|
THE
OSCHOLARS
April 2008 MICHAEL PATRICK GILLESPIE’S PUBLICATIONS ON OSCAR WILDE |
|
|
Michael Patrick Gillespie is
Louise Edna Goeden Professor of English at Marquette University in Milwaukee. |
|
|
|
|
|
Books |
|
|
The Picture
of Dorian Gray: ‘What the World Thinks Me.’
New
York: Twayne Publishers, 1995. |
|
|
|
|
|
Oscar Wilde
and the Poetics of Ambiguity. Gainesville:
University Press of Florida, 1996. |
|
|
Contents Acknowledgments ix Abbreviations
xi 1.
The Insistence of Pluralism: Wilde,
the Reader, and the Elements of Composition 1 2.
‘Tame Essence of Wilde’: The
Evolution of Wilde's Early Writings
17 3.
Cultural and Aesthetic Responses in
Wilde's Essays: Approaching The Picture of Dorian Gray
36 4.
Picturing Dorian Gray: Resistant
Readings in Wilde's Novel
57 5.
The Force of Conformity: Plays of
the Early Nineties
75 6.
The Victorian Impulse in
Contemporary Audiences: The Regularization of The Importance of Being Earnest 100 7.
From Beau Brummell to Lady
Bracknell: Re-viewing the Dandy in The Importance of Being Earnest 115 8.
The Salome of Wilde and Beardsley:
Multiple Voices, Multiple Texts 133 9.
The Failure of Solipsism: Wilde's Late
Work 155 Notes
175 Bibliography
191 Index
199 |
|
|
The Importance of Being Earnest: Authoritative Text, Backgrounds,
Criticism. New York, London: W.W.
Norton & Company, 2006. |
|
|
|
|
|
The Picture
of Dorian Gray: Authoritative Text, Backgrounds, Criticism. Second
Edition. New York, London: W.W. Norton & Company, 2006. |
|
|
|
|
|
Oscar Wilde:
Life, Work, and Criticism. Fredericton,
N.B.: York Press Ltd., 1990. |
|
|
|
|
|
Articles |
|
|
‘Picturing
Dorian Gray: Resistant Readings in Wilde's Novel.’ English Literature in Transition: 1880-1920 35 (1992):7-25.
Reprinted in The Picture of Dorian
Gray: Authoritative Text, Backgrounds, Criticism. Second Edition. Ed.
Michael Patrick Gillespie. New York, London: W.W. Norton & Company, 2006 |
|
|
|
|
|
‘From
Beau Brummell to Lady Bracknell: Reviewing the Dandy in The Importance of Being Earnest.’
Victorians Institute Journal
21 (1993): 119-142. Reprinted in The
Importance of Being Earnest:
Authoritative Text, Backgrounds, Criticism. Ed. Michael Patrick Gillespie. New York, London:
W.W. Norton & Company, 2006, pp. 166-182. |
|
|
|
|
|
‘“What's
in a Name?”: Representing The Picture
of Dorian Gray.’ Bucknell Review. 38 (1994): 44-60. |
|
|
|
|
|
‘Ethics
and Aesthetics in The Picture of Dorian
Gray.’ In Rediscovering Oscar Wilde.
Ed. C. George Sandulescu. Gerrards
Cross: Colin Smythe, 1994, pp. 137-155. |
|
|
|
|
|
‘Oscar
Wilde and the Fabrication of an Irish Identity’, first published as a chapter
in Michael Patrick Gillespie: The
Æsthetics of Chaos: Nonlinear Thinking and Contemporary Literary Criticism.
Gainesville, FL: University Press of Florida, 2003. |
|
|
|
|
|
‘Preface.’
The Importance of Being Earnest:
Authoritative Text, Backgrounds, Criticism. New York, London: W.W. Norton
& Company, 2006, pp. ix-xii. |
|
|
|
|
|
‘Preface.’ The
Picture of Dorian Gray: Authoritative Text, Backgrounds, Criticism. Second
Edition. New York, London: W.W. Norton & Company, 2006, pp. ix-xiv. |
|
|
|
|
|
·
The first five of the articles
listed above have been republished by kind permission in our Library. We also draw your attention to Professor
Gillespie’s assessment
of Richard Ellmann ‘Ellmann and Success’, THE OSCHOLARS 2007. |
|
|
|
|
|
|
|
|
For the Bibliographies Table of Contents, click
|
|
|
|
|
