THE OSCHOLARS
BIBLIOGRAPHIES
January 2007
With our relaunch, and to mark an increased commitment to covering the visual arts of our period, we published our first bibliography by a distinguished art historian in January 2007. Since the 1970s, Professor Weisberg has established a reputation as one of the leading historians of French nineteenth century art, and this a posteriori makes him one of the leading historians of our chosen epoch, the ‘long’ fin-de-siècle 1880-1914. Among the many exhibitions Professor Weisberg has curated at major American museums are ‘The Etching Renaissance in France: 1850-1880’ (1971); ‘Social Concern and the Worker: French Prints from 1830-1910’ (1973); ‘Images of Women: Printmakers in France from 1830-1930’ (1977); ‘Japonisme: the Japanese Influence on French Art, 1854-1910’ (1975); ‘The Realist Tradition, French Painting and Drawing, 1830-1910’; ‘Art Nouveau Bing, Paris Style 1900’ (1986), which rediscovered the importance of Siegfried Bing (1830-1905) as the principal promoter of art nouveau design in Europe; ‘Japonisme Comes to America, The Japanese Impact on the Graphic Arts 1876-1925’ (1990). He also served as Guest Curator for ‘L'Art Nouveau, La Maison Bing’ an exhibition organized with the Van Gogh Museum (Amsterdam) and the Musée des Arts Décoratifs (Paris). He is also Reviews Editor of the e-journal Nineteenth Century Art Worldwide, which we have frequently recommended in these pages.
Most recently Dr. Weisberg has been working with the Portland Museum of Art on the exhibition Paris and the Countryside: Modern Life in Late Nineteenth Century France, which opened in June 2006. He is currently Professor of Art History at the University of Minnesota. In 2008 there appeared the festschrift Petra ten-Doesschate Chu and Laurinda S. Dixon (edd.): Twenty-First-Century Perspectives on Nineteenth-Century Art: Essays in Honor of Gabriel P. Weisberg. University of Delaware Press, 287pp.
More details of his career can be found at
http://www.gpweisberg.com/gwbiography.shtml and at http://www.arthist.umn.edu/faculty/weisberg_g.htm.
We are delighted that, with the generous help of Professor Weisberg, we can publish in THE OSCHOLARS a bibliography of his publications that cover aspects of the period to which this journal is devoted, with the intention of alerting readers who are not art historians to this important resource for our understanding of the period in which Wilde once called himself ‘professor of æsthetics’.
These are listed thematically. For other lists of Professor Weisberg’s publications, arranged chronologically, go to http://www.gpweisberg.com/articles.shtml and
http://www.gpweisberg.com/books.shtml and http://www.gpweisberg.com/cats.shtml.
Gabriel Weisberg
Photo credit Sarah Sik
In the entries below, ‘catalogue’ refers to an exhibition catalogue, not to a catalogue raisonné of the artist. The final figure in each entry, unless obviously a date, is the page number. Errors and inconsistencies are those of the Editor, not of Professor Weisberg.
Académie Julian
v Overcoming all Obstacles: The Women of the Académie Julian, (Co-editor) Rutgers University Press and the Dahesh Museum, New York, 1999
Æstheticism
v ‘Art for Art's Sake: In Pursuit of Beauty, Americans and the Aesthetic Movement’, Arts Magazine 61 (December 1986): 59-63
Americans in Paris
v ‘Reflections on American Genre Painting in a European Context’ in Americans in Paris, 1850-1910, the Academy, the Salon, the Studio and the Artists' Colony, (catalogue) Oklahoma City: The Oklahoma City Museum of Art and The University of Washington Press, 2003, (with other essays by H. Barbara Weinberg and Hardy George), 44-66.
Art in America
v Review of William Hosley, The Japan Idea: Art and Life in Victorian America (catalogue), Winterthur Portfolio, 28, no. 4, Winter, 1993, 287-290
v Review of Michael Conforti, ed., Minnesota 1900: Art and Life on the Upper Mississippi, 1890-1915, Winterthur Portfolio, 29, no. 4, Winter, 1994, 293- 95
v Review of Sarah Burns, Inventing the Modern Artist: Art and Culture in Gilded Age America, Winterthur Portfolio, 32, no. 1, Spring, 1997, 108-111
Art Nouveau (see also Bing, S.)
v ‘Italy and France: The Cosmopolitanism of The New Art’, The Journal of Decorative and Propaganda Arts (Summer 1989): 110-126
v Review of Deborah Silverman, Art Nouveau in Fin-de-Siecle France: Politics, Psychology and Style, Art Journal, Winter, 1990, 426-29
v Review of Ian Millman, Georges de Feure, Maitre du Symbolisme et de l’Art Nouveau, Burlington Magazine, 134, September, 1992, 609
v Art Nouveau: A Research Guide for Design Reform in France, Belgium, England, and the United States, (co-author), New York & London: Garland Publishing, Inc., 1998
v ‘Nancy's Art Nouveau’, Apollo 149 (June 1999): 53-54 *
v ‘Moulding Wood: Craftsmanship in Furniture’, in Art Nouveau, 1890-1914, edited by Paul Greenhalgh, London: Victoria and Albert Museum and New York: Harry N. Abrams, 2000, 164-177
v ‘The Parisian Situation: Hector Guimard and the Emergence of Art Nouveau’, in Art Nouveau, 1890-1914, edited by Paul Greenhalgh, London: Victoria and Albert Museum and New York: Harry N. Abrams, 2000, 265-273
v ‘Art Nouveau’, Microsoft Encarta Encyclopedia 2000, 1-4
v ‘Art Nouveau’at Sèvres, Apollo, March 2008 pp. 114-121
[* For those who do not know France, we add that Nancy is not a woman but the principal city of the province of Lorraine. Ed. THE OSCHOLARS]
Arts & Crafts
v ‘The Arts and Crafts Tradition in America: An Examination of 'The Art That is Life' Exhibition’, Arts Magazine 61 (April 1987): 46-49
Barbizon
v ‘The Barbizon Tradition Restudied’, Barbizon, Realist and French Landscape Painting, sale cat., New York: Christies (May 24, 1989): 9-16
Bartholdi, Frédéric (1834-1904)
v ‘At Liberty's Base: The Reconstruction of the Painting Section of the Pedestal Fund Art Exhibition of 1883’, Arts Magazine 61 (October 1986): 56-59
v ‘In the Context of Liberty: The Statue of Liberty Exhibition’, Arts Magazine 61 (November 1986): 22-24
Bastien-Lepage, Jules (1848-1884)
v ‘Jules Breton, Jules Bastien-Lepage and Camille Pissarro in the Context of 19th-Century Painting and the Salon’, Arts Magazine 56 (February 1982): 115-19
v ‘Dagnan-Bouveret, Bastien-Lepage and the Naturalist Instinct’, Arts Magazine 56 (April 1982): 70-76
v ‘Jules Bastien-Lepage’, The Macmillan Dictionary of Art, London, 1996 3: 357-359
Baudelaire, Charles (1821-1867)
v ‘Georges de Feure's Mysterious Women: A Study of Symbolist Sources in the Writings of Charles Baudelaire and Georges Rodenbach’, Gazette des Beaux-Arts (October 1974): 220-30
Beaury-Saurel, Amélie (1848-1924)
v ‘La reception de Louise Breslau, Rosa Bonheur et Amélie Beaury-Saurel à Paris: la difference sexuelle au coeur du discours’, in Louise Breslau, de l'impressionnisme aux annees folles, Milan: Skira Editore and Musée cantonal des Beaux-Arts de Lausanne, 2001, 99-115
Besnard, Albert (1849-1934)
v ‘Madame Henry Lerolle and Daughter Yvonne’, Cleveland Museum of Art Bulletin (December 1977): 326-43 (Painting by Albert Besnard)
v ‘Albert Besnard at Berck-sur-Mer: Decorative Art Nouveau painting in public buildings’, Apollo, May, 2000,vol. CLI, no. 459, 52-58
v ‘Peinture decorative: la rencontre du symbole et du style a travers les oeuvres d'Albert Besnard et Victor Prouve’, in L'Ecole de Nancy et les arts decoratifs en Europe, sous la Direction de Francois Loyer, Metz: Editions Serpenoise, 2000, 60-75
Bing, Siegfried (1838-1905)
v ‘Samuel Bing: Patron of Art Nouveau. Part 1: The Appreciation of Japanese Art’, The Connoisseur 172 (October 1969): 119-125
v ‘Samuel Bing: Patron of Art Nouveau. Part 2: The Salons of Art Nouveau’, The Connoisseur 172 (December 1969): 294-99
v ‘Samuel Bing: Patron of Art Nouveau: Part 3: The House of Art Nouveau Bing’, The Connoisseur 173 (January 1070): 61-68
v ‘Samuel Bing: International Dealer of Art Nouveau. Part 1: Contacts with The Musée des Arts Décoratifs, Paris’, The Connoisseur 176 (March 1971): 200-05
v ‘Samuel Bing: International Dealer of Art Nouveau: Part 2: Contacts with The Victoria and Albert Museum, London’, The Connoisseur 176 (April 1971): 275-83
v ‘Samuel Bing: International Dealer of Art Nouveau. Part 3: Contacts with the Kaiser Wilhelm Museum, Krefeld, Germany and the Finish Society of Crafts and Design, Helsinki, Finland’, The Connoisseur 177 (May 1971): 49-55
v ‘Samuel Bing: International Dealer of Art Nouveau. Part 4: Contacts with the Museum of Decorative Arts, Copenhagen, Denmark’, The Connoisseur 177 (July 1971): 211-19
v ‘Bing Porcelain in America’, The Connoisseur 178 (November 1971): 200-03
v ‘Gerard, Dufraissex and Abbot: The Manufactory of Art Nouveau Bing Porcelains in Limoges, France’, The Connoisseur (February 1978): 125-29
v ‘L'Art Nouveau Bing’, Arts in Virginia Bulletin 20 (1979): 1-15
v ‘A Note on S. Bing's Early Years in France, 1854-1876’, Arts Magazine 57 (January 1983): 84-85
v ‘S. Bing's Craftsman Workshops: A Location and Importance Revealed’, Source 3 (Fall 1983): 42-48
v ‘Siegfried Bing, Louis Bonnier et la Maison de l'Art Nouveau en 1895’, Bulletin de la Société de l'Histoire de l'Art Français (1982/83): 241-49
v Art Nouveau Bing: Paris Style 1900, Harry N. Abrams & SITES, 1986
v ‘Félix Vallotton, Siegfried Bing and l'Art Nouveau’, Arts Magazine 60 (February 1986): 33-37
v ‘S. Bing’, In The Historical Dictionary of the Third Republic. New York-Westport, CT.: Greenwood Press, 1986 101-102
v ‘S. Bing, Edvard Munch and l'Art Nouveau’, Arts Magazine 61 (September 1986): 58-54
v ‘S. Bing and La Culture artistique en Amérique: A Public Report Re-examined’, Arts Magazine 61 (March 1987): 59-63
v ‘S. Bing in America.’ In The Documented Image: Visions in Art History. 51-68. Syracuse University Press, 1987
v ‘Siegfried Bing's L'Art Nouveau and the Norwegian Design Reform Movement’, Scandinavian Review (Summer 1987): 24-33
v ‘Siegfried Bing and Frank Brangwyn: The Gallery Art Nouveau in Paris in 1895.’ In Jaarboek 1985-86m Stad Brugge, Stedelijke Musea. 277-86. Bruges, 1987
v ‘Siegfried Bing and Industry: The Hidden Side of l'Art Nouveau’, Apollo 78 (November 1988): 326-29
v ‘Clement Heaton, Siegfried Bing and Art Nouveau, Paris: 1895-1902’, in Clement Heaton 1861-1940 Londres - Neuchâtel - New York, Editions Gilles Attinger, Hauterive-Switzerland., 1996, 184-193
v ‘Siegfried Bing’, The Macmillan Dictionary of Art, London, 1996 4: 70-71
v ‘La Maison Moderne’, in Encyclopedia of Interior Design, ed. Joanna Banham, London & Chicago: Fitzroy Dearborn, 1997, 148-150
v ‘Reframing an Exhibition: From Japonisme to Art Nouveau- the Identity of the House of S. Bing’, Contemporary French Civilization, Summer/Fall 2002, vol. 26, no. 2, 205-217
v ‘A Family Affair: From Hamburg to Paris and beyond’, in The Origins of L'Art Nouveau, The Bing Empire, Edited by Gabriel P. Weisberg, Edwin Becker and Evelyne Posseme, The Van Gogh Museum, Musee des Arts decoratifs (Paris) and Mercatorfonds, 2004, 7-29
v ‘Arts Ambassador for Europe and America’, in The Origins of L' Art Nouveau: The Bing Empire, Edited by Gabriel P. Weisberg, Edwin Becker and Evelyne Posseme, The Van Gogh Museum, Musée des Arts décoratifs (Paris) and Mercatorfonds, 2004, 72-97
v ‘Redesigning the Home. Bing's Art Nouveau Workshops’, in The Origins of L'Art Nouveau: The Bing Empire, Edited by Gabriel P. Weisberg, Edwin Becker and Evelyne Posseme, The Van Gogh Museum, Musée des Arts décoratifs ( Paris) and Mercatorfonds, 2004, 165-187
v ‘A Crisis of Identity’, Apollo, March, 2005, 65
v ‘Lost and Found: Reconstructing S. Bing's Marketing of L'Art Nouveau’, published in the Special Issue: Art Nouveau and Siegfried Bing, (Guest Editor), digital magazine Nineteenth Century Art Worldwide, Summer 2005, volume 4, issue 2 publishedd at www.19thc-artworldwide.org
Editor’s Note: There was long a mystery about S. Bing’s first name, and it was formerly supposed that this was Samuel. Later research established it as Siegfried, although occasionally he is still referred to as Samuel. For an authoritative explanation of this, see Dr Weisberg’s ‘A Crisis of Identity’, cited above.
Blanc, Paul (1836-1910)
v ‘Paul Blanc’s Beggars, Mendicity as Metaphor’, in Second Impressions, Modern Prints and Printmakers Reconsidered, edited by Clinton Adams, The Tamarind Papers, vol. 16, 1996, 13-25
Blanche,
Jacques-Émile (1861-1942)
v ‘Jacques-Emile Blanche and the Stylish Portrait: 1880-1905’, Arts Magazine 59 (Summer 1985): 97-101
Bonheur,
Rosa (1822-1899)
v ‘La Fortune des oeuvres de Rosa Bonheur en Angleterre et en Amérique’, in Rosa Bonheur 1822-1899, (catalogue) Bordeaux: Musée des Beaux-Arts, 1997, 55-73
v ‘Rosa Bonheur's Reception in England and America: The Popularization of a Legend and the Celebration of a Myth’, in Rosa Bonheur. All Nature's Children, New York: Dahesh Museum, 1998, 1-22 (Translation of French article for Bordeaux)
v ‘La reception de Louise Breslau, Rosa Bonheur et Amélie Beaury-Saurel à Paris: la difference sexuelle au coeur du discours’, in Louise Breslau, de l'impressionnisme aux annees folles, Milan: Skira Editore and Musée cantonal des Beaux-Arts de Lausanne, 2001, 99-115
Bonnard,
Pierre (1867-1947)
v Pierre Bonnard, Art Life Ltd. 1991 (catalogue) (Travelling exhibition for Japan)
Bracquemond,
Félix (1833-1914)
v ‘Félix Bracquemond & Japonisme’, The Art Quarterly 32 (Spring 1969): 56-68
v ‘Félix Bracquemond & Japanese Influence in Ceramic Decoration’, The Art Bulletin 51 (September 1969): 277-80
v ‘Félix Bracquemond and the Molding of French Popular Taste’, Art News (September 1976): 64-66
v ‘Baron Joseph Vitta and The Bracquemond/Rodin Hand Mirror’, Cleveland Museum of Art Bulletin (November 1979): 300-10
Brangwyn, Frank (1867-1956)
v ‘Siegfried Bing and Frank Brangwyn: The Gallery Art Nouveau in Paris in 1895.’ In Jaarboek 1985-86, Stad Brugge, Stedelijke Musea. 277-86. Bruges, 1987
Breslau, Louise (1856-1927)
v ‘La reception de Louise Breslau, Rosa Bonheur et Amélie Beaury-Saurel à Paris: la difference sexuelle au coeur du discours’, in Louise Breslau, de l'impressionnisme aux annees folles, Milan: Skira Editore and Musee cantonal des Beaux-Arts de Lausanne, 2001, 99-115
Burty, Philippe (1830-1890)
v ‘Philippe Burty: A Notable Critic of the Nineteenth Century’, Apollo 91 (April 1970): 296-300
v ‘Philippe Burty and a Critical Assessment of Japonisme.’ In Japonisme in Art, An International Symposium. 109-125. Tokyo: Committee for the Year 2001, 1980
v ‘‘Philippe Burty’. In The Historical Dictionary of the Third Republic,. New York-Westport, CT.: Greenwood Press, 1986, 146
v ‘Philippe Burty’, The Macmillan Dictionary of Art, London, 1996 5: 284
v ‘Philippe Burty’, ‘Allgemeines Künstlerlexikon, K.G. Saur München, Leipzig, 1996 15: 289
v The Independent Critic: Philippe Burty and The Visual Arts of Mid-Nineteenth Century France, Bern & New York: Peter Lang Publishing, Inc. 1993
Cafés
v ‘Paris Cafés: Their Role in the Birth of Modern Art’, Arts Magazine 60 (January 1986): 90-91
Cazin, Jean-Charles (1841-1901)
v ‘Cazins’, The Macmillan Dictionary of Art, London, 1996 6: 122-123
v ‘Jean-Charles, Michel, & Marie Cazin’, Allgemeines Künstlerlexikon, Leipzig: K.G. Saur, 1997 17: 417-18
v ‘Jean-Charles Cazin’s Reception in America.’ Apollo 149, no. 444 (February 1999): 35-40
Cézanne, Paul (1839-1906)
v ‘Painting as Autobiography’, (Review of Early Cézanne exhibition at The National Gallery of Art) Arts Magazine 63 (May 1989): 54-57
Chahine, Edgar (
v ‘Edgar Chahine in Context’, in Edgar Chahine, La Vie Parisienne, (catalogue) Smithsonian Institution, 1984, 3-38.
Chartran, Théobald (1849-1907)
v Allgemeines Künstlerlexikon, Leipzig: K.G. Saur, 1997, ‘Théobald Chartran’, 18: 285-86
Cloisonism
v ‘Did Modern Painting Begin on the Avenue de Clichy at Five O'Clock in the Evening?’, (Review of the Art Gallery of Ontario Cloisonism Exhibition), Art News (May 1981): 149-51
Collecting & Taste
v ‘Tastemaking in Pittsburgh, The Carnegie International in Perspective, 1896-1905’, Carnegie Magazine, July/August, 1983, 20-26,40-41
v Collecting in the Gilded Age: Art Patronage in Pittsburgh, 1890-1910 (with essays by John N. Ingham, Constance Cain Hungerford, Ruth Krueger Meyer and Madeleine Fidell Beaufort, Alison McQueen, DeCourcy E. McIntosh, and Gabriel P. Weisberg), Pittsburgh: Frick Art & Historical Center, (Distributed by University Press of New England Hanover and London), 1997
v Review of ‘Dijon, l'Art des collections,' (catalogue) Dijon, Musée des Beaux-Arts, The Burlington Magazine, 162, no. 1171, October, 2000, 654-55
Corot, Jean-Baptiste (1796-1875)
v Jean-Baptiste Camille Corot, Art Life Ltd. 1989 (catalogue) (Traveling exhibition for Japan)
[Note: Corot is included here because Wilde refers to him more often than to any other painter. Ed.-THE OSCHOLARS]
Courbet, Gustave (1819-1877)
v ‘Hallucinatory Art History-The Bizarre Case of Gustave Courbet’, The Journal of Art 1 (December 1988): 10-11
Courtois, Gustave (1853-1923)
v ‘Gustave Courtois’, Allgemeines Künstlerlexikon. Saur Verlag, 21: 599
v ‘P.A.J. Dagnan-Bouveret and the Illusion of Photographic Naturalism’, Arts Magazine 56 (March 1982): 100-05
v ‘Dagnan-Bouveret, Bastien-Lepage and the Naturalist Instinct’, Arts Magazine 56 (April 1982): 70-76
v ‘Making it Natural: Dagnan-Bouveret's Constructed Compositions for the Paris Salon of the 1880s’, The Scottish Art Review (Special number) 15 (November 1982): 7-15
v ‘P.A.J. Dagnan-Bouveret’, The Macmillan Dictionary of Art, London, 1996 8: 447-48
v ‘P.A.J. Dagnan-Bouveret’, Allgemeines Künstlerlexikon, Munich/Leipzig: K.G. Saur Verlag 1999, 23: 391-92
v Against the Modern, Dagnan-Bouveret and the Transformation of the Academic Tradition, New York: Dahesh Museum of Art and New Brunswick: Rutgers University Press, 2002
Design and Interiors
v ‘The Villa of Baron Vitta’, Antiques World, vol. 1, number 7, May, 1979, 76-84
v Review of The Folding Image: Screens by Western Artists of the Nineteenth and Twentieth Centuries’ (catalogue) (The National Gallery of Art, Washington, D.C. and Yale University Art Gallery), The Burlington Magazine, 126, August, 1984, 527-28
v ‘Museum Notes - Hugnet Frères, Paris, Fireplace Surround, ca. 1900’, Bulletin of the Rhode Island School of Design Museum 71 (October 1984): 21-23
v Stile Floreale: The Cult of Nature in Italian Design, Miami, Fl.: The Wolfsonian Foundation, 1988
v ‘The Turin Exposition of International Design 1902: The Mystery of the Stile Floreale and the Palazzina of Agostino Lauro’, Arts Magazine 62 (April 1988): 32-36
v ‘Introduction : The Stile Floreale in Context’, The Journal of Decorative and Propaganda Arts (Summer 1989): 6-8
Dreyfus Affair
v ‘Propaganda as Art: The Dreyfus Affair as Popular Exhibition’, Arts Magazine 62 (December 1987): 36-41
Eiffel Tower
v ‘The Republican Style in the Age of the Eiffel Tower.’ In When The Eiffel Tower Was New, French Visions of Progress at The Centennial of The Revolution. 1-10. (catalogue) Mount Holyoke College Art Museum/University of Massachusetts Press, 1989
Exposition Universelle 1900
v ‘The French Reception of American Art at the Exposition Universelle of 1900’, in Paris 1900: The ‘American School’ at the Universal Exposition, The Montclair Art Museum and Rutgers University Press, 1999, 145-180
v ‘The Print Culture of Paris, 1900,’ in Paris 1900: ex.cat., The Oklahoma City Museum of Art (distributed by the University of Washington Press), 2007
Fantin-Latour, Henri (1835-1904)
v ‘Fantin-Latour and Still-Life Symbolism in 'Un Atelier aux Batignolles'‘, Gazette des Beaux-Arts (December 1977): 205-15
v ‘Fantin-Latour's Coin de table: The Painting in Context at the Musée d'Orsay’, Arts Magazine 62 (Summer 1988): 49-51
Fashion
v Women of Fashion: Images of Leisure and Class in French & American Painting 1880-1920, (catalogue) Art Life Ltd. 1995 (Travelling exhibition for Japan)
de Feure, Georges (1868-1943)
v ‘Georges de Feure's Mysterious Women: A Study of Symbolist Sources in the Writings of Charles Baudelaire and Georges Rodenbach’, Gazette des Beaux-Arts (October 1974): 220-30
v ‘Georges van Sluijters Called de Feure: An Identity Unmasked’, Gazette des Beaux-Arts (October 1974): 231-32 (Supplement)
v Review of Ian Millman, Georges de Feure, Maitre du Symbolisme et de l’Art Nouveau, Burlington Magazine, 134, September, 1992, 609
Friant, Emile (1863-1932)
v ‘Emile Friant et Victor Prouvé: entre naturalisme et symbolisme.’ in Peinture et Art Nouveau, (catalogue) Musée des Beaux-Arts, Nancy and Réunion des Musées Nationaux, Paris 1999, 40-89
v ‘Emile Friant dans un contexte international’, in Emile Friant, un nouveau regard, (catalogue) Vic-sur-Seille, Musée départemental Georges de la Tour, 2006, 8-17.
Fuller, Loïe (1862-1928)
v ‘Les Spectacles de Loïe Fuller et les Arts Visuels’, in Loïe Fuller, Danseuse de l’Art Nouveau, Nancy, Musée de l’Ecole de Nancy and Paris, Réunion des Musées Nationaux, May-August, 2002, 26-33
Gauguin, Paul (1848-1903)
v ‘The Pont-Aven Printmakers Rediscovered: Gauguin and His Circle in Brittany’, Arts Magazine 61 (January 1987): 84-87
v ‘Gauguin Reconsidered: Symbol, Decoration and the Unification of the Arts’, Arts Magazine 63 (September 1988): 44-51
Genre painting
v Redefining Genre. French and American Painting 1850-1900 (with an essay by Petra Ten-Doesschate Chu), Washington, D.C., The Trust for Museum Exhibitions (Distributed by University of Washington Press), 1995
Guérard, Henri (
v ‘Henri Guérard and the Liberation of Nineteenth Century Printmaking’ in Henri Charles Guérard, 1846-1897, (catalogue) Merrill Chase Galleries, Chicago, February/March, 1981, n.p.
Guimard, Hector (1867-1942)
v ‘The Parisian Situation: Hector Guimard and the Emergence of Art Nouveau’, in Art Nouveau, 1890-1914, edited by Paul Greenhalgh, London: Victoria and Albert Museum and New York: Harry N. Abrams, 2000, 265-273
Haden, Seymour (1818-1910)
v ‘A Commitment to the Past’, (Haden, Legros, Lepère) Art News (Summer 1977): 150-53
Hawkins, Lewis Weldon (1849-1910)
v Review of Lucas Bonekamp, Louis Weldon Hawkins, 1849-1910, (catalogue), Burlington Magazine, 136, no. 1096, July, 1994, 467
Heaton, Clement (1861-1940)
v ‘Clement Heaton, Siegfried Bing and Art Nouveau, Paris: 1895-1902’, in Clement Heaton 1861-1940 Londres - Neuchâtel - New York, Editions Gilles Attinger, Hauterive-Switzerland., 1996, 184-193
Hodler, Ferdinand (1853-1918)
v ‘Ferdinand Hodler, François Bonvin and French Realism’, Arts Magazine 56 (October 1981): 128-31
v ‘Studies in Realism: The Unknown Early Hodler’, Connaissance des Arts (December 1981): 66-71
Impressionism
v
‘Realism and Impressionism in
Nineteenth-Century French Art’, Antiques Magazine 120 (August 1981):
334-37
v
‘The Real Impressionist Crisis: The 'New
Painting Exhibition'‘, Arts Magazine 60 (March 1986): 72-74
Jacque, Charles (1813-1894)
v ‘Charles Jacque and Rustic Life’, Arts Magazine 56 (December 1981): 91-93
Japonisme
v ‘Japonisme in French Ceramic Decoration. Part 1: The Pieces for E. Rousseau, Paris’, The Connoiseur 183 (July 1973): 210-13
v ‘Japonisme in French Ceramic Decoration. Part 2: The Pieces by Camille Moreau & Albert Dammouse’, The Connoisseur 184 (October 1973): 125-31
v ‘Aspects of Japonisme’, Cleveland Museum of Art Bulletin (April 1975): 120-30
v
Japonisme: Japanese Influence on French Art,
1854-1910, The
Cleveland Museum of Art (co-author-prepared section on prints from 1854-1883)
(catalogue), 1975
v ‘Les Albums Ukiyo-e de Camille Moreau: Sources nouvelles pour le 'Japonisme'‘, Nouvelles de l'Estampe, no. 23 (September-October 1975): 18-21
v ‘The First Phase of Japonisme in France’. In Ukiyo-e Prints and the Impressionist Painters: Meeting of the East and West. 22-32. Tokyo: Committee for The Year 2001, 1979
v ‘Philippe Burty and a Critical Assessment of Japonisme.’ In Japonisme in Art, An International Symposium. 109-125. Tokyo: Committee for the Year 2001, 1980
v ‘The Reanimation of “Japonisme”: Tokyo: Form and Spirit in Context’, Arts Magazine 60 (Summer 1986): 48-50
v ‘On Understanding 'Artistic Japan’, Journal of the Decorative and Propaganda Arts 1 (1986): 6-19
v ‘Japonisme in Paris’, Arts Magazine 65 (January 1989): 36-39
v ‘Le Japonisme’, Arts Asiatique, 64, December, 1989, 130- 32
v ‘Japonisme Revisited: A Pioneering Exhibition Reexamined’, The Tamarind Papers 13 (1990): 85-89
v Japonisme: An Annotated Bibliography (co-author), Garland Publishing Co. 1990
v Japonisme Comes to America, The Graphic Arts, 1876-1925 (co-author), Harry N. Abrams 1990
v Review of ‘Tokyo and London, Japan and Britain’, Burlington Magazine, 134, March, 1992, 210-11
v Review of William Hosley, The Japan Idea: Art and Life in Victorian America (catalogue), Winterthur Portfolio, 28, no. 4, Winter, 1993, 287-290
v Review of ‘Frank Lloyd Wright and the Art of Japan, The Architect's Passion’, The Burlington Magazine, 143, no. 1184, November 2002, 706-07
v ‘The Creation of Japonisme’, in The Origins of L'Art Nouveau: The Bing Empire, Edited By Gabriel P. Weisberg, Edwin Becker and Evelyne Posseme, The Van Gogh Museum, Musée des Arts décoratifs (Paris) and Mercatorfonds, 2004
v Review of Japonisme. Cultural Crossings between Japan and the West by Lionel Lambourne, The Burlington Magazine, number 1239, June, 2006, 429-30
v ‘Japanese Art on a Plate, an Unknown Masterpiece of French Ceramic Design’, Apollo, September, 2006, 36-43 Review of ‘Tokyo and London, Japan and Britain’, Burlington Magazine, 134, March, 1992, 210-11
LaFarge, John
(1835-1910)
v ‘On The Art and Exhibition of John LaFarge’, Arts Magazine 62 (October 1987): 33-35
Lalique, René (1860-1945)
v ‘The Reception of René Lalique in America: 1901-1920’, in The Jewels of Lalique, Paris: Flammarion, 1998, 80-94
Legrand, Louis (1863-1951)
v ‘Théophile Steinlen and Louis Legrand: Contrasts in Social Ideology’, The Tamarind Papers 8, nos. 1-2 (1985): 6-14
v ‘Louis Legrand's Battle over Prostitution: The Uneasy Censoring of Le Courrier Français’, Art Journal 51 (Spring 1992): 45-50
Legros, Alphonse
(1837-1911)
v ‘Alphonse Legros and the Theme of Death and the Woodcutter’, Cleveland Museum of Art Bulletin (April 1974): 128-35
v ‘A Commitment to the Past’, (Haden, Legros, Lepère) Art News (Summer 1977): 150-53
Lepère, Louis Auguste (1849-1918)
v ‘A Commitment to the Past’, (Haden, Legros, Lepère) Art News (Summer 1977): 150-53
Lhermitte, Léon (1844-1925)
v ‘Léon Lhermitte’ Creativity in Context.’ In Léon Lhermitte, (catalogue) Galerie Michael, 1989
Manet, Édouard (1832-1883)
v ‘Manet and Paris’, L'Oeil, no. 339 (October 1983): 42-47
Meier-Gräfe, Julius (1867-1935)
v ‘Consumerism and Modernity at Meier-Graefe's La Maison Moderne, 1899-1903’, Design and Sign 1, no. 1 (1990): 21-34
v ‘La Maison Moderne’, in Encyclopedia of Interior Design, ed. Joanna Banham, London & Chicago: Fitzroy Dearborn, 1997, 769-770
Muenier, Jules-Alexis (1863-1942)
v ‘Jules-Alexis Muenier and Photo-Realist Painting’, Gazette des Beaux-Arts (February 1993): 101-114
Munch, Edvard (1853-1944)
v ‘S. Bing, Edvard Munch and l'Art Nouveau’, Arts Magazine 61 (September 1986): 58-54
Narrative
v ‘The Narrative of the Fields and the Streets: Nineteenth Century Rural and Urban Imagery’, in Artist as Narrator, Nineteenth Century Narrative Art in England and France, Oklahoma: Oklahoma City Art Museum and Washington University Press, 2005, 37-53
Naturalism
v Beyond Impressionism: The Naturalist Impulse, New York: Harry N. Abrams 1992
v ‘Naturalism’ in New Dictionary of the History of Ideas, Scribner/Macmillan Reference, 2004
Orientalism
v Review of Orientalist Aesthetics, Art, Colonialism, and French North Africa, 1880-1930, by Roger Benjamin, Apollo, CLVIII, no. 501, November, 2003, 530-54
Paris
v ‘Paris Cafés: Their Role in the Birth of Modern Art’, Arts Magazine 60 (January 1986): 90-91
v Montmartre and the Making of Mass Culture, Editor, New Brunswick, New Jersey and London: Rutgers University Press, 2001, 296pp.
v ‘The Urban Mirror: Contrasts in the Vision of Existence in the Modern City’, in Paris and the Countryside: Modern Life in Late-19th-Century France. Exhibition catalogue (Portland, Maine: Portland Museum of Art, 2006)
Pissarro, Camille (1830-1903)
v ‘Pissarro: A Creative Dynamo who Continually Renewed Himself’ (review of The Pissarro Exhibition in Paris/Boston), Art News (September 1981): 128-31
v ‘Jules Breton, Jules Bastien-Lepage and Camille Pissarro in the Context of 19th-Century Painting and the Salon’, Arts Magazine 56 (February 1982): 115-19
Print-making
v
The Etching Renaissance in France: 1850-1880,
Utah Museum of Fine
Arts, University of Utah (catalogue) 1971
v
Social Concern and The Worker: French Prints
from 1830-1910, Utah
Museum of Fine Arts, University of Utah (catalogue) 1974
v Between Past and Present: French, English and American Etchings, 1850-1950, The Cleveland Museum of Art (catalogue) (co-author) 1977
v Images of Women: Printmakers in France, 1830-1930, Utah Museum of Fine Arts, University of Utah (catalogue) 1978
v ‘Rediscovered Printmakers of the 19th Century’, in Rediscovered Printmakers of the 19th Century, Merrill Chase Galleries, March/April, 1978, vi-ix
v ‘The Pont-Aven Printmakers Rediscovered: Gauguin and His Circle in Brittany’, Arts Magazine 61 (January 1987): 84-87
Prouvé, Victor (1858-1943)
v ‘Peinture decorative: la rencontre du symbole et du style a travers les oeuvres d'Albert Besnard et Victor Prouvé’, in L'Ecole de Nancy et les arts decoratifs en Europe, sous la Direction de Francois Loyer, Metz: Editions Serpenoise, 2000, 60-75
v ‘Victor Prouvés Wandgemalde 'La Vie' als soziale Kunst’ in Janseits der Grenzen, Französische und deutsche Kust vom Ancien Regime bis zur Gegenwart, vol. II, Kunst der Nationen, Cologne: Dumont Buchverlag, 2000, 269-278
v ‘Emile Friant et Victor Prouvé: entre naturalisme et symbolisme.’ in Peinture et Art Nouveau, (catalogue) Musée des Beaux-Arts, Nancy and Réunion des Musées Nationaux, Paris 1999, 40-89
Realism
v The Realist Tradition. French Painting and Drawing 1830-1900, Cleveland: The Cleveland Museum of Art in cooperation with Indiana University Press, Bloomington, Indiana, 1980
v ‘French Realism and Past Traditions.’ In Malerei und Theorie, Proceedings of the Courbet Colloquium. 139-52. Frankfurt am Main: Städtische Galerie im Städelschen Kunstinstitut, 1980
v ‘Little-Known Painters of the French Realist Tradition’, Nineteenth Century 6 (Autumn 1980): 44-48
v ‘The Realist Tradition’, The Connoisseur 205 (October 1980): 92-99
v ‘The Realist Tradition: Reasons for a Revival’, The Art Journal (Fall/Winter 1980): 399-403
v ‘Realism and Impressionism in Nineteenth-Century French Art’, Antiques Magazine 120 (August 1981): 334-37
v The European Realist Tradition, ed. (with contribution) Indiana University Press, 1982
v The Realist Debate: A Bibliography of French Realist Painting, 1830-1885 (co-author), Garland Publishing Co., 1984
v ‘Ferdinand Hodler, François Bonvin and French Realism’, Arts Magazine 56 (October 1981): 128-31
v ‘Studies in Realism: The Unknown Early Hodler’, Connaissance des Arts (December 1981): 66-71
v ‘Traditions of Realism in the Nineteenth Century and Today’, Bulletin of the Pennsylvania Academy of Fine Arts (Fall 1982): 5-23
v Review of Gerald Needham, Nineteenth Century Realist Art, Burlington Magazine, 132, April, 1990, 276
v ‘‘Revisiting Realism’s Past’, in Sotheby's Preview, 19, no. 3 (May 1997): 32-33
v ‘Peasants and the Land: The Idealization of an Icon’, in A Romance with the Landscape, Realism to Impressionism, (catalogue) University of Kentucky, University of Kentucky Art Museum, 2006, 14-29
Repin, Ilya
v Review of ‘Groningen Ilya Repin’, Burlington Magazine, 144, no. 1189, April, 2002, 252-54
Ribot, Théodule (1833-1891)
v ‘Théodule Ribot: Popular Imagery & The Little Milkmaid’, Cleveland Museum of Art Bulletin (October 1976): 253-63
v The Other Nineteenth Century: The Joseph M. Tanenbaum Collection, The National Gallery of Canada (catalogue entry) 1977
v Théodule Ribot’, The Macmillan Dictionary of Art, London, 1996 26: 315
v ‘Théodule Ribot and the Hunter’, Christie's International Magazine 14, no. 8 (October 1997): 18
v ‘Théodule Ribot's Peasant A Studio Piece’, The Register of the Spencer Museum of Art 6, no. 10 (1993-94): 1-13 (Published in 1998)
v ‘The Collection in Context. Théodule Ribot’s Still life with eggs and the practice of still-life painting in the late 19th century.’ Van Gogh Museum Journal 1997- 1998, 76-87
Robbe, Manuel (1872-1936)
v ‘Manuel Robbe Revisited’, in Manuel Robbe, 1872-1936, Merrill Chase Galleries, September/October, 1980, v-vii
v ‘Manuel Robbe: from Impressionism to Symbolism’, in Manuel Robbe from Impressionism to Symbolism, Galerie Michael, Beverly Hills, 1987, 5-19 (a rather substantial essay for a gallery publication – GPW.)
Rodenbach, Georges (1855-1898)
v ‘Georges de Feure's Mysterious Women: A Study of Symbolist Sources in the Writings of Charles Baudelaire and Georges Rodenbach’, Gazette des Beaux-Arts (October 1974): 220-30
Rodin, Auguste (1840-1917)
v ‘Rodin Unmasked’, Art News (October 1981): 172-76
Salon & Official Art
v ‘Jules Breton, Jules Bastien-Lepage and Camille Pissarro in the Context of 19th-Century Painting and the Salon’, Arts Magazine 56 (February 1982): 115-19 ‘Official Art’, In The Historical Dictionary of the Third Republic. New York-Westport, CT.: Greenwood Press, 1986 56-68
v ‘From the Real to the Unreal: Religious Painting and Photography at the Salons of the Third Republic’, Arts Magazine 60 (December 1985): 58-63
v ‘The Role of the Salon’, In The Historical Dictionary of the Third Republic. New York-Westport, CT.: Greenwood Press, 1986 884-886
Schwabe, Carlos (
v Review of Jean-David Jumeau-Lafond, Carlos Schwabe, Symboliste et Visionnaire, Burlington Magazine, 136, no. 1100, November, 1994, 780
Steinlen, Théophile (1859-1923)
v ‘Théophile Steinlen and Louis Legrand: Contrasts in Social Ideology’, The Tamarind Papers 8, nos. 1-2 (1985): 6-14
Symbolism
v Review of Ian Millman, Georges de Feure, Maitre du Symbolisme et de l’Art Nouveau, Burlington Magazine, 134, September, 1992, 609
v Review of Jean-David Jumeau-Lafond, Carlos Schwabe, Symboliste et Visionnaire, Burlington Magazine, 136, no. 1100, November, 1994, 780
v Review of ‘Les Peintres de l'ame, Le Symbolisme idéaliste en France’, (catalogue), Paris, Pavilion des Arts, The Burlington Magazine, 162, no. 1172, November, 2000, 714
Vallotton, Félix (1865-1925)
v ‘Félix Vallotton, Siegfried Bing and l'Art Nouveau’, Arts Magazine 60 (February 1986): 33-37
van Gogh, Vincent (1853-1890)
v ‘The Necessity of Writing: The Letters of Vincent Van Gogh’, Apollo, October, 2002, vol. 155, no. 488, 52-53
Verstraete, Théodore (1850-1907)
v ‘The Drawings of Théodore Verstraete: From Naturalism to Symbolism’, Master Drawings 31 (Summer 1993): 128-45
Vollon, Antoine (1833-1900)
v ‘A Still-Life by Antoine Vollon: Painter of Two Traditions’, Detroit Institute of Arts Bulletin 46 (1978): 222-29
v ‘Antoine Vollon’, The Macmillan Dictionary of Art, London, 1996 32: 687
Weir, J. Alden (
v Review of Doreen Bolger Burke, ‘J. Alden Weir’, (catalogue), The Burlington Magazine, March, 1984, 187
Whistler, James McNeill (1834-1903)
v ‘The Stamp of Whistler’, Art News (September 1977): 66-70
v Review of Katharine A. Lochnan, The Etchings of James McNeill Whistler, (catalogue) The Metropolitan Museum of Art and The Art Gallery of Ontario), Print Quarterly, 2, March, 1985, 69-72
v Review of Katharine A. Lochnan, The Etchings of James McNeill Whistler, (catalogue) The Art Bulletin, 69, June, 1987, 311-13
Working life
v Review of Neil McWilliam, Dreams of Happiness, Social Art and the French Left 1830-1850, Apollo, 142, no. 402, August, 1995, 81 (Although this falls outside our period, it describes the origins of later treatment on the subject – Ed., THE OSCHOLARS.)
v ‘Realite et illusion: La propagande dans les /images du travail de la fin du xixe siecle’, in Des Plaines à l'usine, Images du travail dans la peinture francaise de 1870 a 1914, Paris: Somogy, Editions d'Art, in conjunction with the Musée des Beaux-Arts, Dunkerque, 2001, 27-49.
