to reach the appropriate page.
In the case of no. 16 the link is to an outside site
1. Par-dessus les abîmes du temps, la grande chaîne des lettres
Editorial, by Sophie Geoffroy |
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| 2. Forthcoming events |
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| 3. Guidelines for authors |
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| 4. Villa Il Palmerino, by Federica Paretti (in Italian) with English translation by Elisa Bizzotto |
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| 5. Vernon Lee par Laura Terzani (in Italian) with French translation by Sophie et Marie Thérèse Jorrand |
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| 6. Six water colours by Violet Paget (primary sources) |
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| 7. Vernon Lee’s circle |
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| 8. Sensibility, Sensitivity and Heterotopia in Vernon Lee’s ‘itnarrative’: A Critical Introduction to ‘Biographie d’une monnaie’ (1870), by Anthony Teets, in collaboration with Sophie Geoffroy |
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| 9. ‘Biographie d’une monnaie’ (Violet Paget) Primary sources |
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| 10. Preface to Vernon Lee’s Letters, by Irene Cooper Willis |
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| 11. The Price of a Lily: Vernon Lee’s ‘A Wedding Chest’, by Anthony Teets |
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| 12. Illustrations to the above |
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| 13. ‘Miss Grief’ (1880) by Constance Fenimore Woolson and ‘Lady Tal’ (1892) by Vernon Lee: a Comparative Study, by Marie-Aude Torpos |
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| 14. Le Don Juan fidèle dans ‘La Vierge aux sept poignards’ de Vernon Lee, ou la défiguration d’un mythe, par Alice Mussard |
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| 15. Bibliography (addenda) |
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| 16. 'Library: Rewriting the Myth of Atalanta: Sex and Style in Vernon Lee’s ‘Lady Tal’', by Catherine Delyfer |
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17. Book reviews
Dalla stanza accanto: Vernon Lee e Firenze settant’anni dopo: Atti del convegno internazionale di studi Firenze 262728 maggio 2005. Book review by Julia Bolton Holloway |
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| 18. Notes on Contributors |
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