|
|
|
APPENDIX |
|
BibliographY 2007 COMPILED
with commentaries BY BARBARA PFEIFER, ASSOCIATE EDITOR |
|
. |
I. Works by Shaw
|
|
Bernard
Shaw. al-Insan wa-al-Insan al Kamel [Man and Superman]. Translated by
Hassam Sadek al-Tumaimy. Beirut:
Dar al-Bihar, 2007. |
|
---. The Adventures of the Black Girl in Her
Search for God. Foreword by Colm Toibin. |
|
---. Androcles and the Lion. |
|
---. Androcles and the Lion.
Cambridge, Massachusetts: Indypublish.com, 2007. |
|
---. Aventuras de una negrita en busca de Dios [The Black Girl in the Search of God]. Translated by Benito Gómez Ibáñez. Narrativa
Galaxia 45. Barcelona: Galaxia Gutenberg, 2007. |
|
---. Arms and the Man. Edited by J. P. Wearing. London: A & C
Black, 2008. |
|
---. Arms and the |
|
---.
Arms and the |
|
---. Arms and the Man. Minneapolis, Minnesota: FQ Classics, 2007. |
|
---.
Back to Methuselah. Charleston,
South Carolina: BiblioBazaar, 2007. |
|
---. Back to Methuselah. |
|
---. Caesar and Cleopatra. |
|
---.
Caesar and Cleopatra. Charleston,
South Carolina: BiblioBazaar, 2007. |
|
---.
Cashel Byron’s Profession. |
|
---.
Cashel Byron’s Profession.
Whitefish, |
|
---. Cashel Byron’s Profession. |
|
---.
‘The Cinema As a Moral Leveller.’ New Statesman (28 May 2007): 62. |
|
---. The Devil’s Disciple. |
|
---. The Doctor’s Dilemma. |
|
---.
The Doctor’s Dilemma. Charleston, South Carolina: BiblioBazaar, 2007. |
|
---.
The Doctor’s Dilemma. |
|
---.
Fanny’s First Play. |
|
---.
Getting Married. Charleston, South Carolina: BiblioBazaar, 2007. |
|
---.
Getting Married. |
|
---. Heartbreak House. |
|
---.
Heartbreak House. Charleston, South Carolina: BiblioBazaar, 2007. |
|
---. The Irrational Knot. |
|
---. John Bull’s Other Island. |
|
---.
The Letters of Bernard Shaw to The
Times. Edited by Ronald Ford. Foreword by Michel Pharand. |
|
·
Bernard Shaw lived through
a time of great change, in which he played a major role, and many of the
momentous events of the twentieth century are touched upon in this important
collection. The Times was a powerful medium not just in |
|
|
|
---.
Major Barbara. Edited by Nicholas
Grene. New Mermaids. |
|
---. Major Barbara. |
|
---. Man and Superman.
Charleston, South Carolina: BiblioBazaar, 2007. |
|
---. Misalliance. |
|
---.
Misalliance. Whitefish, |
|
---. Mrs Warren's Profession. Edited by Norma Margaret Jenckes.
New Mermaids. London: Methuen Drama, 2008. |
|
---. Mrs Warren’s Profession. |
|
---. ‘A Note on Irish Nationalism’. New Statesman (14 January
2008): 62. |
|
---. The Philanderer. |
|
---. Pigmalion. Edited by Florian Sobieniowski. Dzieła
Najwybitniejszych Noblistów, 23. [Warszawa]: |
|
---. Pygmalion. Edited by L. W.
Conolly. New Mermaids. London: Methuen Drama, 2008. |
|
---. Pygmalion. |
|
---. Pygmalion. A Romance in Five
Acts. [München]: Langenscheidt, 2007. |
|
---. A Treatise on Parents and
Children. Charleston, South Carolina: BiblioBazaar, 2007. |
|
---.
An Unsocial Socialist. |
|
---. You Never Can Tell. |
|
Wilde, Oscar, and Bernard Shaw. Shakespeares
älskade. Translated by Ulf Liljedahl. Etyder, 6. Lund: Ellerström, 2007. |
|
·
This
study contrasts Oscar Wilde’s The Portrait of Mr W. H. and Shaw’s play
The Dark Lady of The Sonnets. |
|
|
II. Books
|
|
Bates, Robin E. Shakespeare
and the Cultural Colonization of Ireland. New York: Routledge, 2008. |
|
·
Focusing on plays (Richard
II, Henry V, and Hamlet) which appear prominently in the
writing of the Irish nationalist movement of the early twentieth century,
this study explores how Irish writers such as Sean O’Casey, Samuel Beckett,
W. B. Yeats, Bernard Shaw, James Joyce, and Seamus Heaney, resisted English
cultural colonization through a combination of reappropriation and critique
of Shakespeare's work. (summary
provided by publisher) |
|
Chervysheva, Victoriia. Bernard Shou skandal zakazyvali? [Moskva]: OLMA Mediagrupp, 2007. |
|
Chesterton,
G. K. George Bernard Shaw. |
|
---. Chesterton on War: Militarism, Pacifism,
and |
|
Crawford, MaryAnn Krajnik, and Michel Pharand (eds.) SHAW. The Annual of Bernard Shaw Studies 27 (2007). University Park, Pennsylvania: Pennsylvania State
University Press. |
|
DiGaetani, John Louis. Stages of Struggle: Modern Playwrights and Their
Psychological Inspirations.
Jefferson, North Carolina: McFarland & Co, 2008. |
|
·
One way or another, all
playwrights use their work to explore the is |
|
George Bernard Shaw Note
Book With 224 Quotes. |
|
Holman, J. K. (ed.) Wagner Moments. A
Celebration of Favorite Wagner Experiences. |
|
·
The music dramas of Richard
Wagner have, for the last 150 years, thrilled and amazed listeners
everywhere. In Wagner Moments, author J. K. Holman has assembled 100
such moments, from the living and dead, famous and not so famous, from
Charles Baudelaire to Placido Domingo, musicians and non-musicians. Mr.
Holman edits these stories, placing them in their biographical and historical
context. (summary provided by
publisher) |
|
Li,
Kay. Bernard Shaw and |
|
·
Bernard Shaw ‘traveled’ to |
|
Meyers,
Jeffrey, and Roberto Mares. Grandes
matrimonios en la literatura [Married
to Genius]. México: Grupo
Editorial Tomo, 2007. |
|
·
This
biography discusses famous couples in literary history, including Scott and
Zelda Fitzgerald, James and Nora Joyce, Joseph and Jessie Conrad, and Bernard
and Charlotte Shaw. |
|
Morse,
Barry. Remember with Advantages:
Chasing the Fugitive and Other Stories from an Actor’s Life. |
|
·
In this memoir Morse traces
his life and career, including his years at the Royal Academy of Dramatic
Art, his radio jobs with the |
|
Saint Joan: Shaw Festival Study Guide 2007. Shaw
Festival. April 2007. http://www.shawfest.com/shaw07/pdf/guides/Saint_Joan_Study_Guide.pdf |
|
Shen,
Qian. Xia fa Xiaobona you mo = Bernard
Shaw humour. Jiu ge wen ku,
775. Taibei Shi: Jiu ge chu ban she you xian gong
si, 2007. |
|
Wilder,
Thornton. Collected Plays &
Writings on Theater. Edited by J. D. McClatchy. |
|
·
This collection takes the
measure of Wilder's extraordinary career as a dramatist by presenting the
complete span of his achievement, beginning with his early expressionist
experiments and daring one-act plays, ranging through the full flowering of
maturity, and encompassing the intriguing dramatic projects of his later
years, such as his adaptation of the ancient story of Alcestis (The
Alcestiad) and plays written for dramatic cycles based on the Seven Deadly
Sins and the varied ages of an individual's life. Complementing the selection
of plays is an illuminating group of essays that captures Wilder's
reflections on his plays and contains a revealing epistolary account of the
film adaptation of Our Town, as
well as evaluations of dramatists such as Sophocles, George Bernard Shaw, and
the Austrian satirist Johann Nestroy. (summary
provided by publisher) |
|
|
|
|
|
|
Allen,
Brooke. ‘No
Place’.
The New Criterion 25.8 (2007):
51-55. |
|
·
The article looks into the
passion of continental |
|
Batts,
Battinto. ‘Pygmalion:
Connecting for Community Oriented Play’. The Strayer University Chesapeake
campus-Chesapeake/Virginia Beach Chapter of the Links, Inc., production. The Virginian Pilot-Ledger Star ( |
|
Bornstein,
Lisa. ‘Nice
to See You Again, Mrs Warren’.
Review of the Denver Center Theatre Company production. Rocky Mountain News ( |
|
Brown,
Mark. ‘Theatre:
Mrs Warren’s Profession: Royal
Lyceum, Edinburgh [production]’.
Daily Telegraph ( |
|
Daniels,
A. ‘The
Cure for Bernard Shaw’. The New Criterion
26.2 (2007): 4-9. |
|
·
The article discusses his
reaction on the theories of prose writer Bernard Shaw. The author claims that
Shaw campaigned for anti-vaccination and accused the medical profession of
complete ignorance of scientific method and statistical reasoning. He
suggests that Shaw used his anti-vaccination stance just to attract notice
and excite comment. He also argues that if Shaw had had his way, smallpox
would still be with us. (abstract) |
|
‘Editor’s Comment’. Southern Humanities Review 42/3 (2007): ii-iv. |
|
·
The article presents a
comment on the statement from George Bernard Shaw about teaching profession,
author. The author comments that the sentiment comes from some scriptwriter
cackling in satisfaction at having produced a Burty Reynolds screenplay. The
author added that the Shaw sentiment makes some sense. The author explains
that one has the obligation to lend expertise to younger voices, to assist
them with interpretation and phrasing. One thinks of the disciplined instruction
of Margaret Hines Roberts, the teacher of Thomas Wolfe. (abstract) |
|
Fraser,
Kathryn. ‘'Now
I Am Ready to Tell How Bodies Are Changed into Different Bodies …'. Ovid, The
Metamorphoses’.
Makeover Television: Realities
Remodelled. Ed. Dana Heller. |
|
·
The article discusses
contemporary women’s makeover shows and the ‘powers of transformation’
inherent to reality television in relation to Shaw’s Pygmalion. |
|
Goldman,
Michael. ‘Shavian
Poetics. Shaw on Form and Context’.
|
|
Green, Adam. ‘People Are Talking About - Theater - Jefferson Mays and
Claire Danes Take on George Bernard Shaw and Each Other in a Smart,
Reimagined Broadway Production of Pygmalion, Writes Adam Green’. Vogue (September
2007): 591. |
|
|
IV. ADDENDUM COMPILED BY LINDA PUI-LING
WONG, May 2008
|
|
Chen, Jing. ‘Maid off the Altar—Upon Image Reconstruction in Shaw’s Historical Play Saint Joan.’ Journal of Hefei University of Technology (Social Sciences) ( |
|
Liu, Tao. ‘A Trap in Realism—Is Shaw a
Playwright of Realism?’ Journal of PLA Academy of Arts ( |
|
Shen, Qian. Bernard
Shaw’s Humor. |
|
Tang, Hongmei. ‘Disillusionment in Shaw’s
Latter Plays.’ Sichuan Drama ( |
|
Tang, Wan. ‘Transformation and Disillusionment—Eliza’s Growing up in Pygmalion.’ Journal of Chongqing Vocational & Technical Institute ( |
|
Wu, Xianze. ‘Bernard Shaw’s Drama Creation and Its Influence on |
|
Zhao, Linya. ‘Analyze Eliza’s Transformation from Ontological Self to the
Epistemological Self.’ Journal of Anyang Institute of Technology ( |
|
|
|
Click |
|
Clicking |
|
|
|
|