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BIBLIOGRAPHIES |
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OSCAR WILDE IN
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In July 2003, Linda Pui-Ling Wong (Hong Kong Baptist University, and an Associate Editor of THE OSCHOLARS) kindly provided the following list, which she up-dated for us in the summer of 2007 and in May 2008 (to a total of 48), adding a further 21 in January 2010: |
1. BU, You-juan. On Textual Constructional Function of
Marked Theme--Based on the Research of Wilde’s ‘The Nightingale and the
Rose’. Journal of Hengshui
University 11.3 (June 2009):
49-51. (China). [In Chinese]. |
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2. Chen, Jiuhui. ‘Truth, Kindness and Beauty in Oscar Wilde’s ‘The Happy Prince’.’ Journal of Hubei University of Economics (Humanities and Social Sciences) (China) 4.5 (May 2007): 135-136. [In Chinese]. |
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3. CHEN, Li, and JIANG Bingqing. The Image of Death in Oscar Wilde’s Fairy
Tales. Journal of Mudanjiang University 18.2 (February 2009):
35-37. (China). [In Chinese]. |
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4. CHEN, Rui-hong. On Wilde’s Theory of Criticism. Journal of PLA University of
Foreign Languages 32.1 (January
2009): 84-89. (China). [In Chinese]. |
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5. Chen, Ruihong. ‘Kitsch: An Aesthetic
Predicament of Oscar Wilde.’ Journal
of |
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6. Chen, Ruihong. ‘The Formalist Feature in the Writing of Oscar Wilde.’ Journal of School of Chinese Language and Culture Nanjing Normal University (China) 3 (September 2007): 123-128. [In Chinese]. |
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7. Chen, Xu. ‘Oscar Wilde’s Aestheticism and Russian Formalism.’ Journal of Anhui Radio & TV University (China) 1 (2007): 103-106. [In Chinese]. |
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8. DONG, Lili. Paradox of Indulgence and Redemption in the
Fairy Tales of Oscar Wilde. Journal of Wenzhou University (Social
Sciences) 22.1 (January 2009): 90-94.
(China). [In Chinese]. |
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9. DONG, Lili. The Fairy Tales of Oscar Wilde: Change from
Liberation of Sensory to Sexual Indulgence.
Journal of Hefei University
of Technology (Social Sciences) 23.4
(August 2009): 117-119. (China). [In Chinese]. |
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10. Du, Jigang, and Ji Junfeng. ‘The Realization Theory in Wilde’s Poetics.’ Journal of Nanchang Institute of Aeronautical Technology 8.2 (April 2006): 49-53. [In Chinese]. (China). |
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11. DU, Ji-gang. Death of Theories and Death of Authors–A
Poetic Theme of Aesthetic Criticism in Pater and Wilde. Journal of Wuhan University
of Technology (Social Sciences Edition) 22.1 (February 2009): 135-141.
(China). [In Chinese]. |
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12. Duan, Fang, and Wang Shou-ren. ‘New Women Negotiating the World: A Reading of Oscar Wilde’s The Ideal Husband.’ Journal of Sichuan International Studies University 22.5 (September 2006): 13-17. [In Chinese]. (China). |
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13. HE, Qing-hua, and WEI Yun-ting. The
Desiring Subject’s Awakening and Re-construction: Salome’s Rebellion and
Transgression. Journal of Shaoyang
University (Social Science Edition)
8.5 (October 2009): 90-94.
(China). [In Chinese]. |
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14. HU, Zhi-yi. Imitation and Sacrifice: ‘Salome’ and
Something Else. Studies in Culture & Art 2. 3 (May 2009): 178-182. (China).
[In Chinese]. |
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15. Huang, Yi. ‘The Manifestation of Aestheticism in Oscar Wilde’s Fairy Tales.’ Journal of Chongqing University of Posts and Telecommunications (Social Science Edition) (China) (June 2007): 68 |
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16. KONG, Fan-fei.
Fairy Tales into Which the Self Merged--On Wilde and His Writing. Journal of Shangqiu
Vocational and Technical College 8.
3 (June 2009): 61-63. (China). [In Chinese]. |
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17. Li, Guirong. ‘Sources of Oscar Wilde’s Aestheticism.’ Journal of Henan Normal University (China) (July 2007): 122-125. [In Chinese]. |
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18. Li, Leping. ‘Combining the Arts of the East and the West: On Wen Yiduo’s Borrowing of Æstheticism and Inheriting of Ethnic Characteristics.’ Gansu Social Sciences 4 (2002): 27-29. (China). [In Chinese]. (Oscar Wilde was one of Wen Yiduo’s influences). |
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19. Li, Wei. ‘A Comparative Study of ‘Venus and Adonis’ and Salomé.’ Guangxi Social Sciences 4(2002): 172-174. (China). [In Chinese]. |
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20. Li, Xiaoju. ‘The Tension between Beauty and Holiness: A Theological Reading of Wilde’s Salome.’ Appreciation of Famous Literary Works 17 (2006): 107 |
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21. Li, Yuan. ‘The Carnivalized World of Dandies: Oscar Wilde’s Iconoclastic Subversion and Reconstruction in The Importance of Being Earnest.’ Journal of Sichuan International Studies University (China) 23.1 (January 2007): 47-51. [In Chinese]. |
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22. Li, Zhi, and Sun, Shengcun. ‘The Relationship between Chinese Drama and Aesthetic Drama in the 1920s—Interpreting the Translations and Performances of Oscar Wilde’s Plays in the 1920s.’ Luxun Research Monthly (China) 12 (2007): 36-44. [In Chinese]. |
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23. Li, Zhiyan. ‘Paradox and Unity: Analysis of the Murder Cases in The Picture of Dorian Gray.’ Foreign Literature Studies (China) 1 (2007): 89-95. [In Chinese]. |
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24. Lin, Ai-hua. ‘Gender Relations in Fairy Tales of Mermaids and Water Nymphs with Reference to the Soul of a Mermaid.’ Journal of Dongwu Foreign Languages 23 (September 2006): 1-19. [In Chinese]. (Taiwan). |
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25. LIU, Jin. A Tragedy of the Identity Construction in
the Framework of Colonialism: A Discussion of Wilde’s The Picture of Dorian Gray.
Journal of Northeast Normal
University (Philosophy and Social Sciences) 3 (2009): 133-137.
(China). [In Chinese]. |
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26. Liu, Maosheng and Fang, Hong. ‘An Ethical Study of Wilde’s Salome.’ Foreign Literature Studies (China) 6 (2007): 164-170. [In Chinese]. |
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27. LIU, Maosheng. Political Ethics and Family Harmony in
Oscar Wilde’s An Ideal Husband. Foreign Literature Studies 3 (2009): 82-88.
(China). [In Chinese]. |
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28. Liu, Maosheng. ‘Moral Thinking in Oscar Wilde’s Fairy Tales: A Case Study of ‘The Happy Prince’.’ The World Literature Criticism (China) 2 (2007): 101-104. [In Chinese] |
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29. LIU, Shuhong. On the Emotional and Spiritual World of
Wilde from Perspective of Comparison between Chinese and Western
Cultures. Journal of Shaoxing
University (Philosophy and Social Sciences Edition) 29. 4 (July 2009): 69-72. (China).
[In Chinese]. |
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30. Liu, Wenjuan. ‘An Ideal Husband: Characteristics of Aestheticism in Modern Western Drama.’ Journal of Pingdingshan University (China) 22.4 (August 2007): 71-73. [In Chinese]. |
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31. Liu, Yuan. ‘Psychology’s Engagement with the Debates over the Status of Science and Art in The Picture of Dorian Gray.’ Journal of the Chinese People’s Armed Police Force Academy (China) 23.1 (January 2007): 91-93. [In Chinese]. |
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32. MO, Fan, and NIU Yanqing.
Everlasting
Temptation--Archetypal Analysis of Henry Wotton in The Picture of Dorian Gray.
Journal of Mudanjiang
Teachers College (Philosophy Social Sciences Edition) 150. 2 (2009):
34-36. (China). [In Chinese]. |
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33. Pu, Durong, and Cai, Xiujuan. ‘Moon Myth in Oscar Wilde’s Salome.’ Journal of Chongqing University (Social Science Edition) (China) 13.2 (2007): 80-83. [In Chinese]. |
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34. QIU, Xiao. Salome--Aesthetic Experiment of Wilde’s
Plays. Journal of Ningde Teachers
College (Philosophy and Social Sciences Edition) 90.3 (2009): 46-53.
(China). [In Chinese]. |
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35. SUN, Jia. Sufferings of the Protagonists in Oscar
Wilde’s Fairy Tales from the Aesthetic Perspective. Journal of Zhejiang Shuren
University (Humanities and Social Sciences) 92. (March 2009):
87-91. (China). [In Chinese]. |
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36. Sun, Jianchang. ‘The Artistic Charm of The Picture of Dorian Gray.’ Theory Journal 152 (October 2006): 118 |
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37. Tang, Bingyan. ‘Another Understanding of The Picture of Dorian Gray.’ Journal of Xinyu College 11.2 (April 2006): 58 |
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38. Tang, Jiaqing. ‘The Salome Complex: Women in the Eyes of the Nineteenth-century Westerners.’ World Art 3 (2006): 89-91. [In Chinese]. (China). |
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39. Tong, Fangli. ‘Evaluation on Yu Guangzhong’s Translation of The Importance of Being Earnest: From Domestication and Foreignization.’ Journal of Taizhou University 28.2 (April 2006): 43 |
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40. Wang, Jingbo. ‘The Aestheticism in ‘The Nightingale and the Rose’.’ Journal of Daqing Normal University (China) 27.3 (June 2007): 107 |
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41. WANG, Li. The Relationship between Beauty and Psyche
in The Portrait of Dorian Gray. Journal of Xinjiang Normal
University (Edition of Philosophy and Social Sciences) 30.1 (March 2009): 135-138. (China).
[In Chinese]. |
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42. WANG, Liguo, and YANG Xiaobo. YU
Guangzhong’s Translation Strategy to the Punny Names in The Importance of Being Earnest.
Journal of Jilin Agricultural
Science and Technology College 18.3
(September 2009): 79-81. (China). [In Chinese]. |
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43. Wang, Shifeng. ‘On the Contradiction between Oscar Wilde’s Literary Viewpoint and Creative Practice for Novel—Taking The Picture of Dorian Gray as An Example.’ Journal of Xuzhou Education College (China) 22.4 (December 2007): 142-144. [In Chinese]. |
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44. Wang, Wanying. ‘The Canterville Ghost in the Atmosphere of the Bible—The Image of Wilde’s Ghost and the Value of Aestheticism being Dispelled.’ Journal of Zhoukou Normal University (China) 24.3 (May 2007): 35-38. [In Chinese]. |
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45. Wang, Wei. ‘Interpreting Miss Julie and Salome.’ Drama Literature (China) 12 (2007): 73 |
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46. Wang, Yangqing. ‘Interpreting Wildean Aestheticism in ‘The Nightingale and the Rose’.’ |
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47. Wilde, Oscar. An Ideal Husband. Trans. WENX Inyi. Beijing, China: Renmin wenxue chubanshe, 2002. [Chinese translation]. |
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48. Wilde, Oscar. The Nightingale and the Rose. Tr. ZHANG Chunfeng. Taiwan: Shixing taiyu |
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49. Wilde, Oscar. The Picture of Dorian Gray. Tr. WANG Daiyun. Taiwan: Jiuge chubanshe, 2006. [Chinese transl.]. (Taiwan). |
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50. Wilde, Oscar. The Sphinx: Complete Short Fiction of Oscar Wilde. Trans. LAI Ziyunyi. Ha’erbin, China: Ha’erbin chubanshe, 2002. [Chinese translation]. |
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51. Wilde, Oscar. The Star-Child: Selected Short Stories of Oscar Wilde. Tr. GU Sijia. Taiwan: Maitian chubanshe, 2006. [Chinese transl.]. (Taiwan). |
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52. Wu, Maoguo. ‘The ‘Other’ of Living in Art: Narrative Ethics in The Picture of Dorian Gray.’ Journal of Ningxia University (Humanities & Social Sciences Edition) (China) 29.1 (January 2007): 94 |
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53. WU, Xueping. On the Use of Props in Wilde’s
Comedies. Journal of Guangzhou
University (Social Science Edition)
8.10 (October 2009): 66-71.
(China). [In Chinese]. |
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54. Wu, Xueping. ‘An Analysis of ‘The Portrait of Mr. W.H.’.’ Foreign Literature Studies 5 (2006): 81 |
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55. Wu, Xueping. ‘Originality of the Characters in Oscar Wilde’s Comedies.’ Foreign Literature Studies (China) 6 (2007): 157-163. [In Chinese]. |
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56. WU, Zong-hui, and ZUO Shu-hua. Oscar
Wilde: A Traditional Non-traditionalist.
Journal of Dalian University 5 (2009): 65-67.
(China). [In Chinese]. |
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57. Xu, Wei. ‘The Eternal Instant—On the Time Outlook of Wilde’s Aesthetical Works.’ Journal of Jiangsu Institute of Education (Social Science Edition) (China) 23.5 (September 2007): 79 |
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58. Yang, Lihong. ‘An Analysis of Internal Contradictions of Wilde’s Aestheticism.’ Journal of Guizhou Normal University (Social Sciences) 3 (2006): 99 |
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59. Yang, Ni. ‘On Oscar Wilde’s Literary Ethics from a Study of The Picture of Dorian Gray.’ Journal of Yunnan Nationalities University (Social Sciences) (China) 24.3 (May 2007): 133 |
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60. Yang, Ni. ‘On the Dandies in Oscar Wilde’s Comedies.’ Journal of Yunnan Normal University (Philosophy and Social Sciences) 34.1 (January 2002): 137-140. (China). [In Chinese]. |
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61. YUAN, Xianjun. Dandyism in Oscar Wilde’s Poetry. Foreign Literatures 2 (2009): 74-82.
(China). [In Chinese]. |
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62. Zhang, Chen. ‘A Lustful Prophet: A New Reading of the Image of Salome.’ Drama Literature 9 (2006): 46-48. [In Chinese]. (China). |
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63. ZHANG, Hui. Wilde--Master Who Perseveringly Pursues
Beauty. Journal of Inner Mongolia
University for Nationalities (Social Sciences) 35.3 (May 2009): 48-49.
(China). [In Chinese]. |
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64. Zhang, Ting. ‘An Analysis of Religious Prototype in Oscar Wilde’s Fairy Tales.’ Journal of Shanxi University of Finance and Economics 9.1 (March 2006): 79-82. [In Chinese]. (China). |
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65. Zhao, Yue. ‘Soul-Image and Wilde’s Narcissus Archetype.’ Journal of Chongqing Jiaotong University (Social Sciences Edition) 6.3 (September 2006): 78-81. [In Chinese]. (China). |
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66. Zheng, Jinhuai. ‘Analysis of Lin Huiyin’s Chinese Version of ‘The Nightingale and the Rose’.’ Journal of Longyan University (China) 25.5 (October 2007): 89 |
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67. Zhou, Ji. ‘On Wilde’s Aestheticism.’ Journal of Changshu Institute of Technology (Philosophy & Social Sciences) (China) 1 (January 2007): 106 |
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68. Zhu, Yarong, and Wu, Jie. ‘Oscar Wilde’s Aestheticism in The Picture of Dorian Gray.’ Movie Literature (China) (December 2007): 83-84. [In Chinese]. |
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To these we added in 2003 |
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Lifu Chen:
‘Singular, Ingenious, Implicit – Lady Windermere’s Fan.’ Foreign Literature Studies
37/3 September 1987. |
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Günther Debon: Oscar
Wilde und der Taoismus.
Bern / New York: Euro-Sinica / P. Lang. 1986. |
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Margaret M. S. Yü: Two Masters of Irony, Annotations on three essays by Oscar Wilde and Lytton
Strachey, with special reference to their manner of writing. Hong
Kong: Hong Kong University Press 1957. |
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Xiaoyi Zhou:
‘Oscar Wilde: An Image of Artistic Self-Fashioning in Modern
China, 1909-1949’, Images of Westerners in Chinese and Japanese Literature (edd. Hua Meng and Sukehiro Hirakawa)
Amsterdam: Rodopi 2000 pp.95-113. |
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Xiaoyi Zhou:
‘Salomé in China: The Æsthetic Art of Dying’, in Joseph Bristow (ed.): Oscar Wilde, Criticism and
Interpretation. Toronto: University of Toronto Press 2003. |
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To Bibliographies
Table of Contents |
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