. |
Maria Luddy |
THE
OSCHOLARS 18 |
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|
Toibín, Colm |
Love in a Dark Time. |
Trevor Fisher |
THE
OSCHOLARS 13 |
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|
Tufescu, Florina |
Oscar
Wilde’s Plagiarism. The Triumph of Art over Ego. |
Rainer
Kohlmayer |
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|
|
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|
van Os, Henk & others |
Fatale Vrouwen (exhibition catalogue). |
Jessica Sully |
THE
OSCHOLARS 23 |
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|
Vibert, Bertrand avec la collaboration de Michel Viegnes et Sabrina
Granger |
Contes symbolistes,
volume I. |
Rosemary Lloyd |
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|
|
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|
Waldrep, Shelton (ed.) |
Inauthentic Pleasures: Victorian Fakery and the Limitations
of Form. |
Julie Ann Stevens |
THE
OSCHOLARS 14 |
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|
Warwick, Alexandra |
Oscar Wilde. |
D.C. Rose |
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|
Warwick, Alexandra & Willis, Martin |
Jack the
Ripper: Media, Culture, History |
John Plunkett |
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|
Weir,
David |
Decadent
Culture in the United States: Art and Literature against the American
Grain,1890-1926 |
Mary W. Blanchard |
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|
Weltman,
Sharon Aronofsky |
Performing the Victorian: John Ruskin and Identity in
Theater, Science and Education. |
Anuradha Chatterjee |
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|
White, Heather |
Forgotten Schooldays, Oscar Wilde at Portora. |
D.C. Rose |
THE
OSCHOLARS 17 |
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|
Whittington-Egan, Molly |
Frank Miles and Oscar Wilde: “such white
lilies”. |
Leonée Ormond |
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|
Wilde, Oscar |
The Portrait of Mr W. H. Edited by
Peter Ackroyd. |
Joost Daalder |
THE
OSCHOLARS 14 |
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|
Wilde, Oscar |
Compte-rendu
de l’édition Salomé de la Fondation Martin Bodmer. |
Atsuko Ogane |
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