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OSCAR WILDE : A SCOTTISH SCENOGRAPHY |
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In course
of compilation by Emily Alder |
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Page
created January 2009: please send additions and corrections to oscholars@gmail.com. |
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Play |
Director |
Location |
Year |
Date |
|
|
A Florentine Tragedy |
Mrs. Patrick Campbell |
Royal Lyceum Theatre, Edinburgh |
1908 |
19 September |
|
|
The Importance of being Earnest |
Esmé Percy and Kirsteen Graeme's Company |
Royal Lyceum Theatre, Edinburgh |
1915 |
Sometime between 14 May–21 June |
|
|
The Happy Prince |
Esmé Percy and Kirsteen Graeme's Company |
Royal Lyceum Theatre, Edinburgh |
1915 |
12 June |
|
|
The Happy Prince |
|
King's Theatre, Glasgow |
1916 |
30 October |
|
|
A Woman of No Importance |
Fred Emery |
Royal Lyceum Theatre, Edinburgh |
1918 |
24–29 June |
|
|
The Importance of being Earnest |
|
King's Theatre, Glasgow |
1922 |
29 May |
|
|
The Importance of being Earnest |
Birmingham Repertory Theatre Company |
Royal Lyceum Theatre, Edinburgh |
1922 |
24 May |
|
|
Salome |
Masque Theatre |
Royal Lyceum Theatre, Edinburgh |
1931/2 |
29 September–27 January |
|
|
The Importance of being Earnest |
Masque Theatre |
Royal Lyceum Theatre, Edinburgh |
1931 |
|
|
|
Salome |
Masque Theatre |
Theatre Royal, Glasgow |
1931 |
|
|
|
The Importance of Being Earnest |
Masque Theatre |
Theatre Royal, Glasgow |
1931 |
|
|
|
The Importance of Being Earnest |
John Gielgud |
King's Theatre, Edinburgh |
1939 |
|
|
|
The Importance of being Earnest |
Dundee Repertory Company |
Dundee Rep |
1940 |
19–24 February |
|
|
The Importance of being Earnest |
Dundee Repertory Company |
Dundee Rep |
1943 |
27 September–9 October |
|
|
An Ideal Husband |
Robert Donat |
Royal Lyceum Theatre, Edinburgh |
1944 |
|
|
|
Lady Windermere’s Fan |
Sir John Gielgud |
King's Theatre, Glasgow |
1945 |
2 July |
|
|
The Importance of Being Earnest |
Dundee Repertory Company |
Dundee Rep |
1947 |
|
|
|
Lady Windermere’s Fan |
Sir John Gielgud |
Theatre Royal, Glasgow |
1947 |
30 June |
|
|
The Importance of being Earnest |
Dundee Repertory Company |
Tour of Orkney, Shetland and the Highlands |
1949 |
9–28 September |
|
|
Tour of Orkney, Shetland and the Highlands |
Glasgow University Dramatic Society |
Athenaeum Theatre, Glasgow |
1951 |
8–9 January |
|
|
The Importance of Being Earnest |
Wilson Barrett company |
Royal Lyceum Theatre, Edinburgh |
1952 |
1–30 April |
|
|
The Importance of being Earnest |
Wilson Barrett company |
Alhambra Theatre, Glasgow |
1952 |
7–12 April |
|
|
An Ideal Husband |
Wilson Barrett company |
Royal Lyceum Theatre, Edinburgh |
1953 |
27 April–2 May |
|
|
The Importance of Being Earnest |
Dominic le Foe and Allan Maxwell |
Royal Lyceum Theatre, Edinburgh |
1957 |
3–8 June |
|
|
The Importance of Being Earnest |
Dundee Repertory Company |
Dundee Rep |
1959 |
7–21 December |
|
|
An Ideal Husband |
Freddie Carpenter/ Wilson Barrett company |
Alhambra Theatre, Glasgow |
1953 |
11–16 May |
|
|
An Ideal Husband |
Pitlochry Festival Society |
Festival Theatre, Pitlochry |
1959 |
|
|
|
Importance of Being Oscar |
Hilton Robert Hugh Edwards |
Empress Theatre, Glasgow |
1960 |
28–30 November |
|
|
The importance of being earnest |
Old Vic Company |
King's Theatres, Glasgow |
1960 |
24 October |
|
|
The Importance of Being Earnest |
Extraordinary Production |
Bedlam Theatre, Edinburgh |
1962 |
1962–63 |
|
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An Ideal Husband |
Extraordinary Production |
Bedlam Theatre, Edinburgh |
1963 |
1965–66 |
|
|
The Importance of Being Earnest |
Glasgow Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1963 |
18 February –2 March |
|
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Lord Arthur Savile's Crime |
Dundee Repertory Company/ Douglas Andrews/ adaptor Constance Cox |
Dundee Rep |
1963 |
9–23 April |
|
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Lady Windermere’s Fan |
Perth Theatre Company |
Perth Theatre |
1963 |
|
|
|
An Ideal Husband |
John Bryden Rogers/ Glasgow Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1964 |
1–19 December |
|
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The Importance of Being Earnest |
Perth Theatre Company |
Perth Theatre |
1964 |
|
|
|
The Importance of Being Earnest |
Prospect Productions |
Royal Lyceum Theatre, Edinburgh |
1964 |
|
|
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An Ideal Husband |
Peter Bridge |
King's Theatre, Glasgow |
1965 |
|
|
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An Ideal Husband |
James Roose Evans |
King's Theatre, Glasgow |
1965 |
15 November |
|
|
An Ideal Husband |
Peter Bridge |
King's Theatre, Glasgow |
1966 |
|
|
|
The Importance of Being Oscar |
Dublin Gate Theatre Production |
Royal Lyceum Theatre, Edinburgh |
1966 |
|
|
|
The Importance of Being Oscar |
Dublin Gate Theatre Production |
Royal Lyceum Theatre, Edinburgh |
1967 |
|
|
|
The Importance of Being Earnest |
Royal Lyceum Theatre company |
Royal Lyceum Theatre, Edinburgh |
1968 |
|
|
|
The Importance of Being Earnest |
Glasgow Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1970 |
5–23 May |
|
|
Salome |
Lindsay Kemp |
Traverse Theatre, Edinburgh |
1972 |
October |
|
|
The Importance of being Earnest |
Tapestry Theatre |
Davie Street Centre, Edinburgh |
1974 |
2–7 September |
|
|
Importance of Being Oscar |
Dundee Repertory Company |
Dundee Rep |
1976 |
|
|
|
The Importance of being Earnest |
Dundee Repertory Company |
Dundee Rep |
1976 |
17 November–4 December |
|
|
The Importance of Being Earnest |
Philip Prowse/ Citizens’ Theatre Company |
Citizens’ Theatre, Glasgow |
1977 |
February 4–5 March |
|
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Oscar Wilde: A Savoy Opera |
National Student Theatre Company |
Cathedral Hall, Edinburgh |
1978 |
19 August–9 September |
|
|
The Importance of being Earnest |
|
Eden Court Theatre, Inverness |
1978 |
16–20 May |
|
|
The Importance of being Earnest |
Edinburgh Graduate Theatre Group |
Adam House Theatres, Edinburgh |
1978 |
1–9 September |
|
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The Happy Prince |
Lena Phillips Opera Workshops for Children |
St Cuthbert's, Edinburgh |
1978 |
21–26 August |
|
|
Oscar Remembered |
Stratford Festival of Canada |
Theatre Arts Centre, Edinburgh |
1978 |
22 August–9 September |
|
|
I'm just Wilde about Oscar |
Roger Haines/ Ace Backing |
St Columba-by-the-Castle, Edinburgh |
1979 |
20 August–8 September |
|
|
The Importance of Being Earnest |
Pitlochry Festival Theatre Company |
Adam Smith Theatre, Kirkcaldy |
1980 |
|
|
|
The Importance of Being Earnest |
Pitlochry Festival Theatre Company |
Festival Theatre, Pitlochry |
1980 |
13 May–14 October |
|
|
The Importance of Being Earnest |
Pitlochry Festival Theatre Company |
MacRobert Arts Centre, Stirling |
1980 |
|
|
|
The Selfish Giant |
Scottish Opera for Youth |
Queen's Hall, Edinburgh |
1980 |
|
|
|
The importance of being earnest |
Pitlochry Festival Theatre Company |
Theatre Royal, Glasgow |
1980 |
20–25 October |
|
|
The Importance of Being Earnest |
Tynewear Theatre Company |
King's Theatre, Edinburgh |
1982 |
|
|
|
The Importance of Being Earnest |
Perth Repertory Theatre Company |
Perth Theatre |
1983 |
23 September–8 October |
|
|
The Importance of being Earnest |
National Theatre Company |
Theatre Royal, Glasgow |
1983 |
24–29 January |
|
|
A Woman of No Importance |
Philip Prowse/ Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1984 |
31–August September 15 |
|
|
The Importance of Being Earnest |
|
Royal Lyceum Theatre, Edinburgh |
1984 |
Season 84–85 |
|
|
The Importance of Being Earnest |
Royal Lyceum Theatre company |
Royal Lyceum Theatre, Edinburgh |
1985 |
4 July–3 August |
|
|
An Ideal Husband |
Philip Prowse/ Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1986 |
29 August –September 27 |
|
|
Lady Windermere’s Fan |
Philip Prowse/ Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1988 |
6 May –4 June |
|
|
Salome |
Steven Berkoff/ Gate Theatre |
Royal Lyceum Theatre, Edinburgh |
1989 |
14–19 August |
|
|
Salome |
Festival Folkopera |
Leith Theatre, Edinburgh |
1989 |
11–19 August |
|
|
The Importance of Being Earnest |
|
Royal Lyceum Theatre, Edinburgh |
1989 |
Season 89–90 |
|
|
The Selfish Giant |
|
Marcos Leisure Centre |
1990 |
13–18 August |
|
|
The Birthday of the Infanta |
Jonathan Burnett |
Edinburgh |
1990 |
17–22 August |
|
|
The Importance of being Earnest |
Royal Lyceum Theatre company |
Royal Lyceum Theatre, Edinburgh |
1990 |
13 July–4 August |
|
|
Salome |
Lunchtime? |
Bedlam Theatre, Edinburgh |
1991 |
January–March |
|
|
An Ideal Husband |
Richard Baron, Hugh Hogart/ Royal Lyceum Theatre Company |
Royal Lyceum Theatre, Edinburgh |
1991 |
6–28 September |
|
|
The Importance of Being Oscar |
Charles Kearney |
Netherbow Theatre, Edinburgh |
1991 |
6–31 August |
|
|
A Woman of No Importance |
Royal Shakespeare Company |
Theatre Royal, Glasgow |
1992 |
6–11 April |
|
|
The Picture of Dorian Gray |
Brighton Brecht Society |
St George's West Church, Edinburgh |
1979 |
27 August–1 September |
|
|
The Picture of Dorian Gray |
Philip Prowse/ Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1993 |
19 February–March 14 |
|
|
An Ideal Husband |
Peter Hall |
King's Theatre, Edinburgh |
1993 |
|
|
|
Salome |
Scottish Opera |
Theatre Royal, Glasgow |
1993 |
|
|
|
Salome |
Glasgow Citizens' Theatre Company |
Citizens’ Theatre, Glasgow |
1994 |
6–23 April |
|
|
An Ideal Husband |
|
Festival Theatre, Pitlochry |
1994 |
August |
|
|
The Picture of Dorian Gray |
|
Edinburgh |
1995 |
|
|
|
Salome |
Steven Berkoff (East Productions?) |
Festival Theatre, Edinburgh |
1995 |
14–18 November |
|
|
The Importance of Being Earnest |
|
Royal Lyceum Theatre, Edinburgh |
1995 |
Summer |
|
|
Salome |
Steven Berkoff |
Theatre Royal, Glasgow |
1995 |
7–11 November |
|
|
Lady Bracknell was a Lesbian |
|
Edinburgh |
1996 |
|
|
|
The Picture of Dorian Gray |
|
Edinburgh |
1996 |
|
|
|
Born to be Wilde |
|
Edinburgh |
1997 |
9,11,13,15,17,19,21,23 August |
|
|
Mr Wilde and the Virgin |
|
Edinburgh |
1997 |
6–30 August |
|
|
The Importance of Being Earnest |
|
Edinburgh |
1997 |
11–23 August |
|
|
The Importance of Being Earnest |
|
Edinburgh |
1997 |
8–23 August |
|
|
The Picture of Dorian Gray |
|
Edinburgh |
1997 |
25–30 August |
|
|
An Ideal Husband |
Sir Peter Hall |
King's Theatre, Edinburgh |
1997 |
14–19 April |
|
|
The Picture of Dorian Gray |
|
Edinburgh |
1998 |
|
|
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Salome |
|
Augustine’s, Edinburgh |
1999 |
9–15,24–30 August |
|
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Salome |
|
Cubed, Edinburgh |
1999 |
August |
|
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The Importance of Being Earnest |
Bill Kenwright |
King's Theatre, Edinburgh |
1999 |
|
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The Picture of Dorian Gray |
|
Rocket Venue, Edinburgh |
1999 |
16–21 August |
|
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The Importance of Being Earnest |
Xavier Leret |
Theatre Workshop, Edinburgh |
1999 |
18–19 August |
|
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The Selfish Giant |
|
YMCA, Edinburgh |
1999 |
9–14 August |
|
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Lady Bracknell’s Confinement |
Rose McBain |
Byre Theatre, St Andrews |
2000 |
October |
|
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Salome |
Scottish Opera |
Festival Theatre, Edinburgh |
2000 |
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The Importance of Being Earnest |
Illyria Theatre Company |
Bedlam Theatre, Edinburgh |
2001 |
6–25 August |
|
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An Ideal Husband |
Peter Hall Company/ Bill Kenwright |
His Majesty's Theatre, Aberdeen |
2001 |
11–16 June |
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An Ideal Husband |
Bill Kenwright |
King's Theatre, Edinburgh |
2001 |
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The Importance of Being Earnest |
Exit Theatre |
Old St Paul's Church & Hall, Edinburgh |
2001 |
6–11 August |
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The Happy Prince |
Get Stuck In Theatre in Education Company |
Quaker Meeting House, Edinburgh |
2001 |
20–25 August |
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The Picture of Dorian Gray |
Bare and Ragged Theatre Company |
Rocket@Kirk o' Field, Edinburgh |
2001 |
13–18 August |
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An Evening with Oscar Wilde |
Cameo |
St Mark's Unitarian Church, Edinburgh |
2001 |
27 & 28 August |
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The Importance of Being Earnest |
National Student Theatre of Belarus (in Russian) |
The Garage, Edinburgh |
2001 |
12–18 August |
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Gross Indecency |
Double Edge Drama |
The Underbelly, Edinburgh |
2001 |
5–26 August |
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An Ideal Husband |
Mazdram |
Apex Hotel, Grassmarket |
2002 |
17–22nd August |
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The Importance of Being Earnest |
Mazdram |
Apex Hotel, Grassmarket |
2002 |
5,6,7,8 & 10 August |
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Wilde at Heart, based on The Ballad
of Reading Gaol |
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Apex Hotel, Grassmarket |
2002 |
11–16 August |
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The Trials of Oscar Wilde |
John Pope |
Citizens’ Theatre, Glasgow |
2002 |
23 October–16 November |
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The Importance of Being Earnest |
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Citizens’ Theatre, Glasgow |
2002 |
25 October –16 November |
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The Importance of Being Earnest |
Rattlesnake! Theatre Company |
Greyfriars Kirk House |
2002 |
15,16,18,23 & 25 August |
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A Woman of No Importance |
Elijah Moshinsky |
His Majesty's Theatre, Aberdeen |
2002 |
25 March |
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A Woman of No Importance |
Elijah Moshinsky |
King's Theatre, Edinburgh |
2002 |
April ? |
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The Happy Prince |
Annie Wood |
MacRobert Arts Centre, Stirling |
2002 |
30 November–29 December |
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Telling Wilde Tales |
Nerdal Productions |
Southside |
2002 |
3rd–24 August |
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The Happy Prince, The Selfish Giant, The Nightingale and The Rose |
John Haswell |
The Wynd, Melrose |
2002 |
19 & 20 October |
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I am Oscar Wilde |
Skullduggery Theatre Company |
|
2002 |
21 July– |
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I am Oscar Wilde |
Skullduggery Theatre Company |
Venue C, Edinburgh |
2002 |
31 July–25 August |
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Vera Wilde |
Kibby MacKinnon |
Bedlam Theatre, Edinburgh |
2003 |
1–23 August |
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Lived Lives |
Merlin Holland (talk) |
Blackwell's Studio Theatre, Edinburgh |
2003 |
11 August |
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The Picture of Dorian Gray |
Elijah Moshinsky/ Trevor Baxter/ Robert Powell |
His Majesty's Theatre, Aberdeen |
2003 |
1–6 September |
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The Happy Prince |
Annie Wood |
Howden Park Centre, Livingstone |
2003 |
7 June |
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The Picture of Dorian Gray |
Elijah Moshinsky |
King's Theatre, Glasgow |
2003 |
25–30 August |
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The Wilde Brunch |
Rachael Orr |
St George's West Church, Edinburgh |
2003 |
1––5 of August |
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Salome |
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The Garage, Edinburgh |
2003 |
15,16,22,23 August |
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The Happy Prince |
Annie Wood |
Traverse Theatre, Edinburgh |
2003 |
27 May–31 May |
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A Woman of No Importance |
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Festival Theatre, Pitlochry |
2006 |
in repertory between 12 May & 30 September |
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The Selfish Giant |
Andy Arnold |
The Arches, Glasgow |
2006 |
January |
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The Importance of being Earnest |
Theatre Royal Bath Productions and Michael Codron |
His Majesty's Theatre, Aberdeen |
2007 |
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More Lives Than One – Oscar Wilde and the
Black Douglas |
One-man show by Leslie Clack |
Augustine's Sanctuary |
2008 |
2,4–10 & 12–17 August |
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The Importance of Being Earnest |
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Dundee Rep |
2008 |
?Spring |
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An Ideal Husband |
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His Majesty's Theatre, Aberdeen |
2008 |
13–18 October |
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Dorian Gray |
Matthew Bourne |
King's Theatre, Edinburgh |
2008 |
22–30 August |
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An Ideal Husband |
Peter Hall/ Bill Kenwright |
King's Theatre, Edinburgh |
2008 |
10–15 November |
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Salome |
Alton Fringe Theatre Company |
St Patrick’s Church, Edinburgh |
2008 |
6,7 & 8 August |
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The Picture of Dorian Gray |
Emily Jones & Darren Tunstall |
Venue C, Edinburgh |
2008 |
31 July –> |
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The Importance of being Earnest |
The Guild of Players |
Dumfries Theatre Royal |
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The Importance of Being Oscar |
Charles Kearney |
Byre Theatre, St Andrews |
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To list of SCENOGRAPHIES |
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