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BIBLIOGRAPHIES |
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OSCAR WILDE & WILLIAM BUTLER YEATS |
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What follows is a sketchy attempt
to bring together articles or books where Wilde shares the billing with W.B.
Yeats. This was created to mark the
creation of The Calumet, a discussion forum set up with Yeats as the subject
in May 2008. This can be found at http://groups.yahoo.com/group/yeatsian/.
In October 2008 we added a list of Dissertations. We hope as always to be able to expand this
list. |
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Bornstein, George: A borrowing from Wilde in
Yeats’s ‘The King’s Threshold’. Notes & Queries 18 pp.421-2 1971 |
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Daruwala, Maneck Homi: The Myth of the Poet:
Studies in Keats, Wilde and Yeats. Dissertation
Abstracts |
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Doody, Noreen:
‘An echo of some one else’s music’. The Influence of Oscar Wilde on
W.B. Yeats. In The Importance of
Reinventing Oscar, Versions of Wilde during the Last 100 Years. Amsterdam 2002 |
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Doody, Noreen:
An Influential Involvement : Wilde, Yeats and the French
Symbolists. Paper given to La Deuxieme
Conference de l’EFACIS, |
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Ellmann, Richard: Four Dubliners: Wilde, Yeats,
Joyce and Beckett. George
Braziller |
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Ellmann, Richard: Four Dubliners: Wilde, Yeats, Joyce and Beckett [as ‘Vier Dubliner, Wilde, Yeats, Joyce und
Beckett’]. Suhrkamp Frankfurt am |
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Ellmann, Richard: Four Dubliners: Wilde, Yeats, Joyce and Beckett. Library of Congress |
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Ellmann, Richard: Four Dubliners: Wilde, Yeats, Joyce and Beckett. Hamish Hamilton |
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Ellmann, Richard: Four Dubliners: Wilde, Yeats, Joyce and Beckett. Cardinal
paperback. See also 1991 Sphere
Books 1988 |
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Ellmann, Richard: Four Dubliners: Wilde, Yeats, Joyce and Beckett. Cardinal
paperback, 2nd impression of the 1988 edition Sphere Books 1991 |
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Ellmann, Richard: Uses of Decadence: Wilde,
Yeats and Joyce. |
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Ellmann, Richard: Uses of Decadence: Wilde,
Yeats and Joyce. In a long the
riverrun, Chapter I. Alfred A. Knopf |
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Ellmann, Richard: Uses of Decadence: Wilde,
Yeats and Joyce. In Literary Interrelations. Narr Tubingen
1987 |
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Ellmann, Richard: Uses of Decadence: Wilde,
Yeats and Joyce. In Philip Lopate
& Elizabeth Coleman: The Ordering
Mirror: Readers & Contexts. |
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Ellmann, Richard: Uses of Decadence: Wilde,
Yeats and Joyce. The Ben Bellitt Lectures
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Ellmann, Richard: Uses of Decadence: Wilde,
Yeats, Joyce. Ceri Crossley & Ian Small (edd): Studies in Anglo-French Cultural Relations
Macmillan London 1988 |
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Erzgraber, Willi: Tanz und Tod bei Oscar Wilde,
W.B. Yeats und James Joyce. In Tanz und
Tod in Kunst und Literatur. Duncker & Humblot |
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Fox, Steven James: Art & Personality:
Browning, Rossetti, Pater, Wilde & Yeats. Ph. D. Dissertation. |
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Gould, Warwick:
‘The Crucifixion of the Outcasts ‘: Yeats and Wilde in the Nineties.
In Rediscovering Oscar Wilde. Princess Grace Irish Library vol 8 Colin
Smythe Gerrards Cross 1994 |
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Hill, John Edward: Dialectical Æstheticism —
Essays on the Criticism of Swinburne, Pater, Wilde, James, Shaw and Yeats. |
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Jordan, John:
Shaw, Wilde, Synge and Yeats: Ideas, Epigrams, Blackberries and
Chassis. In The Irish Mind, Exploring Intellectual Traditions. Wolfhound |
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Koritz, Amy E.: Gendering Bodies, Performing Art:
Theatrical Dancing and the Performance Æsthetics of Wilde, Shaw & Yeats.
[ |
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Loughney, Martin: Springs of Irish Wisdom: Shaw, Wilde, Swift, Yeats. Infinity Books |
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Macedo, Suzette: Mentira, Fingimento e Mascaras:
Alguns Comentarios sobre Oscar Wilde, W.B. Yeats e Fernando Pessoa. 10Coloquio/Letras 107. |
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Mahaffey, Vicki: States of Desire: Wilde, Yeats, Joyce and the Irish Experiment. |
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Marr, Brian:
Wilde about Yeats
(play). Players Theatre |
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Mutran, Munira H.:
Álbum de Retratos, George Moore, Oscar Wilde e William Butler Yeats no fim do século XIX: un momento cultural.
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Nelson, Walter W.: The Creative 1890s: Essays on W.E. Henley, Arthur Symons, Oscar
Wilde, and William |
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Rhynehart, J. G.: Wilde’s Comments on Early Works
of W.B. Yeats. Irish Book 1 1962 |
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Stamm, Rudolf: W.B. Yeats und Oscar Wildes ‘Ballad of Reading Gaol’. In Wiener
Beitr. zur englische Philologie 65. Braumüller Vienna / |
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Stanley, Michael: Famous Dubliners: Wilde, Carson, Yeats, Joyce, Tone, Swift. Wolfhound |
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Steinman, Michael: Yeats and Wilde’s Art. In Yeats’s Heroic Figures: Wilde, Parnell,
Swift, Casement. |
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Thornton, R. K. R.: The Mask in Wilde and Yeats.
In Die Modernisierung des Ich – Studien
zur Subjektkonstitution in der Vor- & Fruhmoderne. Rothe Passau 1989 |
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DISSERTATIONS |
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In 1990 there was published in New
York Anglo-Irish Literature: a
bibliography of dissertations, 1873-1989, compiled by William T. O’Malley
of the University of Rhode Island.
This was followed by a Supplement published on line at http://digitalcommons.uri.edu/libts_pubs/1, covering dissertations completed
from 1989 to 2005. This remarkable
list (of several dozen pages and over two thousand entries) gives the name of
the author, date of completion, title of dissertation, a keyword or word
denoting the principal subject(s) if that does not appear in the title, and
the university, in that order. On the
assumption that dissertation refers to Ph.D or D.Phil (or its equivalent)
rather than Masters, I have extracted the following titles referring to Wilde
and Yeats. |
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·
We will be very happy to publish synopses of any of these
dissertations; and to learn of new ones. |
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[Two notices of caution: it is not
disclosed how substantial is the engagement indicated by the keyword; and the
Supplement is packed with typing errors – though given its scope it is only
surprising that there are not more – and I may not have caught them all. –Editor, THE OSCHOLARS.] |
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Bashant, W. E. (1990). The double
blossom and a sterile kiss: androgynous theory and its empediment in the
Nineteenth Century [Stoker, Wilde, Yeats], Rochester. |
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Burnsed, T. R. (2001). Staging the
Great Hunger: Anglo-Irish modernism in Wilde, Shaw, and Yeats, Colorado. |
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Cauti, C. (2003). The revolt of the
soul: Catholic conversion among 1890s London aesthetes [Wilde, Yeats],
Columbia |
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Fang, P. (1999). The aesthetics of
self-fashioning: Pater, Wilde, and Yeats, University of Pennsylvania |
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Hagenguth, K. (1996). Neopaganismus
und Christentum in der Viktorianischen Literatur unter besonderer
Berucksichtigung der minor authors [AE, G. Moore, Wilde, Yeats], Bonn. |
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Hartwig, H. A. (2002). The
performative turn in Twentieth Century poetry [Wilde, Yeats], SUNY (Buffalo). |
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Kinsella, P. F. (2002). ‘We must
return to the voice’: oral values and traditions in the works of Oscar Wilde
[Yeats, J.P. Mahaffy], British Columbia. |
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Koritz, A. E. (1988). Gendering
bodies, performing art: theatrical dancing and the performance aesthetics of
Wilde, Shaw, and Yeats, North Carolina. |
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Lennon, J. A. (2000). The Celt and
the Oriental: the narratives of Irish Orientalism [Cousins, T. Moore,
Stephens, Yeats], Connecticut. |
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O’Hara, J. J. (2003). Undercover
Irishness: espionage, empire, and identity in Irish literature, 1880-2000
[Wilde, Yeats, Stuart, Banville], North Carolina. |
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Susser, E. A. (1997). Modern
selves/romantic souls: the aestheticism of Pater, Wilde and Yeats, Virginia. |
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