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Index of Essays,
Articles & Abstracts |
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In
March 2002 THE OSCHOLARS began
publishing essays, abstracts and articles submitted by readers under the
title ‘And I? May I Say Nothing?’, renamed in 2008 more simply as ‘May I Say
Nothing?’ An index of these articles was first
published in November 2007, and we now update this and add articles that have
appeared in the other journals on our site.
We will update this as often as possible. As usual, names in bold are those of subscribers who may be contacted through us. |
|
Not
all the links to articles are live (indicated in blue). More of these will become live as pages
are transferred from our old site to www.oscholars.com. No issues were published between November
2003 and October 2006, and the period April to September 2007 is represented
by an amalgamated issue. We also refer
readers to the articles first published elsewhere and now reproduced in our LIBRARY. |
|
Page last updated January 2008 |
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Author |
Title |
Issue (linked) |
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Amiot,
Pascale |
Oscar Wilde et De Profundis. |
Rue des Beaux Arts 7 |
|
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Amiot,
Pascale |
Salomé sur le Pont
des Arts (1). |
Rue des Beaux Arts 8 |
|
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Amiot,
Pascale |
Salomé sur le Pont
des Arts (2). |
Rue des Beaux Arts 9 |
|
|
Atkinson,
M. Tully |
‘The
Words of the Poet’: Wilde’s
Influence on W. Somerset Maugham. |
THE OSCHOLARS 15 |
|
|
Bashford, Bruce |
‘Thinking in Stories’: Oscar Wilde’s
The Sphinx Without a Secret. |
THE OSCHOLARS 42 |
|
|
Behrendt, Patricia Flanagan |
Wilde on
Tap. |
THE
OSCHOLARS 45 |
|
|
Behrendt, Patricia
Flanagan |
What Ellmann Missed: Nobs, Wags, and Wilde,
Lincoln Nebraska, April 23–24, 1882. |
THE OSCHOLARS 47 |
|
|
Bergin, Alan |
‘Power
to think - power to achieve. Sex is only an accident, but the world has made
man the independent creature - and I desired independence’: Broken
masquerades, subversion and muted protestations in the fiction of Katherine
Cecil Thurston. |
THE OSCHOLARS
35-41 |
|
|
Binckes, Faith and Laing, Kathryn |
A
Rebel Without Applause: Hannah Lynch and Irish ‘New Woman’ Fiction. |
THE OSCHOLARS
35-41 |
|
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Blanchard, Mary Warner |
Ellmann
Special Issue |
||
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Boyd, Jason |
Oscar
Wilde and Victorian Edutainment. |
THE
OSCHOLARS 45 |
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|
Boyd, Jason |
Teleny and Wilde’s Missing Gay Texts. |
Teleny Special
Issue |
|
|
Bridle, Deborah |
Reconnaissance et
rejet : jeux de miroir dans ‘The Birthday of the Infanta’, d’Oscar Wilde. |
Rue des Beaux Arts 16 |
|
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Calvet,
Emma |
Verlaine en compagnie d'Oscar Wilde dans un salon
de Londres, en 1891. |
Rue des
Beaux Arts 12 |
|
|
Cardon, Patrick |
Marc-André
Raffalovitch. |
Rue des
Beaux Arts 6 |
|
|
Chamberlain, Robin |
Body
Talk: Physical Empathy in Teleny. |
Teleny
Special Issue |
|
|
Chamberlain, Robin |
Masoschisms:
Cruelty, Desire, and Subversion between Victorian Women. |
THE OSCHOLARS 42 |
|
|
Chatterjee, Anuradha |
John
Ruskin and femininity as the theoretical precondition for architecture. |
The Eighth Lamp 1 |
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Chatterjee,
Anuradha |
Reconciling architectures: John Ruskin and
the production of the new theory of the adorned ‘wall veil’. |
The Eighth Lamp 2 |
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Chatterjee,
Anuradha |
Surfacing the image of (an)other science:
John Ruskin, anatomy, and post-Renaissance architecture |
The Eighth Lamp 2 |
|
|
Chatterjee, Anuradha |
Tectonic
into textile: John Ruskin and the
changing meanings of wall and ornament. |
The Eighth Lamp 1 |
|
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Chatterjee, Anuradha |
The Troubled Surface of Architecture: John
Ruskin, Human Body, and External Walls |
The Eighth Lamp 1 |
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Couso Liañez, Antonio
José |
Wilde’s Proposal for Literature:
the Importance of Beauty and Reception. |
THE OSCHOLARS
44 |
|
|
D’Anthonay,
Thibaut |
Jean Lorrain et Oscar Wilde : une rencontre
prédestinée |
Rue des Beaux Arts 11 |
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Daalder,
Joost |
Confusion
and Misattribution concerning the two earliest English translations of Salome. |
THE OSCHOLARS 21
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Davies, Helen |
‘Such
penetrating power’: Seeing Queerly in Teleny
and Sarah Waters’ Tipping the
Velvet. |
Teleny Special
Issue |
|
|
Davies, Helen |
‘Victorian’
Ventriloquisms?: Trilby, The Picture of Dorian Gray, and
anxieties about influence. |
THE
OSCHOLARS 46 |
|
|
Dhar, Udar K. |
The
Mondial Teleny Illustrations. |
Teleny Special
Issue |
|
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Eells, Emily |
Oscar
Wilde et le Genre Interartistique du Troisième Sexe |
||
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Endres, Nikolai |
When
Plato Meets Wilde: Goldsworthy Lowes Dickinson’s A Dialogue. |
THE OSCHOLARS 47 |
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Englebert, Tine |
Musical
references in Oscar Wilde, Part I. |
THE
OSCHOLARS 45 |
|
|
Englebert, Tine |
Wilde, personnage littéraire: les ‘Schijnbewegingen’ et ‘Tegenspel’ de
Floortje Zwigtman. |
Rue des Beaux Arts 13 |
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Espersen-Peters,
Kurt |
Ruskin’s Material Nature: The Geology of
Architecture (Working Title). |
The Eighth Lamp 2 |
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Ferreira, Lou |
Baudelaire et Oscar Wilde. |
Rue des
Beaux Arts 7 |
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Ferreira, Lou |
J-L. Borges – Enquêtes. |
Rue des Beaux
Arts 8 |
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Ferreira,
Lou |
Les catacombes
de l’exil intérieur d’Oscar Wilde. |
Rue des Beaux Arts 11 |
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Ferreira,
Lou |
André
Germain : Les Fous de 1900. |
Rue des Beaux
Arts 9 |
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Ferreira,
Lou |
J.K. Huysmans : ‘À rebours’. |
Rue des Beaux
Arts 3 |
|
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Ferreira,
Lou |
Léon Lemonnier. |
Rue des Beaux
Arts
5 |
|
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Fisher, Trevor |
Ellmann’s Wilde in Retrospect. |
Ellmann
Special Issue |
|
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Fisher, Trevor |
Oscar
Wilde and the dynamics of reputation. |
THE OSCHOLARS 42 |
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|
Frost,
Mark Andrew |
‘The law of help’ : John Ruskin's
ecological vision. 1843—1886. |
The Eighth Lamp 2 |
|
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Fortunato, Paul |
Oscar
Wilde’s Journalism: The Aesthetics of Lying in the Pall Mall Gazette and the
Woman’s World. |
THE
OSCHOLARS 45 |
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Gauthier, Bernard |
Marcel
Schwob et Oscar Wilde. |
Rue des Beaux
Arts 3 |
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Geoffroy, Sophie |
Triste Cire…Cendres Ardentes. |
The Sibyl 1 |
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Geoffroy, Sophie |
Taste,
Entitlement and Power in Vernon Lee’s Comedy Of Masks cum Puppet Show: The Prince Of The Hundred Soups (1880). |
The Sibyl 1 |
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Geoffroy, Sophie |
Violet
Paget (“Vernon Lee”) : A Chronology. |
Spring 2007 |
|
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Gillespie, Michael Patrick |
Ellmann and Success. |
Ellmann
Special Issue |
|
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Grants,
Anita |
Selectivity, interpretation and
application: The influence of John Ruskin in Canada. |
The Eighth Lamp 2 |
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Gray, Elisa |
Decadence
and Decay. |
THE
OSCHOLARS 45 |
|
|
Gray, Elisa |
The
Sphinx. |
THE OSCHOLARS 47 |
|
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Gray, Robert and Keep, Christopher |
‘An
Uninterrupted Current:’ Homoeroticism and Collaborative Authorship in Teleny. |
Teleny Special
Issue |
|
|
Guérin,
Danielle |
L’anniversaire
de Mr. W. |
THE OSCHOLARS 17
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Guérin,
Danielle |
April is the Cruellest Month. |
Rue des Beaux Arts 2 |
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Guérin,
Danielle |
Arthur, Oscar et Sherlock, entre mythe et réalité. |
Rue des Beaux Arts 17 |
|
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Guérin, Danielle |
La Ballade du Pendu. |
Rue des
Beaux Arts 12 |
|
|
Guérin, Danielle |
Conquérir Paris. |
Rue des Beaux Arts 7 |
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Guérin,
Danielle |
Derniers étés. |
Rue des Beaux Arts 3 |
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Guérin,
Danielle |
Des
Profondeurs. |
THE OSCHOLARS 33 |
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Guérin,
Danielle |
Dîner avec la duchesse. |
Rue des Beaux Arts 14 |
|
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Guérin, Danielle |
Un été à Berneval. |
Rue des Beaux Arts 9 |
|
|
Guérin,
Danielle |
Jours de Fête. |
Rue des Beaux Arts 6 |
|
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Guérin, Danielle |
Lina Munte. |
Rue des Beaux Arts 15 |
|
|
Guérin,
Danielle |
Le Manuscrit
Autographe de la Duchesse de Padoue. |
Rue des Beaux Arts 14 |
|
|
Guérin,
Danielle |
Maurice Rostand et ‘Le procès d’Oscar Wilde’. |
Rue des Beaux Arts 17 |
|
|
Guérin,
Danielle |
La mortelle séduction de la danse. |
Rue des Beaux Arts 16 |
|
|
Guérin, Danielle |
Oscar Wilde dans les bas-fonds de Paris. |
Rue des Beaux Arts 10 |
|
|
Guérin, Danielle |
Regarder les étoiles. |
Rue des Beaux Arts 5 |
|
|
Guérin, Danielle |
Rouen :
une journée particulière. |
Rue des Beaux Arts 4 |
|
|
Guérin, Danielle |
Salomé, Princesse
Française ? |
Rue des Beaux Arts 8 |
|
|
Guérin, Danielle
|
Teleny, The Cover Story. |
Teleny Special
Issue |
|
|
Guérin, Danielle |
Les deux tombes de Cyril
Holland. |
Rue des Beaux Arts 13 |
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|
Guérin, Danielle |
Salomé
sans filet. |
Rue des Beaux Arts 15 |
|
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Guérin, Danielle |
Une vie d’hôtel. |
Rue des Beaux Arts 11 |
|
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Guérin, Danielle |
Wilde et ses interprètes : Theda Bara. |
Rue des Beaux Arts 9 |
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|
Guérin, Danielle |
Wilde et ses interprètes :
Rupert Everett – Henry, Arthur, Algy :
portrait de l’acteur en dandy. |
Rue des Beaux Arts 16 |
|
|
Guérin, Danielle |
Wilde et ses interprètes : Sir John Gielgud, entre Shakespeare
et Wilde. |
Rue des Beaux Arts 13 |
|
|
Guérin, Danielle |
Wilde et ses
interprètes : Robert Morley, le premier Wilde. |
Rue des Beaux
Arts 12 |
|
|
Guérin, Danielle |
Wilde et ses interprètes : Alla
Nazimova, une Salomé Art Nouveau. |
Rue des Beaux Arts 11 |
|
|
Guérin, Danielle |
Wilde et ses interprètes : Vincent
Price et Raymond Gérôme. |
Rue des Beaux Arts 17 |
|
|
Guérin, Danielle |
Wilde et ses interprètes : La dynastie Redgrave. |
Rue des Beaux Arts 14 |
|
|
Guérin, Danielle |
Wilde et ses interprètes : Ida
Rubinstein et la danse des sept voiles. |
Rue des Beaux Arts 10 |
|
|
Guérin, Danielle |
Wilde et ses interprètes : Quelques
Tantes Augusta… ou Les Métamorphoses de Lady Bracknell. |
Rue des Beaux Arts 15 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (1). |
Rue des Beaux Arts 5 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (2). |
Rue des Beaux Arts 6 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (3). |
Rue
des Beaux Arts 7 |
|
|
Guérin, Danielle |
Wilde, Personnage Littéraire (4). |
Rue des Beaux Arts 8 |
|
|
Guérin, Danielle |
Wilde, Personnage Littéraire (5). |
Rue des Beaux Art 9 |
|
|
Guérin, Danielle |
Wilde, Personnage Littéraire (6). |
Rue des Beaux Arts 10 |
|
|
Guérin, Danielle |
Wilde, Personnage Littéraire (7). |
Rue des Beaux Arts 11 |
|
|
Guérin, Danielle |
Wilde, Personnage Littéraire (8). |
Rue des
Beaux Arts 12 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (9). |
Rue des Beaux Arts 14 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (10). |
Rue des Beaux Arts 15 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (11). |
Rue des Beaux Arts 16 |
|
|
Guérin, Danielle |
Wilde,
Personnage Littéraire (12). |
Rue des Beaux Arts 17 |
|
|
Guérin,
Danielle; Krämer, Lucia; Pascual, Cristina; Rose, D.C. |
A Checklist of Richard Ellmann's Writings
on Oscar Wilde in Chronological Order. |
Ellmann
Special Issue |
|
|
Grubica, Irena |
Oscar
Wilde and Pop Music: The Art of Self-Invention. |
THE
OSCHOLARS 46 |
|
|
Harrison,
Philip |
Ruskin on Gothic skin: embodiment in
health and diseaser. |
The Eighth Lamp 2 |
|
|
Hayden,
Deborah |
Further
thoughts on Pox. |
THE OSCHOLARS 24 |
|
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Hibbitt, Richard |
Oscar Wilde et Paul
Bourget : deux vies en parallèle. |
Rue des Beaux Arts 17 |
|
|
Ho, Aaron |
Why
Read Teleny? |
Teleny Special
Issue |
|
|
Jambet, Christian |
Pour
un portrait de Sebastian Melmoth (1). |
Rue des
Beaux Arts 12 |
|
|
Jambet, Christian |
Pour
un portrait de Sebastian Melmoth (2). |
Rue des Beaux Arts 13 |
|
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Johnston, Leila |
De Profundis – Some First Impressions. |
THE OSCHOLARS
44 |
|
|
Kandola, Sondeep |
Union
and ‘the Ascendancy Outlook’: Gothic Re-imaginings of Ireland in Oscar
Wilde’s The Picture of Dorian Gray. |
THE OSCHOLARS 47 |
|
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Khelifa, Mansour |
Self-examination
and Banishment in Oscar Wilde’s De Profundis. |
THE OSCHOLARS 47 |
|
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Knox, Melissa |
Belletristic Biography Boxing Brilliant
Bestseller? |
Ellmann
Special Issue |
|
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Koyuncu,
Nevin Yildirim |
Re-writing and Mystifying Wilde’s Art for Art’s
Sake by Tom Stoppard. |
THE OSCHOLARS 47 |
|
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Krämer,
Lucia |
The
German versions of The Importance of
being Earnest. |
THE OSCHOLARS
35-41 |
|
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Lasner, Mark Samuels |
A Little Sidelight Regarding the Role of
Rupert Hart-Davis. |
Ellmann
Special Issue |
|
|
Lebailly, Hugues |
Mirages d’Eldorado : Les illusions perdues de
Woolner, Whistler et Wilde. |
Rue des Beaux Arts 11 |
|
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Lennartz, Norbert |
Two
Responses to the Horrors of Modern Trash Culture: Oscar Wilde and George
Gissing. |
THE OSCHOLARS
44 |
|
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Le Juez, Brigitte |
Art, écriture et moralité : Flaubert
modèle d’Oscar Wilde. |
Rue des Beaux Arts 17 |
|
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Leahy,
Aoife |
Ruskin and the Architectural Space of
Wonderland |
The Eighth Lamp 2 |
|
|
Leroy, Dominique (tr. D.C. Rose) |
Teleny, Étude psychologique : Introduction to the Pré aux Clercs edition. |
Teleny Special
Issue |
|
|
Luck, Kawinthra |
Influence
gone Wilde. |
THE OSCHOLARS
44 |
|
|
Lutz, Deborah |
A
Dictionary of 19th-Century Pornography: Teleny,
Language, and Melancholy at the Fin de
Siècle. |
Teleny Special
Issue |
|
|
MacDonald, Kate |
Orality
and voice in John Betjeman’s ‘The Arrest of Oscar Wilde at the Cadogan
Hotel’: from the 1890s to the 1920s, and back again. |
THE OSCHOLARS
35-41 |
|
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Macdonald, Ranald |
Walter
Pater and the British Hegelians. |
THE
OSCHOLARS 46 |
|
|
McRae, John |
Eros
and Thanatos: Excess of Love and Social Constraints in Inferno, Othello, and Teleny. |
Teleny Special
Issue |
|
|
McRae, John |
The Introduction to the 1986 |
Teleny Special
Issue |
|
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McRae, John |
The Genesis of an Immodest Proposal. |
Teleny Special
Issue |
|
|
Macy, Jon |
Teleny and Camille: The Graphic Novel. |
Teleny Special
Issue |
|
|
Mason, Diane |
‘That
mass of flesh, usually called an arse’: Obesity, Sex and Death in Teleny. |
Teleny Special
Issue |
|
|
Mayer, Sandra |
Pleasing
and Teasing the Audience: Oscar Wilde, An All-Time Favourite of Viennese
Stages. |
THE
OSCHOLARS 45 |
|
|
Michèle, Mendelssohn |
A Twenty Year-Old. |
Ellmann
Special Issue |
|
|
Mercurio, Jeremiah |
THE
OSCHOLARS 43 December 2007 |
||
|
Mercurio, Jeremiah |
The Art
of Decadent Illustration. |
THE
OSCHOLARS 46 |
|
|
Meyers,
Terry L. |
Pagans
and Paganism. |
THE OSCHOLARS 10 |
|
|
Michel,
Pierre |
Octave
Mirbeau et Oscar Wilde. |
Rue des Beaux
Arts 7 |
|
|
Mitchell, Angus |
‘Dear
Woman of the Three Cows’: Alice Stopford Green and the origins of The African
Society. |
THE OSCHOLARS
35-41 |
|
|
Mulvihill,
Maureen E. |
Ephebe:
Extreme Beauty and the Seduction of Oscar
Wilde. |
THE OSCHOLARS 13 |
|
|
Mussard, Alice |
Le Don Juan fidèle dans ‘La
Vierge aux sept poignards’ de Vernon Lee, ou la défiguration d’un mythe. |
The Sibyl 3 |
|
|
Mussard, Alice |
La matière et la manière
fantastiques: Les aspects de « La poupée » (1927) par Vernon Lee, comme
indices de lecture du texte. |
The Sibyl 2 |
|
|
Nassaar, Christopher |
Oscar Wilde’s Einstein. |
Ellmann
Special Issue |
|
|
Nelson,
James G. |
Leonard Smithers’ Role as Publisher of
Teleny |
Teleny Special
Issue |
|
|
O’Toole, Tina |
‘Sexless
Creatures’: Trans Discourses in Irish New Woman Fiction. |
THE OSCHOLARS
35-41 |
|
|
Oliva Cruz, Juan Ignacio |
Wilde’s
Shadow in Jamie O’Neill’s Epic Narratives. |
THE OSCHOLARS
44 |
|
|
Paretti, Federica |
Villa Il Palmerino (in Italian with English translation
by Elisa Bizzotto). |
The Sibyl 3 |
|
|
Polaud-Dulian, Emmanuel |
Arthur Cravan. |
Rue des Beaux Arts 8 |
|
|
Perala,
Tiffany |
‘Oscar Wilde and Music’: A Lecture
by Merlin Holland at the William Andrews Clark Memorial Library. |
THE OSCHOLARS
35-41 |
|
|
Raby, Peter |
Wilde and Beardsley. |
Ellmann
Special Issue |
|
|
Reid, Victoria |
André Gide et Oscar Wilde. |
Rue des Beaux Arts 16 |
|
|
Rose, D.C. & Guérin, Danielle |
Richard Ellmann revisité :
Les funérailles d’Oscar Wilde. |
Rue des Beaux Arts 13 |
|
|
Rose,
D.C. |
Henri-David Davray et Oscar Wilde. |
Rue des Beaux Arts 4 |
|
|
Rose,
D.C. |
Margot
Asquith on Oscar Wilde. |
THE OSCHOLARS 10 |
|
|
Rose,
D.C. |
Oscar Wilde et l’ambassade Britannique. |
Rue des Beaux Arts 15 |
|
|
Rose,
D.C. |
Oscar Wilde and The Chase of the Cantervilles. |
THE
OSCHOLARS 21 February 2003 |
|
|
Rose,
D.C. |
Oscar Wilde and George du Maurier: The Construction of an Æsthete. |
THE OSCHOLARS 13 |
|
|
Rose,
D.C. |
Oscar Wilde and Pierre Puvis de Chavannes: Footnote to a Vermilion Line. |
THE OSCHOLARS 15 |
|
|
Rose,
D.C. |
Oscar Wilde and Rennell Rodd. |
THE OSCHOLARS 27 |
|
|
Rose,
D.C. |
Peering
at Wilde through Casements. |
THE OSCHOLARS 14 |
|
|
Rose,
D.C. |
Quelques soucis
avec Henri, ou la difficulté de connaître Lautrec. |
Rue des Beaux Arts 10 |
|
|
Rose,
D.C |
Rencontres
parisiennes : Verlaine |
Rue des
Beaux Arts 12 |
|
|
Rose,
D.C. |
Salome
and Eleonora Duse. |
THE OSCHOLARS 11 |
|
|
Rose,
D.C. |
Vanes,
Fanes and Shades of Grey: Some Reflections on the interaction of these
names within and without the work of Oscar
Wilde. |
THE OSCHOLARS 24 |
|
|
Rose,
D.C. |
Wilde, Art and the Symbolic Relationship. |
THE OSCHOLARS 25 |
|
|
Rose,
D.C. |
Wilde in Exile: Dieppe as Arcadia, An Abstract from Work in Progress. |
THE OSCHOLARS 12 |
|
|
Rutherford, Annabel |
Wilde,
Diaghilev and the Ballets Russes. |
THE OSCHOLARS
44 |
|
|
Salamensky, S. I. |
Among the Ellmann-Correctors. |
Ellmann
Special Issue |
|
|
Sammells, Neil |
There is No Such Thing as an Accurate or
an Inaccurate Biography. |
Ellmann
Special Issue |
|
|
Smith, Philip E. |
Ellmann’s Oscar Wilde: Caveat Lector. |
Ellmann
Special Issue |
|
|
Stasic, Tijana |
Fin de
Siècle and Beyond: From Decadence Proper to Decadence Resolved. |
THE
OSCHOLARS 46 |
|
|
Stiles,
Mark |
Reading Ruskin: Architecture, Social
Reform and the Order of Things in Colonial Australia 1880-1906. |
The Eighth Lamp 1 |
|
|
Stokes, John |
A Golden Codger. |
Ellmann
Special Issue |
|
|
Tadié, Alexis |
‘An age of surfaces’ : le langage de la comédie
dans The Importance of Being Earnest d’Oscar
Wilde. |
Rue des Beaux Arts 10 |
|
|
Tanasescu, Chris |
Going
Wilde in Romania: On Translating Teleny or The Reverse of The Medal
into Romanian. |
Teleny
Special Issue |
|
|
Taneja, Gulshan |
Wilde’s Less Greek: Ellmann’s Tragedy |
Ellmann
Special Issue |
|
|
Tanter, Marcy L. |
Analyzing
the Rainbow: A New Reader Responds to Teleny. |
Teleny Special
Issue |
|
|
Teets, Anthony |
The Price of a Lily: Women, the ‘Economics of Ekphrasis,’ and Art Connoisseurship in Vernon
Lee’s ‘A Wedding Chest’. |
The Sibyl 3 |
|
|
Teets, Anthony
in collaboration with Sophie Geoffroy |
Sensibility, Sensitivity and Heterotopia in Vernon Lee’s
‘itnarrative’: A Critical Introduction to ‘Biographie d’une monnaie’ (1870). |
The Sibyl 3 |
|
|
Terzani, Laura |
Violet,
Vernon, Fortunata e La Villa del Palmerino
(in Italian, with French translation by Sophie et Marie Thérèse Jorrand). |
The Sibyl 3 |
|
|
Thomas, Tiffany Perala |
The
Spahi as Scapegoat: The ‘Little Death’ transgressed in Teleny. |
Teleny Special
Issue |
|
|
Tittle, Miles |
Manifold
Sources: P. Craig Russell’s Salome. |
THE
OSCHOLARS 45 |
|
|
Torpos, Marie-Aude |
‘Miss
Grief’ (1880) by Constance Fenimore Woolson and ‘Lady Tal’ (1892) by Vernon
Lee: a Comparative Study. |
The Sibyl 3 |
|
|
Tufescu, Florina |
Beyond the Myth of Solitary Authorship: The
Collaborative Genius of Wilde. |
THE OSCHOLARS
44 |
|
|
Vernadakis,
Emmanuel |
‘Les Noms comptent plus
que tout !’ : Secret,
provocation et constructions identitaires dans l’œuvre d’Oscar Wilde. |
Rue des Beaux Arts 14 |
|
|
Wellings,
Christopher |
Dangerous desires: the uses of women in Teleny. |
Teleny
Special Issue |
|
|
Whiteman,
Bruce |
Pierre Louÿs à la William Andrews Clark
Library |
Rue des Beaux
Arts 7 |
|
|
Willis, Irene
Cooper |
Preface to Vernon
Lee’s Letters. |
The Sibyl 3 |
|
|
Wood,
Julia |
The Wilde
Film: The Saint Oscar Phenomenon and the Power of Myth. |
THE OSCHOLARS 16 |
|
|
Zeender, Marie-Noëlle |
‘Le pêcheur et son âme’ : conte emblématique d’Oscar Wilde. |
Rue des Beaux Arts 15 |
|
|
Zwigtman, Floortje |
Tricks of the Trade, a précis. |
THE OSCHOLARS
44 |
|
|
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